Name: Bogoroditse Djevo - Arvo Pärt by Northwestern Choir/Tim Sawyer
Duration: 1 min 28 s
Description: Bogoroditse Djevo by Arvo Pärt, performed by Evangelion (Minnesota, USA) at Matejus draudze, Riga, Latvia. Timothy Sawyer, conductor

Bach: Brandenburg Concertos

Brandenburg Concerto no. 6 In B flat major, BWV 1051: Allegro

Composer : Gabriel Fauré
Piece : Dolly Suite, Op. 56 No. I  "Berceuse"

Primo : Ms. Hellen
Secondo : me

you can see the video version at my YouTube channel :)
https://www.youtube.com/watch?v=SYfCt62NL38

Dolly Suite, op. 56 I. Berceuse

Gabriel Fauré - Dolly Suite, Op. 56 I. Berceuse

Preview track from an upcoming release of the Complete Bach Cello Suites arranged for guitar, due out in early 2014

J.S. Bach - Courante 3 BWV 1009

Bach: Concerts avec plusieurs instruments II

Suite in C Major, BWV 1066: I. Ouverture

Bogoroditse Djevo by Arvo Pärt, performed by Evangelion (Minnesota, USA) at Matejus draudze, Riga, Latvia. Timothy Sawyer, conductor

Bogoroditse Djevo - Arvo Pärt

< ALCESTE, OU LE TRIOMPHE D 'ALCIDE> 
Opéra  Français de XVIIe Siécle

Jean-Baptiste Lully <Alceste> 1673:   2ème Air  "Les Démons" - Jordi Savall & Le Concert Des Nations

Live video: https://youtu.be/TLDZ02-1LYw

J.S. Bach composed this prelude for harpsichord in 1722 in the first book of The Well Tempered Clavier. In the Baroque period, the piano – meaning "soft" in Italian – didn't exist yet; in other words, each keyboard note sounded as loud as each other. This is a beautiful arrangement for piano transcribed in 1912 by Siloti, a pupil of Tchaikowsky.

The instrument is a Clavia Nord Piano 3 using a sampled Blüthner Model 1 grand piano, with reverb and delay, and an Oberheim OB-6 synth.

Video

Bach/Siloti - Prelude in B minor

Erik Satie -Gnossiennes No 1 cello version By Rashed Abdullah

On you tube clip 
http://www.youtube.com/watch?v=2Nue-9f7GMo&feature=youtube_gdata_player


Erik Satie -Gnossiennes No 1 cello version By Rashed Abdullah

The “Waldstein Sonata” is one of Beethoven's most famous sonatas, and is an excellent example of one of his more Romantic sonatas. Its first movement is a sonata in somewhat standard sonata form; however, Beethoven modulates to the mediant when moving from theme I to theme II, which is not a typical key relation in a classical sonata. The development involves repeated instances of various themes from the exposition set over myriad modulations throughout various obscure keys.
	The second movement is an extremely slow introduction to the third movement. Its slow speed is not calm, but rather tense. The tension increases slowly throughout the piece, reaching a strong climax and then leading the listener to a suspenseful transition into the third movement. Most of the material of the piece is built on a simple dotted rhythm with a rising interval.
	The final movement of the Waldstein sonata is a long journey from a large variety of emotions, from dark and blisteringly fast, to soft and quiet. This is perhaps the most romantic of the movements of the sonata, with many blurred harmonies due to long pedal markings, dramatic moments, and extreme emotions. It achieves a sort of transcendental feeling found in compositions of the Romantic periods with its long pedal markings, shimmering textures, and its slow harmonic rhythm. These characteristics foreshadow elements of Beethoven's later sonatas where he capitalized on slow harmonic rhythm and muddied textures that seem to lose any melodic content.

This is from my senior recital on December 2, 2012.

Bogoroditse Djevo - Arvo Pärt

Northwestern Choir/Tim Sawyer

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