Montage of mechanics, ambience, practical fx and original music for Stages Repertory Theatre's production of THE UNSEEN, written by Craig Wright and directed by Brad Dalton. January 2008. all sounds copyright 2008 Tim Thomson

THE UNSEEN (Montage Mix)

Primitive electronica from the Dark Ages. As befits the gender-bending, millennium-prophesaying, hallucinatory anachronistic world of the year 999 in Moira Buffini's play SILENCE, produced by Stages Repertory Theatre in 2005. Directed by Rob Bundy. Original Score copyright Tim Thomson.

Selections from SILENCE

A theme to accompany the strut of the morning prostitutes, in University of Houston's production of The Good Woman of Setzuan, by Bertolt Brecht, 2008, directed by Kim Weild.  Most of the sound design for this production included supporting Two Star Symphony in their live performance on stage; this little snippet was my only compositional contribution.

Setzuan Streetwalk

Original composition and design for Mildred's Umbrella's production of DEAD MANS CELL PHONE, by Sarah Ruhl. Directed by Rob Kimbro. Spring of 2012.  Featuring the voice of Jennifer Decker, and others - in fact, featuring every cell phone conversation in the world, at once. To orchestra. copyright 2012 Tim Thomson

Dead Man's Cell Phone - The Cell Phone Ballet

Composed as a part of the original score for Classical Theatre Company's production of William Shakespeare's THE TEMPEST. Produced Spring 2012, directed by John Johnson. Featuring the voice of Blair Knowles as the sprite Ariel. copyright 2012 Tim Thomson

Tempest - Ariel's Song/Full Fathom Five

Original compositions for Mildred's Umbrella's production of DEAD MANS CELL PHONE, by Sarah Ruhl. Directed by Rob Kimbro. Spring of 2012.  features G Sharp Minor/Someplace Mysterious/Untitled Percussion and Bleeps/South Eastern.  Copyright 2012 Tim Thomson

Selections from DEAD MAN'S CELL PHONE

Compilation of original score and sound design elements, in the style of 70's and early 80's Italian giallo/horror film imports, for the CC7D 2012 project by Racehorse Productions, "Quando Jasmine Smette di Ridere, Sei Morto!"(When Jasmine Stops Laughing, You're Dead!"). Written by David Rains and directed by the Rains Brothers.  Voice elements by Haylee Uptergrove and "Gina Piogge." Selections include "Pericolo/Il Vaso (Jasmine is Here)/Quattro Mosche/Sucks To Be You/End Games/End Theme for Jasmine." Copyright 2012 Tim Thomson.

The JASMINE SUITE mix 2012

Compiled excerpts from the original score for "Everything Will Be Different (A Brief History of Helen Of Troy)" by Mark Schultz; as produced by the Catastrophic Theatre in 2015 under the direction of Kyle Sturdivant. Originally all of the stems were played and mixed in various combinations live in QLab for tech rehearsal, and the resultant final mix programs were saved for performance.

Beats For Charlotte: excerpts from "Everything Will Be Different"

The suite of four songs composed for Mildred's Umbrella Theatre Company's production of Ravenscroft, by Don Nigro, directed by Rob Kimbro. Performed May 2-18, 2013. "Part 1: The Locked Room/Part 2: The Broken Stair/Part 3: The Dark Study/Part 4: The Curtain."

The original versions of these four pieces were pressed to heavy 12" vinyl dubplates and then played live on stage during the course of the show, by the actors, on a modified Victrola turntable device created by props master Jodi Bobrovsky. The weaving of vinyl sfx into this mix is meant to simulate that environment... complete with final silent lock groove.

© 2013 Tim Thomson

The Music of RAVENSCROFT, Complete

TRANSFORM theme 04 FINAL EDIT VERSION

The Language Archives-Miniatures for Piano and Digital Error

Original music and design for media, theatre and performance. Houston, Texas, USA.

Tim Thomson

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