Name: Painting The Sky (feat. Fr. Harris) by Timothy McGuire
Duration: 4 min 16 s
Description: In collaboration with Francess Harris. She played the piano composition and I did the composition of the orchestral arrangement. Thank you for listening and enjoy. Any comment is appreciated always.

The combination of the wonderful piano and strings is like a dialogue between the earth and the universe that colors the night sky. An invitation to a wonderful space.

Absolutely lovely. Beautiful & dynamic piano performance & I love the push & pull of the orchestration.

Beautiful, which is to be expected.  Lovely orchestration supports emotive piano performance.  This would be wonderful in a film score.

This composition really tells a story, very nice!

Thank you for taking the time to listen to this track.In this chaotic present world, people are wandering in the 3rd dimension.
The earth is already beginning to move into the 5th dimension.
The world is moving at an accelerated pace, justice is being upheld and injustice is being exposed.
But people's lives will not change.
Because people are hiding in their shells, not seeing the reality that their minds are threatening them.
Now let us raise the flag of our true selves and return to ourselves.
The earth will support your efforts.

Burning Flame Of Black Eyes

When the railway runs along the coast, right beside the sea, there are many tunnels. Sometimes they’re so narrow that two tracks must draw near to one another to pass through. That’s how a strange love story begins between them.
This is a song I wrote around the year 2000, one of my last. I think it has a good mood. I’ve remixed and partially rearranged it.
You can still hear the warm tone of the Washburn, along with the old Yamaha’s sounds (including the flute). The sax — reworked by me  — is kindly provided by Dropgun Samples.
Still, as always, everything is very handcrafted.

Below is the English translation of the lyrics.

They converged at the tunnel’s mouth,
suddenly parallel —
twins of the railway.
They looked at each other, studied each other,
just enough
to not quite grasp
how much the one beside you knows of you.
They hesitated, thinking of the road behind:
companions in adventure,
but now unsure why.
And then they stared at the night gaping inside the tunnel:
a magnificent promise
to be traveled on the thread of fantasy.

“Inside this darkness, maybe we will never part,
under this shadow, maybe you’ll finally know me,
after this night, who knows where you’ll fall asleep —
perhaps closer to the sea…”

They parted at the tunnel’s edge,
but a narrow wall concealed a silence
charged with jealousy,
shaped like fear — fear of that strange kind of courtesy,
fear of the light,
fear of the end of the tunnel.
“Parallel track,
mirror born of the railway,
traitorous twin,
lover made of parody.
Don’t tell me that
after this darkness we’ll never part,
that under this shadow you’ll finally touch me,
that after this night, who knows where you’ll take me —
perhaps down by the sea…”

And at the end of that masterpiece of engineering,
only one of them
came rushing out of the tunnel;
on instinct, he turned and saw
that the sea was beside him,
and under the sea, the sky,
and beneath the sky — who knows what lies...

“After this darkness, surely we will never part,
inside this shadow, surely you’ll let go,
after this night, I cannot say where you’ll fall asleep —
perhaps closer to the sea…”

----

Confluirono all'ingresso della galleria
improvvisamente paralleli 
gemelli della ferrovia.
Si guardarono, si studiarono quel tanto che
non basta a misurare sino in fondo
quello che hai di fianco cosa sa di te.
Indugiarono, pensarono alla strada dietro di sé:
compagni di avventura,
ma ora non capivano perché.
E poi guardarono la notte spalancata nella galleria:
magnifica promessa
da viaggiare sul filo della fantasia

"dentro questo buio forse noi non ci separeremo mai,
sotto questo scuro tu finalmente mi conoscerai,
dopo questa notte poi non so dire dove ti addormenterai,
forse più vicino al mare ..."

Si congedarono sulla bocca della galleria,
ma parete stretta nasconde silenzio
fatto a carica di gelosia,
fatto a forma di paura di quella stranissima cortesia,
paura della luce
paura della fine della galleria.
"Binario parallelo,
specchio generato dalla ferrovia,
gemello traditore,
amante da parodia.
Non dirmi che 
dopo questo buio noi non ci separaremo mai,
che sotto questo scuro tu finalmente mi toccherai,
che dopo questa notte poi chissà dove mi accompagnerai,
forse giù vicino al mare ..."

E alla fine di quel capolavoro di ingegneria,
di loro uno solo
usciva di corsa dalla galleria;
d'istinto si voltò e vide che
c'era il mare di fianco a sé,
e sotto il mare il cielo,
e sotto il cielo chissa cosa c'è ...

"dopo questo buio certo noi non ci separeremo mai,
dentro questo scuro tu sicuramente ti abbandonerai,
dopo questa notte poi non so dire dove ti addormenterai,
forse più vicino al mare ..."

----

Composed by Michele Ansani (1999)
Posted on SoundCloud: 2025, May 16

Down by the sea [Viaggio di nozze] *

T-Quiet Yellow

This is a hybrid track..  collabed with my insane neighbor..  Ear Vox...   

Price It (Feat, Ear Vox)

205G STUDIOS FRANCE - FRENCH POP INSTRUMENTAL (12)

Music: Little Man & Janne Hennie
Lyrics & Vocals: Janne Hennie
Instruments & Mix: Little Man

Lyrics:

1
On a saturday night I feel a little restless, a need for something
And after a few glasses of wine, I think:
Rest can wait until another time
Don't want to be alone 
(So I call you)
Pick up the phone

Du du-dudu-dudu..
Hello?

Chorus:
Will you come and have some fun with me?
The night is young, the wine is strong
Will you come and say hello to my crazy side?
It's pretty wild!

Dudu-dudu-dudu..
Hello?

2
On a sunday night i feel anything but tired, can't sleep
And after twisting my mind, I think:
Sleep can wait until another time
Don't want to be alone
(So I call you)
Pick up the phone

Dudu-dudu-dudu..
Hello?

Chorus:
Will you come and have some fun with me?
The night is young, the wine is strong
Will you come and say hello to my crazy side?
Its pretty wild!

Dudu-dudu-dudu..
Hello?

Pick Up The Phone

“The Drone Invasion” is a fictional cinematic experience and part of OrchraX's ongoing journey into atmospheric and emotionally charged movie soundscapes. Through orchestral tension, ambient textures, and explosive dynamics, this score imagines the terrifying scale of a global conflict unleashed by autonomous drones. From hope to ruin, OrchraX guides listeners through a haunting sonic battlefield — where silence is broken, cities fall, and echoes of despair linger in the smoke."

When the Sky Turned Red

Hey everyone!
This track, Asteroids (The Original Was Better), started when I heard Beating Edge’s chiptune tune RND and got inspired to write some lyrics about the classic arcade game Asteroids. I added my acoustic guitar and vocals on top and sent it over to the band.
They liked it so much they decided to jump in and make a second part with a more rock vibe using the same musical base. We put both parts together into one track, starting with a fun spoken intro, a little vocal line to bridge the two sections, and finishing off with a hilarious outro.
It was a really cool collab and I’m stoked for you all to hear it!

Music by: Beating Edge
Lyrics by: Tom (Beating Edge) and Joe Stroffolino
Performed by: Beating Edge and Joe Stroffolino
Acoustic guitar (Taylor 114ce) by: Joe Stroffolino
Vocals performed by: Joe Stroffolino and Tom (Beating Edge)
At the moment, this track is exclusively available on SoundCloud.
Released on June 6, 2025.
©2025 Beating Edge and Joe Stroffolino

Lyrics:

[Spoken Intro]
Joe: Wow! This is a really cool Arcade!
Tom: Yeah!
Joe: Hey, check it out! Is that an Asteroids game over there?
Tom: Oh, wow!
Joe: I haven't seen that in like that forever!
Tom: That's definitely Asteroids! Let's play a game!
Mary (with a sore throat 🤦🏻‍♀️🤣): Oh yeah! Let's play Asteroids!

-->Joe

I used to play asteroids in the 1980’s
I liked to blow up rocks in outer space
The flying saucers would attack me
At an ever-increasing pace

I stumbled across an old vintage arcade the other day
I hadn’t played Asteroids in a long time
I popped a quarter into that old machine
And I watched my score start to climb

I watched my score start to climb
I watched my score start to climb
I watched my score start to climb

Time goes by so quickly
and playing that game really took me back
To those days when my future was unwritten
And I hadn’t gone so far down my current track

Pushing those buttons so fast and furiously
Standing in front of that arcade machine
Blowing up all those asteroids
On that black and white video screen

Blowing up all those asteroids
On that video screen
Blowing up all those asteroids
On that video screen

For a couple of minutes, I forgot about the present
I was back floating in outer space
Breaking big rocks into small rocks
I had a a big smile on my face

And then it was time for me to go
Cause I had errands that I needed to run
But that old video game
I sure had a lot of fun

It's not over yet

-->Tom

Just a single screen, all black and white
The whole room's dark except the TV's light
Rotate and thrust, it wasn't much
No one had seen a thing like this before

Now there's a 3D holographic thing
That no one plays, 'cause nobody can afford
With a visor on, your body's gone
It's kinda fun, but the original was better

We used to play all day, late at night
For the high score, it was do or die
No one knew what a quarter was worth
No one knew what the future had in store

Now there's a 3D holographic thing
That no one plays, 'cause nobody can afford
With a visor on, your body's gone
It's kinda fun, but the original was better

The original was better
The original was better
The original was better
The original was better

Now there's a 3D holographic thing
That no one plays, 'cause nobody can afford
With a visor on, your body's gone
It's kinda fun, but the original was better

[Spoken Outro]
Someone who wants to stay anonymous 😂: That was a lot of fun!

Asteroids (The Original Was Better) - Beating Edge & Joe Stroffolino

Vedran - Awakening

In collaboration with Francess Harris. She played the piano composition and I did the composition of the orchestral arrangement. Thank you for listening and enjoy. Any comment is appreciated always.

Collaboration Timothy McGuire / Francess Harris

Painting The Sky

Painting The Sky (feat. Fr. Harris)

The piece combines elements of Electronic, Pop, Classical, Rock and Jazz genres to create an eclectic soundscape. Melodic and uplifting, with a mix of electronic sounds and classic rock elements. The emotional impact is felt through the use of repetitive chord progressions

08.07 Everythings_Rosy

Welcome on my profile.

As a young boy, I learned to play the piano with my grandmother, who was a concert pianist. Thanks to her patience, I was brought closer to music. It was a hard but worthwhile way.

After I ended my school training and started my vocational training, the music got into the background. However, the music has accompanied me throughout my life. With increasing age, the music again got a greater status in my life.

First with the old piano of my grandmother, who had long since died and then with a keyboard, I started making music again.

I don't have a studied musical background and make music as a hobby without really had learned about orchestration. I find myself slowly into the topic and I am happy to have found some listeners.

Inspired by many lovely people, who also make music, I develop myself even at older age and look forward to further listeners.

Therefore, have fun hearing my modest works and thank you for the nice comments.

Tim

Painting The Sky (feat. Fr. Harris)

Timothy McGuire

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