The Unbelievable Children, cover of The Blades song "Downmarket"

Originally intended for a Stars of Heaven tribute album, though not their song, they used to cover it at their gigs. Unbelievable Children were asked to contribute a song and cheekily did this song, did not end up being included on the tribute album ;-)

Recorded between 1991-1992 at The Tunnel Studios in Dublin, Ireland.
Guitar, Bass & Vocals: Tim Boland
Vocals: Louise McCormick
Drums: Gary Sullivan

Downmarket

Here is a suite of cues I composed for the original score for Sony Screen Gems film "Stop the yard" that reached number 1 in the US box office in 2008.

Stomp the Yard Suite

"Stomp The Yard"  Suite. Composed by Tim Boland

Snippet of first episode of Enid Zentellis's Podcast. Asked to create theme music that would reflect the mystery and intrigue that would unfold throughout the 7 episodes of discovering her Grandmothers secret during WWII. Track had to work as a complete piece as well as being suitable to break into individual elements for use throughout the Podcast as an underscore.

"How My Grandmother Won WWII" Podcast Theme Music

Original track composed for one of the emotionally charged ending scenes in Sony Screen Gem's feature "Stomp the Yard" The film reached number one in the US Box office for two consecutive weeks and grossed over $75 million worldwide.


Theta And Mu Gamma Tie

Original score from Sony Screen Gems "Stomp the Yard"
This cue is form the scene in the film, where DJ goes to April's door to confess his feelings for her.
Stomp the Yard reached number one in the US box office for two consecutive weeks and grossed over $75 million worldwide.

DJ At April's Door

With only a four day Thanksgiving leave from Camp Pendelton before being deployed to Iraq, Mike (Nick Cannon) meets Cristina (Melonie Diaz) and a passionate love quickly bonds them in this emotional scene where they kiss for the last time.
This film was an official selection at the 2008 Sundance Film Festival. DVD released by Miramax Films in 2009

Pismo Beach

Final Scene in the film where Mike leaves to go back to Camp Pendelton and then deployment to Iraq. This cue also leads in to the final credits.

This film was an official selection at the 2008 Sundance Film Festival. DVD released by Miramax Films in 2009

American Son Theme

This scene describes how David predicted that one day the world would come looking for Death's music and he would not be around to see it.
We were nominated for best original score in a documentary feature at the 2014 Cinema Eye Honors Awards.

David's Prediction

This was a fun piece to create, this cue goes with a montage in the film showing Motown in its Detroit heyday. Tried to make the piece as authentic as possible, using a sample from a Motown drummers sample CD to set the groove.
We were nominated for best original score in a documentary feature at the 2014 Cinema Eye Honors Awards.

Motown

This cue is in the part of the documentary where they describe how Bobby, Dannis, Earl & David Hackney's father died.
We were nominated for best original score in a documentary feature at the 2014 Cinema Eye Honors Awards.

He died instantly

Composed for the tense emotional scene near the end of the film, where Maria stands up to her perpetrator Luis.

Luis Taunts Maria

Anthemic final cue for the finale of the film.

Finale

Instrumentation includes Strings, Vibraphone, Piano, Harmonium and Upright bass.
Composed for the film "Bottled Up"

Beckett Trash Pickup

Opening piece "Detroit" to the documentary "A Band called Death" scored by Tim Boland.

"Detroit" Score from A Band Called Death

Atmospheric, emotional track used in the 2017  documentary "Parrot Heads"

Deep In The Shallows

Los Angeles based Composer, Sound Designer, Record Producer,  Recording Engineer. Music &  Audio Editor, originally from Dublin, Ireland.

Tim Boland

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