Name: DFAMY 0-Coast PATCHABLE-00017 by Tim Cox in Patchable-0017
Duration: 4 min 19 s
Description: 100% O-Coast with iOS apps for effects. I forget which I used. Patch notes as video here: https://youtu.be/Vq33kEQahp8

Patchable-0017

This time in unison mode, where I somehow manage to sound like a bad version of the it follows soundtrack.

More Messing About With The MegaFM

Through The Wall

three channels of random voltage from pam’s into OR, AND, and SLOPE, sync’d with the sequence [Dixie & Maths channel 1 through Optomix through Three Sisters].

One random out going to Maths BOTH
One random out going to Three Sisters frequency
One random going to Maths cycle
MAC output driving SURVEY

Turning the sisters’ frequency CCW past noon to bring in lower stuff. Sisters’ quality is right on the verge of choir mode.

Cold Mac Bounce

Coming Up

BD, bassline and trance melodies from OP-Z, second layer BD made in Microtonic/PO32 transfered to OP-Z, percussion/hh from TR-909, background loop from OP-1, multi tracked in Live.

TErance

AudioKit Digital D1: Epic 64-voice Virtual Analog / PCM iPad Synth
Sound demo by Brice Beasley

Digital D1 - Synthwave Demo

Some weird OP-Z thing

Crew Called Self - Expanding Limitations - PATCHABLE - 0001

Made for the first NYMS's firs Patchable: https://nyms.love/2019/08/23/patchable-0001/

My patch used Sprot, Erbe-Verb, and QPAS hooked up in a feedback loop. Sprott's ban-dpass our when into Erbe-Verbe, then  Erbe-Verbe's audio outs went into QPAS. QPAS's left band-pass out went back into Sprott's VCA in and it's smile-pass outs were recorded. Erbe-verbe's CV out went to it's absorb, into Sprott's VCA (inverted), and QPAS's radiate (R inverted) and Q (inverted). This was used to keep the feedback from going too far out of control. The chaos-pass out from the Sprott was patched back into the VCA diode. Additionally, Sprott's band-pass and chaos-pass were patched into QPAS's FREQ input , and it's low-pass and chaos-pass were patched into QPAS's !!¡¡ inputs. The high-pass and low-pass outs were patched into the remaining attenuverted inputs on Sprott. Additional noise was provided by grounding a cable connected to Erbe-Verb's CV out.

dev/null

Exoplanetary Aerobrake Maneuver PATCHABLE-0001

Late Night MURD:ER PATCHABLE-0017

Enter Here PATCHABLE-0017

100% O-Coast with iOS apps for effects. I forget which I used. Patch notes as video here: https://youtu.be/Vq33kEQahp8

DFAMY 0-Coast PATCHABLE-00017

Created for New York Modular Society Patchable 0017. 

The challenge was to create a modular drum machine and create all percussion noises from scratch.

 This is really a break down of the audio path mini most modulation.

Kick = 
Instruo Trokia VCO 2 slight frequency modulation by VCO 1 >
Schlappi Engineering 100 Grit LPF > 
Instruo Vinca VCA > Output

Snare = 
Schlappi Engineering Interstellar Radio >
Zlob Modular TH SVF >
Instruo Vinca VCA > Output

Hi Hat = 
WMD/SSF DPLR feedback >
Mutable Instruments Rings frequency modulated by pink noise > 
Instruo Vinca VCA > Output

Boing = 
SSF Zero Point Oscillator frequency modulated by Troika VCO 3 >
Makenoise LxD > 
Makenoise QPAS >
Makenoise Mimeophon > Output

Wet Robot Wood Block = 
Instruo arbhar as wavetable VCO >
Mannequins Three Sisters Center In/Out Formant mode > 
Instruo Vinca VCA > Output

Using tons of envelopes, a lot of sample & hold and some floss for modulation.

Patchable 0017

My submission for the New York Modular Society's RE: DRUM MACHINE patchable contest. The idea is to compose a drum track with a modular synthesizer--but WITHOUT using drum modules. So all the sounds come from oscillators or noise. (The artwork is my original watercolor of the undercarriage of the Gowanus Expressway).

Here's the details:

Voice 1 (bass drum): Low pitch sin VCO amplified by a fast envelope modulating Lin FM on STO, through North Coast Coiler VCF with a slower envelope and an even slower envelope on the last VCA. Through Pico DSP mono delay and (sometimes aux Mimeophon too). Triggered by Out 1 from a White Gallop, with CV from Voltage Block.

Voice 2 (hi hat): Blue noise from Dystopia. Filter and VCA receiving same envelope. Triggered by Out 2 on White Gallop. Pico DSP mono delay.

Voice 3 (snare): Bitcrush from Dystopia. Triggered by Muxlicer in ratchet mode (sequencer slide pots determine multiple gates per beat, which can be attenuated globally). Gates 3 and 7 add accents to the Dystopia cv in. Maths envelope receiving cv on fall from tilt Y on WiiChuck for WILD CRUNCHES. Pico DSP mono delay.

Voice 4 (wailing metal chimes). Hi pitch sin VCO FMing uPlaits in waveshaping mode with low waveform, low folder and high asymmetry. CV from Voltage Block. Gates from a Non Linear Circuits Divine CMOS (XOR clocked between X4 and /2). The /4 output triggers the FM envelope, while the sum output triggers the audio envelope. Audio amplified by a Maths envelope receiving cv on fall from Wiichuck Tilt X. Through Mimeophon, orange zone, which is clocked and modulated on color (half bright full positive attenuator) and rate at 10 o’clock with 3 pm attenuation and skew.

Voice 5 (zap gun): IO Instruments Euporie VCF self resonating, receiving the same audio as the bass drum FM source into CV one and the same envelope from the Tilt X modulated Maths into CV2. Sweeping the cutoff to launch intergalactic civil war. Pico DSP mono delay.

DFAMY 0-Coast PATCHABLE-00017

Tim Cox

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