Name: Kira Kira and Hermigervill, "Sumarbörn"...Heart String Choir by Time Released Sound in Field Journal | Spring 2019
Duration: 2 min 40 s
Description: One of the lovely tracks on the magical soundtrack LP from Kira Kira and Hermigervill, to the Icelandic children's film "Sumarbörn". Released on April 7th, 2019.

A selection of ambient, modern classical, and electroacoustic works for Spring 2019 (closed May 27)

Image by Robert Katzki 
Source: https://unsplash.com/photos/yKWuzGyVsBM

Field Journal | Spring 2019

Maps and Diagrams - Occupying Space

A collaboration between Rhucle and I, taken from the album 'With'. Released on ROHS! September 22, 2021. 

https://lontanoseries.bandcamp.com/album/with

Original photography by: getoutski 
Record label: Lᴏɴᴛᴀɴᴏ Series 
Publisher: ROHS! RECORDS

With

Rhucle - 'Beyond The Light' feat. Moss Covered Technology - [ROHS! Records, 2021]

230101 (dodecalogue 001)

"Billowing, Grouper-esque folk-drone works for processed guitar and voice improvised by Paris-based Australian musician Karen Vogt. ‘I’ve been waiting for the longest time’ wears Vogt’s heart openly with a floating structure of melancholic chord progressions and wistful melody, before really blooming out in the 14 minutes of noctilucent pads** threaded with shivering strings that eventually introduce her harmonically layered choral vocals like a forlorn Grouper."   ~~Boomkat
**bless Boomkat for this review, but no pads/strings here. Made only with vocals, guitar & effect pedals. 
Mixing: Karen Vogt/Mastering: Stephan Mathieu/Design: Joe Gilmore/Released on Superpang Nov, 2022 
Buy on Bandcamp: https://karenvogt.bandcamp.com/album/ive-been-waiting-for-the-longest-time
HD quality video: bit.ly/3GC4KIh
Recorded originally as a live improvisation session at Karen's home in Paris, France. Later, she made some edits and added minimal overdubs to the two tracks. Karen plays electric guitar and runs both her guitar and voice through various pedals, effects and loopers.

I've Been Waiting For The Longest Time

Maps And Diagrams - Doughballs

Triad in thin air

~ LAAPS 032 ~ [SEQ.04 - LP32]

artist : iu takahashi
album : Sense / Margin 
duration : 31.46 mn
date : December 14th, 2023

edition :
-  vinyl : limited to 200 copies / marble turquoise/clear transparent LP / pantone / hand numbered 
- cd : limited to 200 copies / pantone / hand numbered + handcrafted, sealed

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pre-order : December 01st, 2023 / official release : December 14th, 2023
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« Early morning mist in the mountains, the lakeside ripples in the stillness.
On rainy days, open the window and lie in bed.
The moment when a margin is created in me.
I want to feel these senses forever. »

All tracks written, produced and voice by iu takahashi.

Mastered by Ian Hawgood
Artwork created with friendly permission by Dirk Stewen
Design by Sprflxgrfzm
 
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Links :
https://laaps.bandcamp.com/
https://www.instagram.com/iikki_laaps/
https://www.iutakahashi.com/
https://iutakahashi.bandcamp.com/

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℗ & © 2 0 2 3 - L A A P S - L A A P S 0 3 2

iu takahashi - Blink / Landscape

sleep in nothingness, 2018 

// sounds heard 
samples from the Guimet's archival LP copy of 'Japanese masterpieces for the shakuhachi' (Lyrichord_MX4205_1989) 
+ artists own field recording of train ride in the monastic region of Koyasan Japan, clarinet, sine tones, voice, amplified objects, sferics, and a google-translate/text-to-speech recording of the album liner notes. // 

In a dream he found himself floating in a boat. Suddenly thick mist rolled down the sky and blocked his view of the moon. On hearing the moving melody of a flute, he reached out for his favourite bamboo flute to accompany the ethereal melody. The music is long and simple, and the listener is expected to forget everything and "sleep in nothingness".
-the dream of a priest named Kyochiku in the 12th Century while meditating at a temple in Nara (as cited in the album liner notes).

composed for performance at the Guimet Museum in Paris on Feb 03 2018, curated by the French label Tsuku Boshi.

sleep in nothingness

Listen / Purchase: https://lnk.to/dcad

Film composer and multi-instrumentalist William Ryan Fritch's long-anticipated double album, ‘Deceptive Cadence: Music For Film Volume I & II’ out now on Lost Tribe Sound.

It’d be a laborious task to run through all of Fritch’s many accolades, since 2009 he has released over 20 albums and composed music for over 30 feature films and more than a hundred short films. Lost Tribe Sound has been by his side since the beginning, releasing a few of his finest stand alone scores, including the critically acclaimed, ‘The Waiting Room’, ‘Eagle Hunters in a New World’, and ‘The Old Believers.’ Of course, LTS could boast for days about what a musical genius we believe he is. Yet, having written so many of these press rants for Fritch in our time, we’ll try to curb ourselves at the risk of preaching to the choir or sounding disingenuous.

That isn’t to say, Fritch isn’t well deserving of mountains of praise. We are honestly amazed that his film music hasn’t attracted the attention of more major motion picture studios. To date, Fritch has penned imaginative and impressive scores for narrative and documentary productions that run the gamut of most every imaginable genre and aesthetic. From raw and emotional films that uncover startling humanitarian and ecological crises, such as 2016’s Oscar-nominated short film ‘4.1 Miles,’ and National Geographic’s sweeping ’Into The Canyon,’ to eccentric and nuanced biopics and documentaries on figures such as Ursula K LeGuinn, Bill Nye and Johnny Cash. Fritch has found unique and artful voices for these wide ranging stories.

Most of those familiar with Fritch, know only of his albums as a singer songwriter or genre-elusive multi-instrumentalist, which truly represent a small fraction of the depth and range of his work. ‘Deceptive Cadence…’ gathers the most remarkable and memorable pieces from Fritch’s vast catalog of film compositions. Rather than filling up two volumes with half assembled film cues and fragmented themes, Fritch has gone to great lengths with ‘Deceptive Cadence…’ to make sure both volumes tell a story, build theme, and create a satisfying full album experience as good as any movie they may have come from. While this music once graced a particular film, show, or commercial, it has all been reimagined, reworked and made whole in post-production to complete the epic narrative of ‘Deceptive Cadence…’

Cover Image by Joe Borreson (http://www.dustclouddesign.com)

Deceptive Cadence - Music For Film Vol. I & II

Gut Level

Buy Album/Series

William Ryan Fritch - Gut Level (from Deceptive Cadence: Music For Film Vol. I & II)

Lucciola

One of the lovely tracks on the magical soundtrack LP from Kira Kira and Hermigervill, to the Icelandic children's film "Sumarbörn". Released on April 7th, 2019.

Kira Kira and Hermigervill, "Sumarbörn"...Heart String Choir

Carried

Sparks

Cenes - Sparks

Rosary (Mrs Wilson)

Taken from the upcoming 2 x CD album 'The Book of Dusts' by Emmanuel Witzthum and E & I

Audio: Emmanuel Witzthum / Craig Tattersall
Poetry: Emmanuel Witzthum
Mastering: Ian Hawgood
Design: Daniel Crossley
Label: Fluid Audio

www.fluidaudio.bigcartel.com

The Book of Dusts

Emmanuel Witzthum - Book Of Shadows

A selection of more acoustic-sounding and harmonious music by Maps and Diagrams, some previously released and a few recently-discovered and unreleased songs from hard drives, tapes and mini-disc. All songs written, arranged and recorded by Maps and Diagrams.

https://handstitched.bandcamp.com/

There's some exciting news for Handstitched* in the coming months - a couple of new releases due, stay tuned and try not to take one single moment in this life for granted.

Thanks for listening x

tracklist:

Jasper (Handstitched*)
Ten Black Cards (Time Released Sound)
Untitled (unreleased)
Untitled (unreleased)
Komagataella (Audio Gourmet)
Untitled (unreleased)
Untitled (unreleased)
Circa (Nomadic Kids Republic)
Lias (Handstitched*)
Novachord Spectrum (False Industries)
Floating Sculptures (Nomadic Kids Republic)
Untitled (unreleased)
Red (Handstitched*)
Cut-Out Silhouettes (Nomadic Kids Republic)
Curious Expeditions (Touched)
Untitled (unreleased)
Untitled (unreleased)
Sleep (Audio Gourmet)
Oracle (Grenzwellen)

Maps And Diagrams - Rediscovered Acoustics For Winter [December 2019]

Our Ancestors Are Like Trees That We Sow In Soil From The Sea

Stationary Travels is a personal music blog covering ambient, electroacoustic, modern classical, post rock & experimental music.  Outside of ST, I enjoy a variety of other genres which you may see mixed in here as well.  Please feel welcome to follow along on Facebook, Twitter, and WordPress (links below).  If you are an artist and would like to submit something for consideration of promotion or review, you can message me to discuss the details. 

 "He who does not travel, who does not read, who does not listen to music, who does not find grace in himself, she who does not find grace in herself, dies slowly" - Martha Medeiros

Hello everyone!

Firstly...many of our releases are now available digitally here...

https://timereleasedsound.bandcamp.com/ 

Founded in 2011, Time Released Sound is a lovingly hand made, limited edition release music label that is as much an art project as it is a musical outlet. Focusing primarily on classically infused and folk based ambient and electroacoustic sounds by the artists we know, love and admire, we will be striving at all times to produce visuals and packaging for these fine releases that are as original and uniquely beautiful as the music itself.

To contact us you can email Colin at…info@ timereleasedsound dot com, or join us on facebook.

Demo Policy: If you would like to submit music for consideration, we would prefer that you contact us in advance through this website, regarding the procedure.

Thanks much!

Kira Kira and Hermigervill, "Sumarbörn"...Heart String Choir

Time Released Sound

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