Name: Nhung Nguyen and cinchel Chapter I by Time Released Sound in calm life
Duration: 6 min 57 s
Description: The opening track from the upcoming album, Movement Of An Old Soul...by Nhung Ngyuen and cinchel...

calm life

Compound Eye is Drew McDowall (formerly of Coil) and Tres Warren (Psychic Ills and Messages).
'Journey From Anywhere' is their second long-player release following 'Origin of Silence', an art edition LP on The Spring Press label.  This double lp features 4 sides of improvised electronics that lead the listener into the dark recesses of the duo's subterranean explorations.  
http://editionsmego.com/release/eMEGO-181
http://www.thespringpress.com/compound_eye.html
http://www.thespringpress.com/compound_eye_lathe.html

Compound Eye - The Outer Sphere

KATELYN CLARK & MITCH RENAUD, Ouroboros, LP
Hallow Ground
Vinyl / digital, catalogue nr. HG2406
Ltd. vinyl / digital
Release date: 04.04.2025

On Katelyn Clark and Mitch Renaud's »Ouroboros,« astronomical and astrological phenomena, concepts and symbols such as the Great Year or the Eternal Return serve as the starting points for sonic explorations and experimentations. Focusing on a uniquely tempered range of frequencies, from low-end drone rumbles to airy pipe swirls, the duo develops a minimalist and highly evocative sonic universe on their debut album for Hallow Ground.

Working as composers, improvisers and curators in Canada's vibrant experimental and early music scenes, Clark and Renaud began developing »Ouroboros« through extensive improvisation with a reduced setup. Clark, who has worked extensively with historical keyboards since her studies in Amsterdam and Siena, played a small pipe organ modeled after a 14th-century instrument while Renaud brought a modular synthesizer and his interest in feedback systems to the collaboration. Later, the duo further refined their artistic dialog and the sonic interactions of the two instruments through the shared space of a two day recording session in Vancouver. Subtle crackling, acoustic beating and other (psycho-)acoustic effects in five pieces document this encounter, giving the music a profound physicality while hinting at the bodily presence of the two collaborators.

Just as the cyclicality of natural phenomena or the repetition of planetary movements is both a scientific fact and of the cultural imaginary, the sound worlds of »Ouroboros« are fundamentally rooted in time and space while transgressing the idea of a »here and now« through their conceptual links to geological and planetary time. The interplay of portative organ and modular synthesizer, which merge fluidly and in ever-changing ways, leads to a kind of circularity, a timelessness, a no-time. At the same time, the movements and subtle changes undermine the idea of repetition in the negative sense. After all, the Eternal Return, as Gilles Deleuze writes in regard to Nietzsche, is not the return of the same but a repetition of repetition. The only constant is change, the production of new intensities, of new forms of life – and of new frequencies.

Credits:
Music by Katelyn Clark and Mitch Renaud
Recorded and mixed by Aaron Klassen at Monarch Studios in Vancouver
Mastered by Stephan Mathieu (Schwebung Mastering)
Artwork by Laurin Huber

Ouroboros

Katelyn Clark & Mitch Renaud - Ouroboros (HG2406)

Flora

The Double Life Of A Seahorse

Slaná Voda

The Iguana with the Tongue of Fire

I may not trust the intarwebs, but I will surely trust my label. When it comes to discovering new music (to pop me out of my echo chamber and insistent feedback loop), it’s easy to get lost among the new releases. There’s just too much of everything, and it’s only getting harder to discern. Anyone can share their latest content. And anyone can upload with a click. There’s a reason for that. The companies that host it all have made it easy for a reason: to monetize your music. To turn your content into cash. On the flip side, the labels take their time. They are, in turn, investing in the artist. So when you buy into the label, you buy into their world. Past Inside The Present has been curating my journey since 2018, and I have learned to trust Zach’s choice in music. So when he backs North Carolina-based vocalist Angela Winter for her slightly avant-garde solo debut release for the label, I’m all ears. I write “solo” because in 2024, we’ve already heard her voice on a collaboration with the label boss himself, titled Mid Sky. Together, the duo navigated “a realm between the terrestrial and cosmic with organic drones and ethereal vocals“. In August, Angela returns with a full-length titled Forbidden Questions In Space, centered around ambient and drone improvisations, and of course, her voice, for a koan-inspired drift into the endless cosmos. If you’ve been following Headphone Commute, you know that I tend to focus on mostly instrumental music, often with a darker tint of sonic experimentation. Today, I select one of those pieces from her upcoming album to give you a taste.

TRACK PREMIERE : Angela Winter - Saturn, lightly

A multi-track recording made whilst testing out  a supremely rare 1985 Mulogix Slave 32 previously revived at Hideaway Studio. The Slave 32 was the rare rackmount version of the Synergy II+ by Digital Keyboards and was the last incarnation of the 1979 Crumar G.D.S. which utilised the identical High Speed Digital OSC pcb assembly. All of the variants featured pure digital synthesis in 16-bit digital audio which was pretty impressive for mid 1970s technology!

Original Composition & Recording Copyright D.A.Wilson, Hideaway Studio 2025.

1985 Mulogix Slave 32: The Perfect Storm...

David Cordero is an artist based in San Fernando, Cádiz, on the southern coast of Spain. His work has appeared on many of the Ambient scene’s favourite labels including Home Normal, Dronarivm, Archives, Polar Seas, and Past Inside The Present, among others. He also released ‘Restless Nature’ on Whitelabrecs back in 2024. Having made music since his teens, David began releasing solo material in 2016 after years spent performing as part of a Post Rock band. His music draws inspiration from Ambient pioneers such as Brian Eno and Steve Roach, as well as the Japanese school of minimalism led by the likes of Satoshi Ashikawa and Hiroshi Yoshimura. Nature and everyday life play a central role in his compositions, which are crafted through long hours of experimentation in his home studio. A curator of Ambient and experimental music events in Spain, David remains deeply engaged in fostering the scene while continuing to explore new sonic ideas.

Anthéne is the project of Toronto-based musician Brad Deschamps, who has been releasing music since 2015. Known for his hushed, melodic guitar-based soundscapes, Brad has released on respected imprints such as Home Normal, Oscarson, and Past Inside The Present, as well as through his own label, Polar Seas Recordings. His influences span from the spacious, slow-moving worlds of Stars of the Lid to the delicate intimacy of Julie Byrne, with a constant leaning toward minimalism and melody. In addition to his solo work, Brad is an active collaborator, creating music as Rosales (with Ian Hawgood) and Citrine (with Phoebe Dubar), among other projects.

Their second full-length collaboration is called ‘Let One Bird Sing’ and follows 2023’s ‘Lost Under The Sea’ on the Home Normal label. The two artists began by patiently exchanging small musical sketches, allowing each to build upon and reshape the ideas in their own way. Layers of guitar, modular tones and textures were gradually woven together into a seamless whole. It was an unhurried process where space and subtlety were as important as melody. Both artists have a deep respect for detail and restraint, and this shared affinity is evident throughout this album.
Brad was inspired to choose the album’s title based on a line in a poem by Faiz Ahmad Faiz, which speaks to a hope for freedom. This is something Brad connected not only to humanity but also to the natural world. The pieces on ‘Let One Bird Sing’ carry a sense of openness and quiet reverence for nature, reflected in their unforced, drifting structures and gentle interplay of tones. The artist’s intention was to create a space for calm and reflection, inviting either attentive listening or moments of stillness and detachment. 

-credits-

Written and produced by David Cordero and Brad Deschamps
Mastered by Ian Hawgood
Cover photography by April Suen
Additional photography by Brad Deschamps
Art and design by Andrew Heath

wlr193 David Cordero & Anthéne - Let One Bird Sing

Gray Acres has always been a space for subtlety and restraint, distinct from the denser, more cinematic atmospheres of Hotel Neon. Where that project often explores process, technique, and narrative arcs, Gray Acres tends to be produced "in the moment" and stays still. It lets you think for yourself. Soft Erasure especially embraces that characteristic stillness.

This is the first full-length Gray Acres album since 2021’s “Dreams and Phantoms.” It’s a project that came together slowly with an intentionally light touch…more about dissolving sounds than constructing them. Subtraction vs. addition.

The title Soft Erasure came about as we noticed a recurring quality across the recordings: a sense of tangible things like guitars, pianos, and strings fading, softening, and slipping just out of reach as we shaped and processed them. The music feels like it’s constantly on the verge of vanishing, or being gently wiped away into an indistinct atmosphere. That idea of erasure not as violence, but as gentleness, decay, or transformation, felt like the right metaphor to latch on to. It speaks to memory, distance, and time, and how all of those forces shape and reshape our perception of sound and self.

Musically, this album is built mainly from resampled acoustic instruments: delicate piano lines, sustained strings, frozen and looped guitar textures. Much of the source material was recorded clean, then stretched, blurred, and layered until it became something abstract…like an impression of a song, or a half-remembered phrase. In some ways, we were trying to find the most washed-out and ephemeral version of each sound. The result is a record that is designed less for narrative and more for immersion.

If you’ve followed this project before, I think you’ll hear a natural continuation of its aesthetic. But if you’re new to Gray Acres, this is a great entry point. It’s music that tries not to demand attention, but rewards those who tune in closely for a while.

Gray Acres - Soft Erasure
Music by Andrew & Michael Tasselmyer
Mastered by Alex at Quiet Details

Gray Acres - Vestige

First of many collabs with @enzalla ^_^

Art: www.instagram.com/boloroos/

https://mystdubs.bandcamp.com/

Free Download

Resonant Love w/ Enzalla

Depth

Tenderness by Aeuria.
Download: https://soundcloud.com/aeuria/if-this-is-it-then-i-am-happy

Aeuria
https://soundcloud.com/aeuria
https://www.facebook.com/aeuria

Picture by AquaSixio
http://fav.me/d97lugh
http://aquasixio.deviantart.com/
https://www.facebook.com/Aquasixio/

Follow AmbientMusicalGenre
https://soundcloud.com/ambientmusicalgenre
https://youtube.com/AmbientMusicalGenre
https://facebook.com/AmbientMusicalGenre
https://vk.com/ambientmusicalgenre
https://plus.google.com/+AmbientMusicalGenre/posts
https://ambientmusicalgenre.bandcamp.com/
https://twitter.com/AmbiiMG

Support AMG Records (AmbientMusicalGenre channel)
https://ambientmusicalgenre.bandcamp.com

All music on AmbientMusicalGenre channel used for promotional reasons only.
If any artist, producer or label has an issue with any of the uploads (images also included) please get in contact with me and I will delete it.
(ambientmusicalgenre@gmail.com)

Download

Aeuria - If this is it, then I am happy

Track from NE1 Varg - Misantropen

Pre-order: http://northernelectronics.bandcamp.com

Varg - Náströnd

Featuring a sample of Bonnie Rabson's "I Want To"

Photo by Rosan Harmens

Mantra

The opening track from the upcoming album, Movement Of An Old Soul...by Nhung Ngyuen and cinchel...

Nhung Nguyen and cinchel   Chapter I

I have loved music since I was born. My dad used to play classical music all my childhood, then I got piano lessons. After that came guitar, drums, and I jumped behind my computer to compose and record the music playing inside me. I also love cinematic mood, which I think is visible in my pieces. I'm a director and editor on a daily basis. I feel that these topics complement each other and I merge them together in my works.
Hope you like it!
Feel free to contact me at pavvel.golab@gmail.com

Hello everyone!

Firstly...many of our releases are now available digitally here...

https://timereleasedsound.bandcamp.com/ 

Founded in 2011, Time Released Sound is a lovingly hand made, limited edition release music label that is as much an art project as it is a musical outlet. Focusing primarily on classically infused and folk based ambient and electroacoustic sounds by the artists we know, love and admire, we will be striving at all times to produce visuals and packaging for these fine releases that are as original and uniquely beautiful as the music itself.

To contact us you can email Colin at…info@ timereleasedsound dot com, or join us on facebook.

Demo Policy: If you would like to submit music for consideration, we would prefer that you contact us in advance through this website, regarding the procedure.

Thanks much!

Nhung Nguyen and cinchel Chapter I

Time Released Sound

Recent comments

Hele Tropia

Nicola Fornasari | Xu

Related tracks