Name: Official Report On The Intransitionalist Chronotopologies Of Kenji Siratori - Clip 3 by Time Released Sound
Duration: 3 min 12 s
Description: This is a snippet from the electro-acoustic "soundtrack" to the glitch novel by cult Japanese writer, Kenji Siratori. The music is by Canadian duo, Wormwood. Each copy of the AI infused novel comes with an accompanying CD.

● CD01_SPLIT : Humbros / R​.​I​.​P. ●

❊ Composé et mixé par R.I.P.
❊ Masterisé par Ernest Bergez (Sourdure)
❊ Artwork par Josué Confort ©
❊ Sortie le 9 juillet 2021
❊ Cassette, 80 exemplaires, papier recyclé

→ champdoner.bandcamp.com/album/cd01-split-humbros-r-i-p

Fléchette Canada Dub

B2 - R.I.P. - Fléchette Canada Dub

ELISABETH KLINCK, Picture a Frame, LP
Hallow Ground
Vinyl / digital, catalogue nr. HG2303, EAN: 0602343041759
Ltd. white vinyl
Release date: 25 April 2023

Tracklist:
1) Winter Song	(02:28)   - Single release 31. March 2023
2) Kiki			(05:03)
3) Peter's Fever	(04:56)
4) River			(07:15)
5) Awakening	(03:04)    - Single release 18. April 2023
6) For Wilma Nikunne	(01:27)
7) Berceuse		(03:06)
8) Betty's Nap	(04:54)

Credits:
Mastered by Lawrence English
All music written and produced by Elisabeth Klinck and Oscar Claus
Recorded by Oscar Claus and mixed by Peter Desmedt
Cover picture by Grégoire Verbeke
Cover design by Ruth Stofer

Picture a Frame

ELISABETH KLINCK - Winter Song (HG2303)

Alexandra Spence – “Do jellyfish breathe?”

A reworked version of this piece has been released as the album 'a veil, the sea' as a cassette tape or download on the Mappa label. You can purchase a copy here:

https://mappa.bandcamp.com/album/a-veil-the-sea

During Sydney’s most recent lockdown I submerged* a 15 minute-long piece of cassette tape in seawater collected from a local beach. The cassette tape contained a field recording of waves, and a recording of my voice offering a (non-definitive, and non-hierarchical) list of things found in the Pacific Ocean.

I’ve been thinking about connection with bodies of water, as well as connections between bodies and water, and how we might reimagine our bodily limitations to examine the things that connect us to each other and to our surroundings. The sea has always felt like home, and having lived on both the east and west edges of the Pacific Ocean it has become a place of connection for me.

I’ve been thinking about the Pacific Ocean as a home – not only to marine creatures and sea currents – but to the obscure movements of global trade, offshore data barges, and sunken satellites deactivated and dumped from space. Vast bodies may seem infinite, but nothing is – the depths hold mysterious, beautiful, and troubling things.

…Bottlenose dolphins, ancient artefacts, Lego pieces, approximately 36 species of shark, underwater mines…

Imagining an infinite ocean has led to overfishing, floating plastic-particle gyres, lost whales (as a result of the underwater din of shipping and naval industries), and an international sense of unaccountability.

“… Do jellyfish breathe?” is a kind of sonic traversing of oceanic layers, exploring imaginary landscapes, entwining and encountering unequal forms, such as breath with wave, fish with fishing line, along the way.

*Submerging the tape in salt water is an expansion of an ongoing project in which I bury tape loops 7-second field recordings on tape loops before burying them in the earth at the location in which they were recorded. I imagine this as a collaboration of sorts — I make a recording and the physical variables of each place and location alter it. While the magnetic coating of the tape retains sonic remnants of the recorded sounds of the place, the physicality of the tape ribbon retains material remnants of the place: sand, salt, other, which, in turn, impart audibly on the recording in the form of crackles, scratches, tape-warp, and hiss.

Alexandra Spence - Do Jellyfish Breathe (excerpt)

Original Track : 
https://soundcloud.com/qubik/kerberos

q_u_b_i_k - Kerberos (Senglar Version)

Recourse

Title track from the new album out on Azure Vista Records on August 11th! CD and limited edition vinyl shipping now from: azurevistarecords.bandcamp.com

Info:

American ambient masters zakè (a.k.a. Zach Frizzell) and City of Dawn (a.k.a. Damien Duque) return with a mesmerizing follow up to last year's "Agape". The music the two create together reflects the expansive landscapes of their native Texas and Indiana. Slowly unfolding melodies that seem to rise like the sun from a Texas horizon, and drones that resonate like leaves in an endless Indiana woodland. It's a sound that's both beautiful and slightly haunting – a sound that encompasses the listener and demands attention. This is music to get lost in.

Zach and Damien can both be considered veterans of ambient drone by now, and the five composition on Ash present a rarefied ”complex simplicity”. With few means they manage to create sonic and compositional depth, on par with classics of the genre from the likes of William Basinski, Brian Eno and Stars of the Lid.

The CD version of ”Ash” includes the previous album ”Agape”, which hasn't been previously released on CD.

zakè & City of Dawn: "Ash"

Tilt Brass performs overlays/smear in 2015, somewhere in New York City or Brooklyn

overlays/smear (2015)

This is a snippet from the electro-acoustic "soundtrack" to the glitch novel by cult Japanese writer, Kenji Siratori. The music is by Canadian duo, Wormwood. Each copy of the AI infused novel comes with an accompanying CD.

Official Report On The Intransitionalist Chronotopologies Of Kenji Siratori  - Clip 3

I was in a dream on a midsummer's night. Only the memory and the sensation are clear to me.

All tracks are produced by Hidekazu Imashige
Cover Photo by Hidekazu Imashige

A Midsummer Night's Dream

After Rain

Testing out a 1979 Crumar Performer following repairs at Hideaway Studio.  Like so many other Italian synths of the day I find this little wonder may not be feature rich but has so much heart to give - a lovely sounding instrument!

Composition & Recording Copyright D.A.Wilson, Hideaway Studio 2023.

1979 Crumar Performer: Corde del Cuore...

indeed

Hello everyone!

Firstly...many of our releases are now available digitally here...

https://timereleasedsound.bandcamp.com/ 

Founded in 2011, Time Released Sound is a lovingly hand made, limited edition release music label that is as much an art project as it is a musical outlet. Focusing primarily on classically infused and folk based ambient and electroacoustic sounds by the artists we know, love and admire, we will be striving at all times to produce visuals and packaging for these fine releases that are as original and uniquely beautiful as the music itself.

To contact us you can email Colin at…info@ timereleasedsound dot com, or join us on facebook.

Demo Policy: If you would like to submit music for consideration, we would prefer that you contact us in advance through this website, regarding the procedure.

Thanks much!

Official Report On The Intransitionalist Chronotopologies Of Kenji Siratori - Clip 3

Time Released Sound

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