Klasse, klasse: wieder einer für die FAV-Kiste. Fav + Following + Grüsse:)

Well I think if anybody wants to step back the 80's they should come here and give this stuff a blast my friend, this is epic production work your doing chap...

Well Georgios my good friend I have to admit I was never a fan of 80's retro music, but I tell you what I have to admire your work chap, it really is outstanding in the production field. The music here as got every chance of putting vocals to it and making it an 80's pop song hit all over again. This is class work my good friend... and very much quality I admire... Very well done chap...

nice use of different synth sounds! what are the drum machine samples you are using??

Hallo Mathias, 
wir können es mal ausprobieren, oder as du schon eine eine Idee? ::))
Text auf Englische oder auf Deutsche?
Grüße
Georg



The Eighth place

This is a windlass shanty (Text from "Songs of the American Sailormen" (1924) by Joanna C. Colcord).

The tune is attributed to Liam Milner in the collection "A Bonnie Bunch Of Roses" (1983)
by Dan Milner and Paul Kaplan.

It's a fine example of a work song exposing a bit of social history.

William Tapscott and his brother James were brokers for at least two packet ship companies
and would arrange passage across the Atlantic Ocean from Liverpool to New York.
 
Regrettably, their advertising was often fraudulent and overstated the quality and size of the ships. The poor emigrants were well and truly ripped off. On board the ships, 
the food and accommodation were inferior.

"Clarence Dock" in Liverpool opened in 1830. It received many ferry passengers from Ireland 
during the Potato Famine, when Liverpool Atlantic packet ship sailings were more frequent 
than those from Ireland.

"Waterloo Dock" opened in 1834. It was the major exit point from England for the NY-bound. 

"Castle Garden", in the last verse, refers to Castle Clinton in lower Manhattan (The Battery),
which was the forerunner (until 1892) of Ellis Island for receiving new immigrants to the
United States.

Tapscott

It's a Japanese song. A song from my EP SUPERNOVA. I made this with the image of U2 playing slow tempo EDM. 95 BPM. 4m25s. The main genre is Rock. The lyrics are important for this song. I put my actual feelings into the lyrics. It's a very emotional song. Please listen carefully to the lead guitar in the last part. Link to major platforms : https://linkco.re/E2aRhZS6

Lyrics :
(1 2 3 4)

素晴らしい夜
とてつもない夜
重くのしかかる
今でも

何か変だと
僕は思った uh huh
その瞬間に
君は消えてた

捨てないで 僕を
捨てないで 僕を
捨てないで 僕を
捨てないで
捨てないで 僕を
捨てないで 僕を
捨てないで 僕を
捨てないで
捨てないで

捨てないで 僕を
(I love you)
捨てないで 僕を
(I love you)
捨てないで 僕を
(I love you)
捨てないで 僕を
(I love you)
(I love you)
(I love you)
Wooo Hooo
(I love you )
(I love you)
捨てないで 僕を
(I love you)
捨てないで 僕を
(I love you)
捨てないで 僕を
(I love you)
捨てないで 僕を
(I love you oh)
(I love you)
(I love you)
(I love you Wooo Wooo)

OH GHOST

Carnival Candy

Vocals by SUNI @suni-mp3
Sounds by Box Number Twelve
Image by SUNI (digital character)

Style

Descent

Song from the rock opera Five Thousand Sasquatch

Gold Colored Teacup

A bit late for the end of summer, but I hope you enjoy this melancholic atmosphere.

This is a song I started composing in August 2024, with the idea of ​​featuring a real guitar solo, especially at the end. This summer, I approached Chris Grant @chris-grant-554540731 about joining the project. He loved the idea, and what I've included here is the result of that collaboration. His solo made a huge impression on me, and I'd like to thank him for his fantastic contribution. Without that guitar, this song wouldn't exist! Thank you so much, Chris!
If you want to listen to more of his amazing music, please visit his profile: @chris-grant-554540731!

I hope you enjoy his contribution and our song as a whole!

Composition, programming, production and mastering - R.U.R.
Guitar additions and solo at the end - Chris Grant @chris-grant-554540731

To make my part I've used:
DAW: Ableton Live 11 Standard
Instruments:
Spitfire LABS (free): Soft Piano, Bell Swarm, Expressive Strings, Bass Guitar
Impact Soundworks Sheddage 3.5 Stratus Free (NI Kontakt Player)
Drum Loop: 64 Pads Dub Techno Kit groove 01_105 bpm from Ableton's Drum Essentials Pack
Samples: Ambient Crash (Live's Factory Content)
Chris used: Yamaha Revstar guitar and the ToneX Mesa boogie reference signature collection – Mesa Boogie MKIV amp capture

This piece was created without the help of any generative AI.

Cover picture by me, at Grzybowo, Summer 2025

The Summer's End

Summer's End

“Silent Compassion” by Luke 

3rd piece of my Relaxing Trilogy series..
In case you missed the first two songs👇🏼
1- “Restless Memories”
2- “Anxious Visions”
3- “Silent Compassion”


Keys & Piano & Synthesizers by Luke
Created & Composed & Produced by Luke
Music & Track & Album Photos by Luke
Photography by Luke
I use Open A.i for Album art pictures 

                           Beats by Luke©️
                         S c h ü ß m a n n©️

“Silent Compassion”  by Luke

Crazy

Timeface Project - Inferno

Hello and thank you so very much for visiting my soundcloud page.

Timeface Project stands for the Greek musician and sound designer Georgios Garganopoulos who was born in Rüsselsheim (Germany) 12/30/1967.

In the beginning of the 80s, the artist discovered his passion for the drums and started to play in various rock & pop bands at an early age.

At the same time, he went to a private music school where he extended his know-how and additionally learned to play the percussions.

The artist was inspired to compose music by himself when bands like Depeche Mode, New Order, OMD, Yazoo, Human League, Kraftwerk, etc. popped up in Germany in the Mid-80s. He bought his first synthesizer, a Korg Poly 800, to arrange sounds and melodies on his own; followed by the synthesizers M1 by Korg and Ensoniq which broadened his repertoire.

With his dear friend, the guitarist Pietro Sapienza, Georgios committed most of his spear time to playing music. In 1989 the first professional recording took place in a friend’s small studio. Fun and the success of recording the first tracks was more important than all the hard work of this night.

From 1990 to 1997 Georgios actively played the drums and percussions in the Greek music scene and was on stage with numerous popular Greek musicians. In 1997 the artist pulled out of the active music scene but returned in 2003 with new energy and full of creative and new ideas. Up to now, Georgios produces songs and sounds in his home Studio.


Genre: Synthpop, New Wave,  
Electropop, Italo-Disco, EDM,80s

Timeface Project - Inferno

Timeface Project

Recent comments

Timeface Project

dallas campbell

Lee >>> Lucas

Lee >>> Lucas

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