Naviar Haiku Challenge: www.naviarrecords.com/about/naviar-haiku/

All submissions to Haiku 374:

https://www.naviarrecords.com/2021/03/03/naviarhaiku374-borrowing-my-house/

To participate:

- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)

- When choosing a title for your piece also include the assignment number, for example “Title of your track (naviarhaiku110)”

To submit your track:

- If you’re a Soundcloud user, upload it on Soundcloud and send me the URL via private message, or tag me in the track.

- If you upload your music on Youtube, Bandcamp or anywhere else, upload your submission and then send me the link by email at marco@naviarrecords.com or contact me on Twitter, Facebook or Instagram

- If you don’t use any music platform, upload it to this Dropbox folder and I’ll include it in the weekly playlist. If you choose this option, make sure you include your name in the track’s title. www.dropbox.com/request/JvKyUfuCSzJ3gRNRocZz

Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want)compilations. If you can, please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.

haiku #374: Borrowing my house / from insects, / I slept

Instrumentation:
Tibetan Singing Bowl
Antique Upright Piano
Roland Juno DS
_____________________________

Borrowing my house
from insects,
I slept

Special thanks to Darren Bourne aka halF unusuaL, who recently mentioned this beautiful haiku by Issa to me.

Seven days to make music in response to the assigned haiku: to participate, visit https://www.naviarrecords.com/about/naviar-haiku

Deadline: 10th March 2021

haiku by Kobayashi Issa https://www.poetryfoundation.org/poets/kobayashi-issa

picture by Alfred Kenneally https://unsplash.com/@alken

Extant (naviarhaiku374)

Seapromenade, Morning

Three different moments within a quiet windless night. This is not an exceptional recording but I like the atmosphere anyway.
A howl, a fox and a blackbird can be heard as well as a frog and probably some rodents close to the tripod.
The microphones and the recorder have been left the whole night.
The photo has been shot in the morning when I came back to pick the stuff up.

Recorded with a Nagra Ares BB+, Neumann KM184, ORTF near my house, in la Creuse, France.

220725 A Quiet Night in the Woods

Tall trees are filled with heavy snow and when moderate wind blowing they are making sounds all over the forest.
Short clip from more than one hour long recording at mountain with cold night at -10Celsius

Zoom F6 , Sennheiser MKH40 ORTF

https://www.instagram.com/vida_sounds_bygregorvida/

https://www.facebook.com/gregc.gregc.1/

Forest sounds - when wind moving trees on the mountain

"Forgiveness" is the third single in a series of digital 7-inch releases from Polaroid Notes. The title track and "I Owe You A Dream" explore the deep keys of a piano, "Sleepy Sun" was recorded for this year's Piano Day on 29 March.

A fourth single will be released later in 2023 along with a limited edition CD version containing the previous singles (plus a surprise).

Track list:
1. Forgiveness / 2. Sleepy Sun / 3. I Owe You A Dream

Recorded and mixed March to May 2023

Download @ https://polaroidnotes.bandcamp.com/album/forgiveness

Release Date: 7th May 2023
Büro für Erdrotation Spin 034

Bandcamp

Polaroid Notes - Forgiveness

Le campement est posé sur le bord de mer. Et surprise, des Chouettes chevêches (Athene noctua) se réveillent dans un tintamarre grandissant. Vite la parabole Dodotronic et le Tascam DR05X ! Parmi plusieurs séquences de sons, celle-ci est retenue. D'autres sont déposées sur xeno-canto. Avec les sons en arrière plan de la turbulence humaine, des Pélodytes ponctués (Pelodytes punctatus), des Grenouilles rieuses (Pelophylax ridibundus) et de rares Rainettes méridionales (Hyla meridionalis).

The camp is set on the seaside. And surprise, Little Owls (Athene noctua)wake up in a growing din. Quickly the Dodotronic parabola and the Tascam DR05X! Among several sequences of sounds, this one is retained. Others are deposited on xeno-canto. With background sounds of human turbulence, the Common Parsley Frog (Pelodytes punctatus), the Marsh Frog(Pelophylax ridibundus) and rare songs of the Mediterranean Tree Frogs (Hyla meridionalis).

Vendée

Réveil crépusculaire des Chouettes chevêches à Aytré (17), le 27 avril 2023 au soir.

Edges is taken from the album ‘Swept’, an exploration of emotional turbulence, resilience and rejuvenation. Created with electric guitar, modular and analogue synthesizers and pedals, most of the sounds were recorded at the start of the global pandemic. The album is bookended with field recordings made from the artist’s garden in East London. It opens with the sound of tarpaulin sheets on a neighboring construction site swept by heavy winds during Storm Ciara, shortly before the first UK lockdown, and closes with the sound of birdsong after rainfall, signaling hope for better times.

Swept

Wil Bolton - Edges

Glacis is London-based Scottish composer Euan Millar-McMeeken, who some may recall from his previous collaboration work on Whitelabrecs including ‘Nothing Hurts Forever’ with Gavin Miller and as one half of Dead Bell, alongside The Green Kingdom. Euan also records as Civic Hall with Craig Tattersall and as Gallowglas alongside Johan G Winther. His most recent work 'Distances' with Adrian Lane was released on vinyl via Oscarson.

As a frequent collaborator, it is fitting that Euan’s debut for Whitelabrecs is in fact further partnered music in the form of ‘Interpretations’. He invited 11 artists to adapt, distort and deconstruct a collection of his original compositions, realising these into an album in its own right. Interpretations are not simply remixes. Euan explains that he’s never really liked the term ‘remix’ as it simplifies the process of working with original material. He never intended for this record to be a remix record and now it is complete, this feeling remains.

Euan aimed high in curating his artists, enlisting the likes of Tape Loop Orchestra, the Humble Bee, C.Diab and Satomimage and placing them alongside friends and regular collaborators including The Green Kingdom, Simon McCorry and Adrian Lane.

The tracks contained on Interpretations are all careful sonic studies of the original work that respond and react in different ways. Some of the pieces contain moments of the original pieces, some are unrecognisable, all are fascinating examinations. A rebirth, of a kind, from the original idea. Through these interpretations, the tracks are given new meaning and new life. Remarkably, this hour of music stands together as an album experience, despite the variety of the line-up and each artist’s approach to composition.

interpretations

wlr142 glacis - interpretations

Marco Lucchi | synth and tools

morphing "De spiritu santo" by Hildegard von Bingen, played by Noel Akchoté on elec guitar
https://soundcloud.com/noelakchote-1/hildegard-von-bingen-chants-02-de-spititu-sancto

21 aprile 2016

https://marcolucchi.bandcamp.com/track/un-grande-fiume-al-tramonto free download

Noel Akchoté & Marco Lucchi - Un grande fiume, al tramonto

Large pig frogs lead the croaking chorus of multiple species searching for mates in the flooded saw grass prairie along PaHaOkee Road in Everglades National Park, Florida. Southern cricket frogs "clack-clack" in background.Wide stereo field recorded in ORTF with pair of Line Audio CM3 cardioid microphones feeding a Sound Devices MixPre 3 recorder. February 2018.

Pig Frogs Pa Hay Okee

30 June 2020

During an unattended nocturnal recording session in a patch of old-growth forest a rain and thunder weather passed over during late evening hours. Birds stopped singing except for a Common Chiffchaff which actually seemed triggered by the rain and thunder.

Vindeln commune, Northern Sweden (64.11 N, 19.44 E)

Primos, +6 dB, 150 Hz/6 dB low cut filter in post

Chiffchaff singing in rain and thunder

Borrowing my house
from insects,
I slept

haiku by Kobayashi Issa https://www.poetryfoundation.org/poets/kobayashi-issa

picture by Alfred Kenneally https://unsplash.com/@alken

For more information visit http://www.naviarrecords.com/about/naviar-haiku

foreword blah

halF borroweD [naviarhaiku374]

This track was created for the Naviar Haiku group.
374week haiku
naviarlab.tumblr.com/

2021-03-04

borrowing my house ( Naviarhaiku374 )

5Mar21

My naviarhaiku374 submission
https://www.naviarrecords.com/2021/03/03/naviarhaiku374-borrowing-my-house/

Borrowing my house
from insects,
I slept

:D

Borrowing my house from insects [naviarhaiku374]

naviarhaiku374: borrowing my house

Hen (naviarhaiku374)

Time Rival is the ambient music project of Illinois native Michael Southard.  At a young age, Michael became interested in music production and recording engineering, creating countless albums of esoteric, cross-genre music.  He earned a bachelor’s degree in music business from Southern Illinois University in 2007 and has continued honing his production and songwriting skills.
The music of Time Rival is ambient in nature and has been described as “music for dreaming”.  Mostly piano and synthesizers heavily effected by computer wizardry.  It’s generally warm and pleasant with tiny hints of tension.  Music to help the listener decompress and provoke deep thought in this digital age.

Michael also creates technical, beat driven electronic music under the name @SupplyFi, is one half of the duo @Amberglow-3, and collaborates regularly with @runninginslowmotion and @belial-pelegrim.  He is a co-owner @triplicaterecords,  has a monthly radio show on Threadsradio.com and curates mixes and playlists for TRIP FM
For inquiries: msouthard.music@gmail.com

Naviar is a music community and label. Through regular publications, open projects and events, we explore the connection between experimental music and traditional Japanese poetry.

To join the Haiku challenge, visit https://www.naviarrecords.com/about/naviar-haiku

Extant (naviarhaiku374)

Time Rival

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