Name: 06 Holodec - Keep Shit On by TIMETABLE® in Untitled_part2
Duration: 4 min 51 s
Description: LTD CASSETTE AVAILABLE AT: http:timetablerecords.com

<a href="https://timetablerecords.com" rel="nofollow">TIMETABLE® </a>

Untitled_part2

The East Side Grooves - Hold On (1997)

Carte Blanche

Brilliant Trees

New LP out this Friday, feel it:

https://quaid.bandcamp.com/album/the-technological-afterlife

Medusa (feat. Shepherd)

Words by @moma_ready
LOVE as a body of work is less about the sensual aspect of love that we seem to be enamored by, but more so the excitement that comes along with new found love. I made these songs at the beginning of my relationship with a woman that I am deeply in love with. I hope the energy she gives me shines through this music and inspires you to reflect on the one you love. "Use your heart, not your eyes"

GOOD LOVE

Last show of 2017 feat new music from Greg Beato......

SMBD - MESSAGE
DREAMCAST & SASAC - FLORAL PLACE
HANNA - JULY
J M S KHOSAH - IN AND OUT
SSJJ, DEVIN DARE - KIM4SW
SSJJ, DEVIN DARE - KLY(​(​MXXX)
DREAMS - BLUE VISIONS
ASHTREJINKINS - SKITZ
MOLINARO - JTL
GREG BEATO - FAKE 80'S
GREG BEATO - WP7
SECRET SOCIETY - SKYWALK
TRUE WHITE - BLESK
GREG BEATO - P.U.T.I.O.
LORD TUSK - AM_PM
DAN MASTROIANNI - YOU AND I
FUSION - BAGGAGE
QUAID - MACHINE PSYCOLOGY
DREAMCAST & SASAC - LEO

Funkineven NTS Apron Show - 6th Dec 2017

First track from the new Jon Hassell album 'Listening To Pictures (Pentimento Volume One)' - Out now:
http://smarturl.it/listeningtopictures

pen·ti·men·to / noun
Reappearance in a painting of earlier images, forms, or strokes that have been changed and painted over.

Forty years since its creation, Jon Hassell's Fourth World aesthetic remains a powerful influence on modern electronic music. Continuing his lifelong exploration of the possibilities of recombination and musical gene-splicing, fragments of performance are sampled, looped, overdubbed and re-arranged into beguiling unexpected shapes. Hassell applies the painterly technique of ‘pentimento’ to the arrangements, teasing out texture by the overlaying of sound upon sound, or a carefully timed reveal of the delicate bones pinning the frame of a track together.

The release of this new album also sees the launch of Jon’s own label, Ndeya (pronounced “in-day-ya”), which will be a home for new work as well as well as selected archival releases, including re-presses of classic sides and some astonishing unreleased music.

FURTHER READING ON JON HASSELL:

Fourth World in the 21st century: https://www.residentadvisor.net/features/2984
Brian Eno on Jon Hassell: https://www.theguardian.com/music/2007/nov/09/jazz.urban
https://www.jonhassell.com/

Jon Hassell - Dreaming

Martyn releases new album ‘Voids’, his first for Ostgut Ton

‘Voids’ is in a few ways markedly different than previous Martyn records; it features no guest appearances or collaborations and at 9 tracks, is musically stripped down to the essentials. It’s also a highly personal take on forging new paths forward in genres where the Berghain/Panorama Bar resident has long been known for his production wizardry and innovation: post-dubstep and UK garage.

The LP is roughly split between these musical foundations, recontextualized with elements of Nyabinghi, drum ‘n‘ bass, and gqom to form snarling, bass-driven hybrids. The direction was hinted at last November on his ‘GL Outtakes’ – reworks of his landmark 2009 album ‘Great Lengths’. In contrast however, ‘Voids’ is also an attempt to work through personal trauma and loss, including recovering from a heart attack and dealing with the passing of close friend and fellow producer Marcus Intalex aka Trevino, to whom the track “Manchester” is dedicated.

The sound of ‘Voids’ is big and unapologetically rough around the edges. It is music as therapy, drawing on the healing elements of music past, but is far from retrospective. Indeed, Martyn is no stranger to electronic futurism, as his numerous solo productions for Ostgut Ton, Dolly, Hyperdub, Brainfeeder, Ninja Tune, Warp and his own 3024 label (run together with visual collaborator Jeroen Erosie) have shown. On ‘Voids’, however, these futuristic sonic qualities coalesce into something darker, more biographical and untethered from expectations.

Buy LP

Martyn | Voids Two

LTD CASSETTE AVAILABLE AT: http:timetablerecords.com

06 Holodec - Keep Shit On

Cry, but Go

Let Me Go

SEEKING ARRANGEMENT

NAME: Drew Briggs AKA Divine Interface AKA WiFi _daddy
LOCATION: Atlanta, GA
SEEKING: Casual but intimate encounters
LIFESTYLE BUDGET: Broke but not broken
DESCRIPTION: Lonely but never alone

Conversations from a bathroom stall. Greetings shouted across the dance floor. Lines whispered in your ear at the bar. These are just a few of the audible vignettes that make up Drew Briggs’ (AKA Divine Interface) latest EP, Seeking Arrangement. Briggs is our steadfast narrator throughout, offering thoughtful meditations on love, time, and what we do with them. He may suspect that love and romance are transactions, but it’s not that bleak: on Seeking Arrangement, he’s making collages with the receipts.

This was the ethos behind Briggs’ decision to name his latest release after the leading sugar baby dating site. Seeking Arrangement is both a nod to his native Atlanta (home to the largest sugar baby population in the country) and a playful commentary on the state of modern romance. Briggs, it turns out, is well-acquainted with the subject - a fixture in the local DJ scene by night and an employee of a sex furniture distributor by day, he’s built a life around helping people get down.

Briggs’ second release as Divine Interface (and first on 2MR) plunges the listener directly into his nightly routine - from club to afterparty to cab ride home. This effort is aided in part by his somewhat unorthodox creative process - most of the album was recorded in his bed, where he set up his equipment to encourage himself to work in the tired hours between gigs and shifts. As a result, the freshness of the material is palpable; the subject matter thoroughly lived-in. It makes perfect sense, after all, for an album about romance to be born between the sheets. Full of field notes from a night well spent, this is bedroom hip-hop done by someone who’s hardly home.

Perhaps this is because home, for Briggs, extends beyond his four walls. The city of Atlanta is the boisterous backdrop of this record, making appearances both literally, as in fellow ATL artist Fit Of Body’s appearance on “Sometimes,” and sonically, in Briggs’ unique fusion of the local hip-hop and electronic scenes. “In The Back” is a sleazy dance floor banger, while “Slide Piece” is a liquid-smooth after party groove. Lines blur across genre in the same way that hours seem to after a few drinks: “it’s getting late,” he muses on lead single “So Fine,” “but she don’t believe in time.”

Drew Briggs has never been a sugar baby, but he passes no judgment on the lifestyle. After all, aren’t all relationships transactional in a way? If it’s not money being traded, it’s social status, access, validation, emotional support, etc. Whether we’re aware of it or not, we make tacit agreements and set expectations. In other words, we seek arrangements. 
credits
releases June 5, 2020

CREDITS:
Written and produced by Drew Briggs in Atlanta, GA 2018-2019.
Mastered by Josh Bonati.
Cover painting by Kelli Willis Parks.
Layout and back photo by Ryan Parks.
Released by 2MR.

Seeking Arrangement

Slide Piece (Can I Come Sleep In The Cloud With You)

Divine Interface - Slide Piece (Can I Come Sleep In The Cloud With You) [2MR-047]

Text While Driving If You Want To Meet God!

4 Year Break (126 BPM)

High Graid steps out on Trax Couture

Tip!

World Series Vol 16 Warrior EP by High Graid [Trax Couture 2020]

More exclusive music

Premiere: High Graid 'See You Later'

420 - Untitled 14

Sorry Records is proud to present the debut release from Texas-born/Brooklyn-based producer Escaflowne (@escaflowne-iii)

Fresh off his inclusion on @haus_of_altr 's massive mission statement HOA010 compilation, Escaflowne makes a proper introduction with The Stimulus Pack EP - five tracks of souped-up house music filled with addictive grooves, gritty acid, soaring diva vocals, and divine rave stabs.

Detroit mastermind Huey Mnemonic (@hueypmnemonic) provides the cherry on top of the whole thing with his full-tilt breakbeat driven "Midnight Maurader Mix" of the Let No Man Put Asunder sampling "Beybah." Originally hailing from Flint, Michigan, Huey Mnemonic a.k.a. PJ Swerve has made his greatness known through his 2019 @vanitypress 12", a bootlegs split with DJ Swisha for Vanity Press imprint @hotnreadyrecords , and the launch of his new Subsonic Ebonics label this month with his Virtuosity EP featuring MoMa Ready.

All of the label proceeds from this release and the entire Sorry Records discography for the month of June will be donated directly to pro-black/anti-police charities and bail funds such as The Okra Project, Bushwick Ayuda Mutua, and G.L.I.T.S.

Mastered by @aliberger / Art by amad.studio

SR32: ESCAFLOWNE - THE STIMULUS PACK // OUT JUNE 26TH 2020

The Stimulus Pack

Bandcamp

Escaflowne - Beybah [SR32]

Timetable Records - based in L.A and home to Nosaj Thing, Holodec, Whoarei, D Tiberio, 4THSEX, Gerry Read, Low Limit and guests. Leftfield movements in dance, experimental and electronic music.

inquiries: x@timetablerecords.com

06 Holodec - Keep Shit On

TIMETABLE®

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