ambient likely lucid

Max Richter - Shadow Journal (L'exhalation Edit)

From my fourth solo album and first EP, self-released under Creative Commons license and can be free downloaded here: http://www.archive.org/details/AMomentOfStillness or here: http://stellardrone.bandcamp.com/album/a-moment-of-stillness

Billions And Billions

Listen/download ➤ https://ffm.colortheory.com/thisbrightcircumstance

Ever had a panic attack? I have.

Usually I'm hyperventilating, but I'm so caught up in the moment, I don't realize it.

The solution? Stop breathing.

STOP BREATHING
©2024 Brian Hazard (ASCAP)

I’m a soldier at war
With the atmosphere
Dialogue in my head
Like an auctioneer

When I hyperventilate
I see the stars
When I hyperventilate
(I suffocate)
I’m forming scars

Shut it all down
Stop breathing
(take what you need, just what you need)

I envelop myself
In catastrophe
Every outcome a threat
To my mortality

When I hyperventilate
I’m white as snow
When I hyperventilate
(I suffocate)
My world implodes

COLOR THEORY
@colortheory
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Stop Breathing

Purchase: bit.ly/daniailyas
Catalog #: GN77
October 22, 2024
LP+DIGI

DANIAILYAS is the collaborative, cross-continental project from Barcelona-based composer Dania Shihab (Paralaxe Editions), and Portland-based avant-gardist, Ilyas Ahmed (Grails member and collaborator with Liz Harris, Jefre Cantu-Ledesma, and Golden Retriever). Having both previously issued solo works through Geographic North, a remote one-off collaboration soon manifested into an on-going aural dialogue, yielding the duo’s debut ‘Enough for Me to Remain.’ The album stands as a hallucinatory masterclass, charting into the theater of the uncanny—Dania's transcendent vocal melodies and cathartic synths exquisitely woven between Ilyas' mercurial guitar in some vaporous dance of beauty. A love letter scribed in blood. A bloodletting drenched in hope.


Opener “The World Spins” immediately establishes Dania and Ahmed pairing as a truly exalted engagement—a nascent collaboration with boundless potential and cosmic chemistry. It’s the best of both worlds, with Ahmed’s spidery, open-ended acoustic gestures providing the perfect backdrop to Dania’s double-tracked and echoed lyrics spoken into the darkness. The morbid mise en scène of “Be Where” creaks with diegetic gloom and deeply sullen composure, straddling the physical, astral, and ethereal plane at once. 

Commencing in a blur of solemn acoustic genuflection, “Walking Through Another Door” ambles along with wordless, funereal focus. Vocally, Dania meticulously layers various vocal parts into a unified, mellifluous missive delivered with disembodied elegance and weightlessness. It’s equal parts angelic and grievous, striking a chord of heart and mind. “Breathe and Start Again” continues the emotion into more kaleidoscopic patterns, with a heaving manipulated clarinet motif turning over and over again through its habitual dance and Dania’s spectral coos floating by like storm clouds at dusk.

“The Pilgrim” ushers in an unassuming epic of dust-swept vistas haunted with spirits of yore. Beyond capturing a “cinematic” feeling, the song is essentially “pure cinema,” conjuring aural images that are both historic and timeless. In the song’s final moments, Dania’s refrain “Feeling dark again” enters the weighted darkness, bringing a flash of light and hope amidst the oblique obscurity. Closer “Coming Home” offers the most vulnerable and delicate moments on ‘Enough for Me to Remain,’ creating ample safe space to console and comfort in these weary times.

DANIAILYAS - "Be Where"

A hymn to Nasa, Space X, Roscosmos and the words of Carl Sagan.  

in the abyss, nothing will

we skipped down the hallway

An interpretation of:

here and there
upon scorched fields
wild violets

Naviar haiku challenge 582, details here: https://www.naviarrecords.com/haiku-music-challenge

Assembled using a combination of Voltage Modular and Bento, the noise synth from Giorgio Sancristoforo; https://www.giorgiosancristoforo.net (Bento is about 2/3 of the way down the list).

I started out with Bento, got it set up worked out which controls I wanted to manipulate the moved onto Voltage Modular and patched together the other elements I'd need. Although a bit of a fiddle, I'd assigned all my physical controls to Bento so had to control all the VM components with the mouse, everything was manipulated and recorder in a single live take.

Scorched Fields - (Naviarhaiku - 582)

Submission for # 583 Naviar's Haiku @ https://www.naviarrecords.com/haiku-music-challenge/#haiku-posts
One take recording using Twin3 Synth and FabFilter, Minimal Audio, Output fxs. Harmony Bloom sequencer. 

Inevitable Life (NaviarHaiku583)

echoes of the moon

ll tracks on this album were created using analogue media, tape loops, and non-musical noises. Tape and vinyl defects become elements of the composition here. In the modern digital era, people are losing touch with tangible reality and living nature, plunging into an artificial, synthetic, and virtual environment. The naturalness and uniqueness of simple things are becoming rarities.

This album was first released on Élan Vital Recordings on September 1, 2021, then was re-released on Rhymes Music in 2022, and now, slightly reworked (brought to perfection), is finally coming out on Chitra Records.

Produced and mixed by Dionis Afonichev (Dionisaf)
Mastered by Dionis Afonichev
Cover picture by Yulia Rychkova
Cover design by Dionis Afonichev

Lost Rarities

Flying Ships

Surface

Transmission 06. 

Some departures happen without moving at all.

I Wanna Leave

Taken from their forthcoming mini-album 'Ellis' out July 8 on Erased Tapes.

Pre-order the LP/CD/DL here: www.erasedtapes.com/store/index/ERATP086
or from iTunes here: http://snip.ftpromo.net/ellis

For the first half of the twentieth century, Ellis Island stood as the gateway to America. For some twelve million people, it was their first encounter with the land they hoped to call home. 

Directed by acclaimed artist JR, ELLIS tells the story of one such migrant. Starring Robert De Niro, the film winds its way through the crumbling hallways of the abandoned Ellis Island hospital complex, now home to JR’s Unframed art installation. It’s a place that reverberates with the hopes and fears of those who passed through it, the echoes especially resonant today.

Entwined with the narrative is a score composed by Woodkid, performed and co-written by Nils Frahm. The delicate piano motifs of Winter Morning I culminate in a crescendo of strings, while the harmonium swells on the B-side are the foundation for De Niro’s narration: an encomium for those who shaped modern America. 

There’s perhaps never been a more fitting time for this story, with all the proceeds going to the Sea Watch initiative, a non-profit charity dedicated to the protection and rescue of civilian refugees. 

Following a screening as part of Nils’s Barbican Weekender, the ELLIS score will be out July 8th, the same week as America’s great federal holiday. It will be available via Erased Tapes as a mini album on CD, vinyl and in digital format containing a 12-page picture booklet.


IN THE ARTISTS’ OWN WORDS:

Nils Frahm: ‘The opportunity to work on JR´s fantastic short film ELLIS came through my good friend Yoann aka Woodkid. We agreed on recording the piano parts in my studio in Berlin and so it happened that JR and Woodkid were guests at Durton studio on a wonderful late summer day in 2015. We managed to record all the crucial elements that day. The music fell in our laps and melted with the images: a wonderful experience. The film has stuck in my head ever since; it moved my heart and changed my soul.

A couple of weeks later I had to cancel a trip to Brussels because of a terror warning; all events got cancelled and I stayed home, having an unexpected day off. I felt rather depressed that day, thinking that the Europe I knew was already gone. I sat down at the harmonium, listened to Robert De Niro’s voice and played for the rest of the day. The result is ‘Winter Morning II,’ the B-side of the ELLIS soundtrack release.

Robert says it all in 17 minutes. We are not facing a refugee crisis. We are facing a crisis because we do not embrace, we do not sympathise and we cannot give up fear. Art can encourage so I hope this project will help fight the fear in all of us.’

Yoann Lemoine, aka Woodkid:  ‘Ellis is my second collaboration with JR after the New York City Ballet piece for Les Bosquets. I initially wanted this piece to sound like it was recorded on an old piano that we found in the ruins of Ellis Island, in the restricted area that is not open to the public, where JR pasted the pictures on the walls for the film Ellis.

I had worked with Nils before and I wanted him to create a sound for this piano part that I composed that was extremely gentle and organic. I wanted the listener to hear the mechanisms, the breathing of the instrument. I wanted it to be imperfect, to sound like a ruin, a trace, an echo, the way the pastings on the walls seem to be ghosts, almost imperceptible.

After a few rehearsals, Nils stripped down my piano parts and we removed almost all orchestration around the piano. He then worked on the extended version that is his interpretation of my piece, with Robert de Niro’s vocals.

Because this film and this recording is historically meaningful, it was important for us to create this piece as an echo to the immigration situation in Europe, and decided to release it in support of Sea Watch.’

Sketch 2

Tim Hecker

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