LYRICS:

A day that got away, the light that wouldn't stay
The morning star is rising, the beast is in your way
The worms that crawl inside would surely want you dead
But you don't have to let them get inside your head
I've got a little something to take the pain away
When the shadows lash out and call on you by name
And call on you by name
And call on you by name
All eyes are centered on you for the devil knows your name

Feel like torture, sleep is horror
Lucid dreaming, wake up screaming
Feel like torture, sleep is horror
Lucid dreaming, wake up screaming

If you're feeling empty, just tie another on
Your candle burns at both ends when you call the beast your friend
It slowly takes a choke hold, steals everything you've known
But you don't have to cave in and perish all alone
This thing bigger than life, likened to God or a path to death
It really truly gets you and it devours what is left
And it devours what is left
And it devours what is left
Until there's nothing left of you 'cause the devil got your best

Feel like torture, sleep is horror
Lucid dreaming, wake up screaming
Feel like torture, sleep is horror
Lucid dreaming, wake up screaming

Rain Chime

Behemoth

Featuring lecture by philosopher and fringe scholar Maggie Malady aka Keith Brown circa 2008.
https://soundcloud.com/pahndeepah
https://callmemaggie.com/

Mastered by One-Kind
https://soundcloud.com/one-kind

Vocal Diary Entry by my sister, Rebecca

Field recordings and Arrangement by obcb

Photo by Alexey Demidov at www.pexels.com

Shadow and Light - Feat. pahndeepah and One-Kind

For Chris Karrer

Severally mutilated sounds from a MakeNoise O-Coast synth.

A series of unlikely explanations

It was a pleasure working with Andreas Kitzmann's track https://soundcloud.com/andreas-kitzmann-27370936/disquiet0591, thanks @andreas-kitzmann-27370936!

With such gorgeous material, there wasn't much more to do than plug in my acoustic and play the guitar into the Chase Bliss Mood (so may not be immediately recognisable as guitar, apart from a bit at the end that I left relatively straightforward). Some minimal flavouring of the reverberating & delaying kind, with the dosage slightly higher for the purer acoustic sounds towards the end. 

The Tête-à-Tête pic taken at Tate Modern London seemed very appropriate for this week's assignment.

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More on this 592nd weekly Disquiet Junto project, Better Than One (The Assignment: Record the second third of an asynchronous trio), at: https://disquiet.com/0592/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0592-better-than-one/

Tête-à-Tête [Kitzmann/encym -- disquiet0592]

Collaborative work for the Disquiet Project:
https://disquiet.com/2023/05/11/disquiet-junto-project-0593-the-charm/

Track by Sonic Search: https://soundcloud.com/sonic-search/eden
Track by 4//lIGhT : https://soundcloud.com/forelight/unknown-quantities-with-sonic-search-disquiet0592

Merle Bardenoir, Sonic Search & Forelight - Unknown Eden [disquiet0593]

Nice Lie

This is my first time participating in a Disquiet Junto project. I've been lurking on the mailing list and forum since December, but haven't had enough time to participate yet (or, at least, I told myself I didn't have enough time to participate). I've been mentally preparing to join in starting with project 600, but when I saw this week's assignment—to get started on a plan by getting over getting started—how could I let it pass by again?

Nonetheless, I put it off all weekend, and had to do it quickly Monday night. To save some setup time, I created this entirely with plug-ins in Ableton Live—something I haven't done in a while—along with a field recording of the morning here in the suburbs of Adelaide, South Australia. I used it as an opportunity to explore the Arturia MiniLab 3 controller I recently bought, and the V Collection software that pairs so well with it.

More on this 597th weekly Disquiet Junto project, Goal Line (The Assignment: Get started on a plan by getting over getting started), at: https://disquiet.com/0597/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0597-goal-line/

Each Day Begins Anew [disquiet0597]

Zwischen den Räumen

I had started out with the assignment yesterday… today, I re-read the instructions and found that I might have been on a wrong track. Is it 0-40-60-0 of overall volume? Or the ratio of sound to silence in the overall piece? 

Not being totally sure about this, I started to carve out bits and pieces from the track. I removed most of the underlying drone, dimmed it down to 40 percent maximum, cut off reverb tails, removed some notes, trying to get the „guitar“ part in front.  

* * *
Disquiet Junto Project 0607: Silence Wave 

The Assignment: From close to zero and back again, alter the relative amount of sound to silence in a piece of music.

There’s just one step to this project:

Compose a piece of music in which the relative amount of sound to silence starts at zero (that is, no sound), rises to approximately 40 percent (that is, 60 percent silent) and returns to zero again. Keep the pace fairly steady.

Background: This project builds on the two previous ones. You needn’t have done them; do give them some consideration. In the first of the two, each participant composed a piece of music with as much silence as notes. In the second, each composed a piece of music with three times as much silence as sound. Jason Richardson proposed the first project in what has since become a sequence. As that project unfolded, Klaus-Dieter Hilf (aka RabMusicLab) commented that maybe the instruction should have read “sound” in place of “notes.” Since the first project went well, a subsequent project increased the amount of silence, and implemented Hilf’s proposal. This project takes it a step further still.

(...)

More on this 607th weekly Disquiet Junto project, Silence Wave (The Assignment: From close to zero and back again, alter the relative amount of sound to silence in a piece of music), at: https://disquiet.com/0607/

Thanks this week to Jason Richardson and Klaus-Dieter Hilf.

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0607-silence-wave/

Each Day Begins Anew [disquiet0597]

Tim Marcus Moore

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