Copy Of Work 2

To Be In Love

To Be In Love (Straight From MAW Studio) [feat. India]

Expansions In The NYC

Free To Love (feat. Karen Harding)

The Joy You Bring - SWING 52

Produced by Kerri Chandler
Lyrics by Arnold Jarvis

Music Is My Friend - Kerri Chandler & Arnold Jarvis

Elements Of Life Into My Life (You Brought The Sunshine) (Main Mix)

Let Me In

Let Me In (Orginal Mix)

If there’s one record you’ll want to have this summer, it’s Ossie’s ‘That’s a vibe’ EP. The London producer makes his debut on Heist with an irresistible dance record loaded with high-energy UK grooves and a fair nod to classic US house music.

DJ/producer Ossie Aneke a.k.a OSSIE has been releasing music for over a decade, releasing forward-thinking electronic productions on crucial imprints such as Hyperdub, Skepta’s Mas Tiempo, Brownswood and his own Supercali music. His Heist release features 4 tracks that are rich in sound, sampling and vocals and are all filled to the brim with personality. 

The EP kicks off with ‘That’s a vibe’; a shuffling and breezy affair with a quirky, high-pitched vocal and lovely chord chops that all fit together perfectly. The production is immaculate and you can hear Ossie feeling totally comfortable in his sonic space, where he takes the best parts of London and Chicago and blends it into something totally unique. With that catchy melody and vocal, this one is quite earworm. We've been playing this one out a lot, and the reaction from the crowd (and track id requests) are great (as seen in our recent raw cuts set in New York).

“Are you still smiling” ups the tempo and takes us deeper into the London sound, with a riff of pulsating strings, garage drums and a nasty bassline. This track, (which could have easily been on Daphni’s latest album) has everything we like about contemporary electronic music. It’s full of feelgood elements, quirky samples and a groove that will get the even the stiffest hips shaking. 

Ossie is not one to go for the same trick twice, and he’s very well capable of going deep as we can hear on ‘Clay clay’. On this track, we see Ossie pay homage to classic US house music, with minor chords looping over a crunchy diva vocal and a solid house groove. The EP finishes off on a high note with ‘True freedom’: a track full of energy with sampled chords and lots of vocal elements working together to great effect. The percussion programming is clever and full of forward momentum and the bass is so fat it probably won’t fit through club door.  

Ossie delivers an EP that’s unique, catchy and produced with such confidence, that these tracks have already become a staple in our sets. 

Get ready to dive into the sound of Ossie and as always, enjoy the music and play it loud! 

Lars & Maarten

That's a vibe

That's a vibe EP

Buy here!

Ossie - True Freedom

If there’s one record you’ll want to have this summer, it’s Ossie’s ‘That’s a vibe’ EP. The London producer makes his debut on Heist with an irresistible dance record loaded with high-energy UK grooves and a fair nod to classic US house music.  

DJ/producer Ossie Aneke a.k.a OSSIE has been releasing music for over a decade, releasing forward-thinking electronic productions on crucial imprints such as Hyperdub, Skepta’s Mas Tiempo, Brownswood and his own Supercali music. His Heist release features 4 tracks that are rich in sound, sampling and vocals and are all filled to the brim with personality. 

The EP kicks off with ‘That’s a vibe’; a shuffling and breezy affair with a quirky, high-pitched vocal and lovely chord chops that all fit together perfectly. The production is immaculate and you can hear Ossie feeling totally comfortable in his sonic space, where he takes the best parts of London and Chicago and blends it into something totally unique. With that catchy melody and vocal, this one is quite earworm. We've been playing this one out a lot, and the reaction from the crowd (and track id requests) are great (as seen in our recent raw cuts set in New York) 

“Are you still smiling” ups the tempo and takes us deeper into the London sound, with a riff of pulsating strings, garage drums and a nasty bassline. This track, (which could have easily been on Daphni’s latest album) has everything we like about contemporary electronic music. It’s full of feelgood elements, quirky samples and a groove that will get the even the stiffest hips shaking. 

Ossie is not one to go for the same trick twice, and he’s very well capable of going deep as we can hear on ‘Clay clay’. On this track, we see Ossie pay homage to classic US house music, with minor chords looping over a crunchy diva vocal and a solid house groove. The EP finishes off on a high note with ‘True freedom’: a track full of energy with sampled chords and lots of vocal elements working together to great effect. The percussion programming is clever and full of forward momentum and the bass is so fat it probably won’t fit through club door. 

Ossie delivers an EP that’s unique, catchy and produced with such confidence, that these tracks have already become a staple in our sets. 

Get ready to dive into the sound of Ossie and as always, enjoy the music and play it loud! 

Lars & Maarten

Ossie - Clay Clay

Riva Starr - Keep Me On The Dancefloor (RMX Pack Vol.1) is the latest release on Snatch!

Buy/Stream: https://music.snatchrecords.com/snatch230


02 Riva Starr Feat. Harry Stone - Only Love (4004 Extended Remix) [Snatch! Records]

Dam Swindle’s new ‘Backyard Galaxy’ EP is an ode to house music and the classic Swindle sound. 

It’s only been a few months since Dam Swindle released their highly acclaimed album “Open” and already the boys are back on Heist with a new release that takes you right back to the dancefloor. Where they’ve spent the better part of the last 3 years writing their album with all its sonic explorations and collabs, this new EP sees the duo return to their roots of club-ready house music. The ‘Backyard Galaxy’ EP comes with 4 high-energy house tracks made in their Amsterdam studio that have been road-tested all summer.

EP opener “Feel it much?” has all the ingredients of a classic Swindle heater, with warm pads, rich organic percussion and tons of soul. There’s a simple and effective vocal running throughout the track that blends nicely with the classic house elements and electronic textures that are layered throughout the track. There’s an effortless flow to this track and it comes as no surprise that it has been a highlight in their sets this summer. 

The EP title track ‘Backyard Galaxy’ is an up-tempo Latin-themed jam with a hint of old school techno.  The synth stabs hit you just right and the modulated vocal chops are a lovely boost for the build ups and add a touch of swing to a track that already has a tight  groove. Add to that a huge breakdown and drum roll and you’ve got yourself a track that’ll light up any dancefloor.

On the flip, we’re moving into garage territory with the shuffling vibes of ‘Rhythm Baby’. The current popularity of the genre is not missed on Dam Swindle, but when you look closely, you’ll see this track is full of elements that the duo have built their legacy on. The vocal chops, transposed key samples and swing are all on point and work just as well below, as above 130 bpm if speed is your thing.

The EP closes with the NY-style house cut ‘What you give’, which reminds us of Dam Swindle’s remix of Cinthie’s Heist hit ‘Won’t U take me’ with its lush organs and moody keys. It’s perhaps the most classic house track they’ve made in a long time and you can hear they had a great time recording this. It’s playful, vibey and catchy. Just the way we like it.  

Dam Swindle might have delivered one of the standout cross-over albums of 2025, but on this EP the message is clear: Once a househead, always a househead.

As always, enjoy the music and play it loud! 

Much love, 
Heist HQ  

Backyard Galaxy EP

Feel it much?

I Deserve To Breathe Louie Vega feat Adeva - Gene Perez Mix

Balkan Deep House, Organic House, Tech House, Odd Meter (7/8, 9/8, 11/8), Gaida, Zurla, Tapan, Čalgija Brass, Byzantine Drone, World Electronica, Microhouse
Mit „The Fortress and the Abyss“ entfaltet Thomas Carlo Gerundo einen zeremoniellen Balkan-Groove zwischen Festigkeit (Fortress) und Transzendenz (Abyss). Punchy Kicks, gerundeter Sub-Bass und tightes Hi-Hat-Gerüst tragen Gaida/Zurla-Melismen, Tapan-Rolls, Tambura-Skanks und Čalgija-Horns, oft in 7/8, 9/8, 11/8. Byzantinischer Drone schwebt wie ein ison über luftigen Pads, Analog-Plucks und Dub-Echoes – hypnotisch, kraftvoll, upliftend.

The Fortress and the Abyss

Midnight Moon (Long Play)

Buy on bandcamp

Ben Arsenal feat Tsehaitu- Midnight Moon (Long Play)

Gordon Lightfoot - Linda (Nathan Micay's Trance Pluckathon, Schvitz remix](Bassbrotherhood edit)

Carmin.D-Peven Everett - stuck (Phil Ashers Soul Heaven version)

At the Club

At the Club (Sean McCabe's Slummin Mix) [feat. Lynn Lockamy]

At the Club (Sean McCabe's Slummin Mix) [feat. Lynn Lockamy]

Timmy Regisford

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