love how airy, yet steady, this sequence is and how it reminds me of the most common turns of phrases we use to reassure one another, but also bombarding you in a way that's reminiscent of living in the age of mass comms (internt+texting)

Enigmatic Japanese producer Shinichi Atobe evokes a range of sensations in his music that few others can. Whether he's listened to in headphones on a long journey, on the sofa on a lazy Sunday, deep into an afters or during a peak time reprieve, the rich, vivid strokes of his heady work has equal power to relax, heal, move, energise, envelop and flaw. 

Another scholar of patient tension-building in electronic music, Prins Thomas included Atobe in the footnote homage of his sixth album, alongside luminaries from all sounds and ages. As a mark of how much Atobe's work has impacted on his own, Thomas has paid tribute with an hour mix.

Read a mini-essay from Thomas: http://www.stampthewax.com/2019/04/16/praise-you-a-shinichi-atobe-tribute-mix-by-prins-thomas/

Praise You: a Shinichi Atobe tribute mix by Prins Thomas

BEAUTIFUL SWIMMERS - ULTRA MAGNETIC DJ MIX
!!!!!!!!!!!!!!!!!!!!!!!!! CUTS !!!!!!!!!!!!!!!!!!!!!!!!!!!!!
-- FT Swimmer Boys comin 2 get ya --
Have a little taste and then come get busy!!!!!

UPCOMING EU DATES:

NOV 01:  Cultfarm @ Ekko, Utrecht, Netherlands
NOV 02:  Cat Club, Brussels, Belgium
NOV 04:  Kantine, Konstanz, Germany
NOV 07:  Cookies, Berlin, Germany
NOV 08:  Bar Romania, Stuttgart, Germany
NOV 09:  Rhythm Section @ Canavans, London, UK
DEC 06:  Czarny Rynek, Warsaw, Poland
DEC 07:  Club Alchemia, Warsaw, Poland
DEC 13:  Berkeley Suite, Glasgow, UK
DEC 14:  Bootleg Club, Bordeaux, France (Maxmillion Dunbar LIVE & Beautiful Swimmers DJ Set)

PROMOTERS! Holler at Ollie if you want us at the spot: ollie@elasticartists.net

Ultra Magnetic DJ MIX

A soundtrack to a sunset drive. 

Profile and interview: https://bit.ly/XLR8Rpodcast_RonTrent

XLR8R Podcast

Download

XLR8R Podcast 756 - Ron Trent

This week we find ourselves deep in the tropics with an appetite for ripe fruits and some pure perspiration vibrations! Sweat it out with the Burger man throwing down classic reggae and highlife, disco house madness, crunchy drum traxx and afro-cuban jazz delights in ultimate Fett Burger wild style. 100% good times guaranteed!! 

Click here for our chat with @djfettburger: melbournedeepcast.net/portfolio/dj-fett-burger

www.melbournedeepcast.net

Interview

MDC.277 DJ Fett Burger

2 hrs of tunes from Montreal’s Patrick Holland.

@ppatrickholland

2MR Transmission With Patrick Holland @ The Lot Radio 09 - 17 - 2022

Last mix of the year 2022 comes from Rotterdam based Suze Ijó (@suze_ijo) who has been making heat across dance floors world wide. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hi Suze, welcome to the series. You used to work at Clone. Do you believe working in a record store has helped you as a DJ and the other way around?

SI: I think that the type of person that gets attracted to working in a record shop are usually music geeks(like I am). So it was wonderful being surrounded by only music geeks for three years and sharing with each other our influences, hearing all the records coming in and finding out about some cool releases on labels you would never even think of listening to if it wasn’t for it being played in the store. I did get a discount but in the end my salary was basically being spent on new records. I think as a DJ working there it did inspire me to dig deeper because you need to advice all different kinds of people about what’s in store. As for benefits for the record store, I guess having qualified music lovers is a good thing to have around.

MFM: By sticking to the more soulful sounds, such as gospel, soul, disco, broken beat and house, and also being outspoken in championing the black community, it seems like you're expressing a message through music. Could you please share your thoughts on this?

SI: Being a black Dutch-Caribbean woman is definitely a big part of my musical identity. I like to weave Afrodiasporic sounds together mostly because they have so much in common, whether it’s House music, Salsa, Boogie, Broken Beat or Techno. I can hear the connections so clearly. Each time I might have a different message but a lot of them have to do with: losing and finding love, letting go, finding community and expressing joy. 

MFM: With playing so many shows at different places on this planet, how do prepare for your gigs?

SI: Sometimes it’s hard to prepare because you won’t know where you’ll end up playing or for what kind of crowd. I usually bring a variation of new finds and old classics with me. Also I try to make a playlist per event in Rekordbox. I kind of see it like puzzling, you want to make sure the pieces fit together. It usually starts with me overpacking and then slowly taking out the records that aren’t necessary or most likely won’t be played. I used to spend a lot of time preparing but because I play so much these days, I am almost always in a state of preparation and that takes away the stress that used to come with it. It allows for more spontaneity.

MFM: Please tell us about this mix, was there a certain vibe or idea you wanted to capture?

SI: I wanted this mix to be slow paced and imaginative, to almost make it feel like a movie soundtrack when closing your eyes. I don’t want to say too much about it because I want every listener to have their own interpretation but the transmission of intergenerational trauma and memory is something that I had thought about a lot lately. Then I found a poem by Brazilian Maestro Milton Nascimento which is the guideline of this mix. The Poem “Era Rei e Sou Escravo” (translation: I was a king and I am enslaved) tells the story of an enslaved person, being taken from the African mainland and no matter how badly he is treated or wherever he is taken, he says that the memory of his country and the memory of the music of his people stays and never goes away. It keeps him hopeful, he ends the poem with: Sou Escravo Serei Rei(I am a slave, I will be a king). From that moment on we travel.

MFM Mix 046: Suze Ijó

Juanita's Mix 84 with Eamon Harkin @eamonharkin

Q. How would you describe yourself?
A. Professionally a DJ, music producer and night club operator. More broadly a dad, husband, brother and son.

Q. How long have you been a part of the NY music scene?
A. Almost 20 years. I landed in NY in November 2003.

Q. Tell us a little bit about this mix.
A. It contains tracks and songs from my main musical outlets for playing music to an audience - Planetarium, Mister Saturday Night and Mister Sunday. Emotionally it straddles the line between fear and hope.

Juanita's Mix 084: Eamon Harkin

A stroll through tempos and genres.

@yu_su

Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=670

Resident Advisor podcast

RA.670 Yu Su

@vynehall

Last May, we invited Leon Vynehall to play a rare 'open to close' set at Honey Soundsystem. There are not many selectors that we can trust to not only DEBUT themselves at a HSS party but also take on a room entirely to themselves. His set exceed our expectations and the recording ACTUALLY came out.

Honey fans know we don't release many live-recordings, but when we do they often have a life of their own (see Jennifer Cardini at Burning Man, Silent Servant at Holy Cow, Black Madonna at Deviants, Doc Sleep at the 9 Year Anniversary) 

You can check out the past live-sets here: https://soundcloud.com/honeysoundsystem/sets/recorded-live-at-honey

This set has been on repeat since that May 26th night and after some serious cajoling, Vynehall agreed to release the first couple of hours. Vynehall does not really release live mixes so we know how special this is and thank him for letting us go with it.

The set went on for another 3.5 hours but included some material Vynehall can't have out in the world yet. So... here is an exceptionally good 3.5 hours at one of our traditional Sunday night, holiday weekend, Honey Soundsystem parties in San Francisco.

Honey Soundsystem Potcast

Leon Vynehall @ Honey Soundsystem SF [5-26-2019] (first half of all night set)

Broadcast live on WNYU 89.1FM in New York City on February 11th, 2020.
https://soundcloud.com/galcher-lustwerk
https://beatsinspace.net/playlists/1029/ 
https://beatsinspace.bandcamp.com
Support BIS: https://www.patreon.com/beatsinspace 
Leave a message on the BIS Hotline: 646-481-8189

beatsinspace.net

BIS Playlist

BIS Radio Show #1029 Part1 with Galcher Lustwerk

00] Hole In One - Spiritual Ideas For Virtual Reality
[09] The Primitive Painter - Levitation [Klang Elektronik - KLANG 1]
[18] Dubtribe Sound System - Sunshine's Theme (Sunshine's Remix) [Organico - ORG 004]
[23] State Of Flux - Mercury [Finiflex - FF1009]
[29] The Primitive Painter - Cathedral [Klang Elektronik - KLANG 1]
[36] Ebi - Chuu [Space Teddy - ST 007]
[43] Some Other People - Astralise [Infinite Mass - MASS 018 T]
[52] The Primitive Painter - Invisible Landscapes [Klang Elektronik - KLANG 1]
[58] Squid - Emprisoning Sound On A Piece Of Wax [Apollo - APOLLO 16]
[64] The Keyprocessor - Feary Tales [Eevo Lute Muzique - EEVO 008]
[68] State Of Flux - The News [Bold! Stars - BR 2009-1]
[71] Ian Pooley And Alec Empire - Untitled (Pulse Code E.P. Side A) [Mille Plateaux - MP 3]
[83] Ebi - Sou [Space Teddy - ST 007]

Mixes 1993

Andrew Weatherall - Massive Mellow Mix (Slow Electric vol 1.1)

Beats In Space Radio 

BIS Hotline: 646-481-8189

For Tim Sweeney DJ Bookings: bookings@beatsinspace.net

BIS Radio Show #1029 Part1 with Galcher Lustwerk

Beats In Space

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