The first thing I did was transcribe Pachabel’s Canon (arr. Wee Loon) into Supercollidr using \degree in Pbinds. There are two main Pbind patterns representing the right and left hands of the piano player, should the piece be played manually. I used a “pluck” synth def and an “am” synth def (the one I used for happy pi/sad pi). I overlapped the “pluck” and “am” synth defs when I played the Pbind. I also made an original “organ” synth def using “blip” in Supercollider. Midway through the song the “organ” (3rd Pbind) plays the 8 bass notes then stops. I defined the Pbinds so that I could be able to play/organize them neatly in a specific sequence. This is my Pachabel’s Canon using Supercollider.
(
SynthDef("pluck", {arg amp = 0.1, freq = 440, decay = 5, coef = 0.1;
var env, snd;
env = EnvGen.kr(Env.linen(0, decay, 0), doneAction: 2);
 snd = Pluck.ar(
        in: WhiteNoise.ar(amp),
        trig: Impulse.kr(0),
        maxdelaytime: 0.1,
        delaytime: freq.reciprocal,
        decaytime: decay,
        coef: coef);
    Out.ar(0, [snd, snd]);
 }).add;
)
////////////////////////////////////////////////////////////////////////////////////////////////////////////////

// Amplitude Modulation (AM)
(
SynthDef("amsynth", {arg freq = 440, modfreq = 100, att = 0.01, rel = 1, amp = 0.5;

var carrier, modulator, env;
env = EnvGen.kr(Env.perc(attackTime: att, releaseTime: rel, level: amp), doneAction: 2);
modulator = SinOsc.kr(freq: modfreq);
carrier = SinOsc.ar(freq: freq, mul: env * modulator);
Out.ar(0, [carrier, carrier]);
}).add;
)
Synth("amsynth");
Synth("amsynth", [\freq, 1000, \modfreq, 129, \att, 0.01, \rel, 0.3, \amp, 0.1]);
////////////////////////////////////////////////////////////////////////////////////////////////////////////////
(
SynthDef("blip",{arg amp = 0.1, freq = 440, gate = 1, numharm = 5;
	var env, snd;
	env = EnvGen.kr(Env.adsr(1, 0, amp, 1), gate, doneAction: 2);
	snd = Blip.ar(freq: freq, numharm: numharm, mul: env);
    Out.ar(0, [snd, snd]);
 }).add;
)

Synth("blip")

Pbind(\instrument, "blip", \numharm, Prand([2, 3, 4, 5, 6, 7, 20], inf), \octave, 5, \mtranspose, 2).play

// ctranspose includes half steps chromatic transpose
// mtranspose follows white keys modo transpose



////////////////////////
s.record;
s.stoprecord;
////////////////////////////////////////////////////////////////////////////////////////////////////////////////
//out of sync fun
// not part of above recording, just experimental code :)
(
{
	~pluckA.play;
	~am.play;
	1.wait;
	~pluckB.play;
	~am2.play;
	6.wait;
	~organ.play;
	1.wait;
	~organ2.play;



}.fork;
)
/////////////////////////////
// in sync fun
(
{
	~pluckA.play;
	~am.play;
	~pluckB.play;
	~am2.play;
	40.wait;
	~organ.play;
	40.wait;
	~organ2.play;



}.fork;
)

/////////////////////////////

(
~pluckA.play;
~pluckB.play;
)

Ppar([~pluckA, ~pluckB, ~am, ~am2, ~organ, ~organ2], 1).play;
/////////////////////////
(
~organ = Pbind(
	\instrument, "blip",
	\degree, Pseq([0, -3, -2, -5, -4, 0, -4, -3], 26),
	\numharm, Prand([2, 3, 4, 5,], inf),
	\octave, 4,
	\dur, Pseq([/*Rest(132),*/ Pseq([2])], 26)/2
)
)
(
~organ2 = Pbind(
	\instrument, "blip",
	\degree, Pseq([0, -3, -2, -5, -4, 0, -4, -3], 26),
	\numharm, Prand([2, 3, 4, 5,], 26),
	\octave, 5,
	\dur, Pseq([/*Rest(0),*/ Pseq([2])], inf)/2
)
)

(
~pluckA = Pbind(
    \instrument, "pluck",
	\strum, 0.015,
	\echo, [2, 4],
	\degree, Pseq([
 [0, 4, 7, 9],[-3, 1, 4, 7],[-2, 2, 5, 7], [-5, 2, 4, 6], [-4, 0, 3, 5], [0, 2, 4], [-4, 0, 3, 5], [-3, 1, 4, 6], 9, 8,
  7, 6, 5, 4, 5, 6, [7, 9], [6, 8],
  [5, 7], [4, 6], [3, 5], [2, 4], [3, 5], [4, 6], 0, -3, -2, -5,
  -4, 0, -4, -3, 0, -3, -2, -5, -4, 0,
  -4, -3, 0, 2, 4, -3, -2, 2, 5, -5, [5, 7], [3, 5], [2, 4], [3, 5], [4, 6],
  0, 2, 4, -3, -2, 2, 5, -5, [5, 7], [3, 5], [2, 4],
  //end pg 1
		//start pg 2
  -4, -4, -3, -3, 0, 2, 0, 2, -3, -3,
  -2, 2, -2, 2, 2, -5, -5, -4, 0, -4, 0, 0, 0,
  -4, 0, -4, 0, -3, -3, 0, 2, 0, 2, -3, -3,
  -2, 2, -2, 2, 2, -5, -5, -4, 0, -4, 0, 0, 0,
  -4, 0, -4, 0, -3, -3, 0, 2, 0, 2, -3, -3,
  -2, 2, -2, 2, 2, -5, -5, -4, 0, -4, 0, 0, 0,
  -4, 0, -4, 0, -3, -3, 0, 2, 0, 2, 0, -3, -1, -3, -1, -3,
  //end pg 2
		//start pg 3
	-2, 2, -2, 2, -2, -5, -1, -5, -1, -5, -4, 0, -4, 0, 0, 0, 0, 0,
	-4, 0, -4, 0, -4, -3, -1, -3, -1, -3, 0, 2, 0, 2, 0, -3, -1, -3, -1, -3,
	-2, 2, -2, 2, -2, -5, -1, -5, -1, -5, -4, 0, -4, 0, 0, 0, 0, 0,
		-4, 0, -4, 0, -4, -3, -1, -3, -1, -3, Pseq([0], 8), Pseq([-3], 8),
		Pseq([-2], 8), Pseq([-5], 8), Pseq([-4], 8), Pseq([0], 8),
		Pseq([-4], 8), Pseq([-3], 8), [-5, 0, 2, 4, 7], [-5, 0, 2, 4, 7], [ -3, -1, 1, 4, 6], [-3, -1, 1, 4],
		[-5, -2, 2, 5, 7], [-5, -2, 2, 5, 7], [-5, -1, 2], [-5, -1, 2], Pseq([[-4, 0, 3]], 2), Pseq([[-5, 0, 2]], 2),
		[-4, 0, 3], [-4, 0, 3, 5], [-3, -1, 1], [-3, -1, 1, 4], Pseq([[0, 2, 4]], 2), Pseq([[-3, -1, 1]], 2),
		Pseq([[-2, 2, 5]], 2), Pseq([[-5, -1, 2]], 2), Pseq([[-4, 0, 3]], 2), Pseq([[0, 2]], 2),
		Pseq([[-4, 0, 3]], 2), Pseq([[-3, -1, 1]], 2), 0, -3, -2, -5,
		-4, 0, -4, -3, [0, 4, 7, 9, 11, 14]

 ]),
 \ctranspose, 0,
    \amp, Pwhite(0.4, 0.5),
    \decay, 4,//Pwhite(2, 4),
	\coef, Pkey(\degree).linlin(-5, 14, 0.1, 0.25),
 \dur, Pseq([2, 2, 2, 2, 2, 2, 2, 2, 2, 2,
 2, 2, 2, 2, 2, 2, 2, 2,
 2, 2, 2, 2, 2, 2, 2, 2, 2, 2,
 2, 2, 2, 2, 2, 2, 2, 2, 2, 2,
 2, 2, 0.5, 0.5, 1, 2, 0.5, 0.5, 1, 2, 1, 1, 2, 2, 2,
 0.5, 0.5, 1, 2, 0.5, 0.5, 1, 2, 1, 1, 2,
  //end pg 1
		//start pg 2
  1, 1, 1, 1, 0.25, 0.75, 0.25, 0.75, 1, 1,
  0.25, 0.75, 0.25, 0.25, 0.5, 1, 1, 0.25, 0.75, 0.25, 0.75, 1, 1,
  Pseq([0.25, 0.75, 0.25, 0.75, 1, 1], 2),
  0.25, 0.75, 0.25, 0.25, 0.5, 1, 1, Pseq([0.25, 0.75, 0.25, 0.75, 1, 1], 3), 0.25, 0.75, 0.25, 0.25, 0.5, 1, 1,
  Pseq([0.25, 0.75, 0.25, 0.75, 1, 1], 2), 0.25, 0.75, 0.25, 0.5, 0.25, 0.25, 0.75, 0.25, 0.5, 0.25,
  //end pg 2
		//start pg 3 till end
		0.25, 0.75, 0.25, 0.5, 0.25, 0.25, 0.75, 0.25, 0.5, 0.25,0.25, 0.75, 0.25, 0.5, 0.25, 0.25, 0.75, 1,
		Pseq([0.25, 0.75, 0.25, 0.5, 0.25, 0.25, 0.75, 0.25, 0.5, 0.25], 3),
		0.25, 0.75, 0.25, 0.5, 0.25, 0.25, 0.75, 1,
		0.25, 0.75, 0.25, 0.5, 0.25, 0.25, 0.75, 0.25, 0.5, 0.25,
		Pseq([0.25], 64),
		Pseq([1], 32),
		Pseq([2], 8),
		4

 ])/2
);


~pluckB = Pbind(
 \instrument, "pluck",
	\strum, 0.015,
 \degree, Pseq([Rest(16), Pseq([0, 2, 4, 7, -3, -1, 1, 4,
  -2, 2, 5, 7, -5, -1, 2, 4, -4, 0, 3, 5, 0, 2, 4, 7, -4, 0, 3, 5, -3, -1, 1, 4], 2,),
  Pseq([7, 6, 7, 0, -1, 4, 1, 2, -2, 7, 6, 5, 6, 9, 11, 12,
   10, 9, 8, 10, 9, 8, 7, 6, 5, 4, 3, 2, 1, 3, 2, 1], 2,), 7, [9, 11], [9, 11], [10, 12], [9, 11], [8, 10], [6, 8], [6, 8], [6, 8], [7, 9], [6, 8], [5, 7], -4, 0, 0, 0, 0, 2, 4, 7, -4, 0, 3, 5, -3, -1, 1, 4,
  7, [9, 11], [9, 11], [10, 12], [9, 11], [8, 10], [7, 9], [7, 9], [7, 9], [8, 10], [7, 9], [6, 8], -4, 0, 0, 0, 0, 2, 4, 7,
  //end pg 1
		//start pg 2
  5, 5, 4, 5, 6, 5, 6, 4, 5, 6, 7, 8, 9, 10, 11, 9, 10, 11, 9, 10, 11, 4, 5, 6, 7, 8, 9, 10,
  9, 7, 8, 9, 2, 3, 4, 5, 4, 3, 4, 7, 6, 7, 5, 7, 6, 5, 4, 3, 4, 3, 2, 3, 4, 5, 6, 7,
  5, 7, 6, 7, 6, 7, 4, 5, 6, 7, 8, 9, 10, 11, 11, 9, 10, 11, 9, 10, 11, 4, 5, 6, 7, 8, 9, 10,
  9, 7, 8, 9, 2, 3, 4, 5, 4, 3, 4, 7, 6, 7, 5, 7, 6, 5, 4, 3, 4, 3, 2, 3, 4, 5, 6, 7,
  5, 7, 6, 7, 6, 7,4, 5, 6, 7, 8, 9, 10, 11, 9, 7, 8, 9, 8, 7, 8, 6, 7, 8, 9, 8, 7, 6,
  7, 5, 6, 7, 2, 3, 4, 5, 4, 3, 4, 7, 6, 7, 5, 7, 6, 5, 4, 3, 4, 3, 2, 3, 4, 5, 6, 7,
  5, 7, 6, 7, 6, 5, 6, 7, 8, 7, 6, 7, 5, 6, 7, 9, 10, 11, 9, Rest(0.5), 6, 7, 8, 6,
  //end pg 2
		//start pg 3
		Rest(0.5), 7, 8, 9, 7, Rest(0.5), 4, 5, 6, 4, Rest(0.5), 5, 6, 7, 5, Rest(0.5), 2, 3, 4, 2,
		Rest(0.5), 5, 6, 7, 5, Rest(0.5), 6, 7, 8, 6, Rest(0.5), 9, 10, 11, 9, Rest(0.5), 6, 7, 8, 6,
		Rest(0.5), 7, 8, 9, 7, Rest(0.5), 4, 5, 6, 4, Rest(0.5), 5, 6, 7, 5, Rest(0.5), 2, 3, 4, 2,
		Rest(0.5), 5, 6, 7, 5, Rest(0.5), 6, 7, 8, 6, 11, 9, 10, 11, 9, 10, 11, 4, 5, 6, 7, 8, 9, 10,
		9, 7, 8, 9, 2, 3, 4, 5, 4, 3, 4, 7, 6, 7, 5, 7, 6, 5, 4, 3, 4, 3, 2, 3, 4, 5, 6, 7,
		5, 7, 6, 7, 6, 7, 4, 5, 6, 7, 8, 9, 10, 11, 11, 9, 10, 11, 9, 10, 11, 4, 5, 6, 7, 8, 9, 10,
		9, 7, 8, 9, 2, 3, 4, 5, 4, 3, 4, 7, 6, 7, 5, 7, 6, 5, 4, 3, 4, 3, 2, 3, 4, 5, 6, 7,
		5, 7, 6, 7, 6, 7, 4, 5, 6, 7, 8, 9, 10, 11, 9, 7, 8, 9, 8, 7, 8, 6, 7, 8, 9, 8, 7, 6,
		7, 5, 6, 7, 2, 3, 4, 5, 4, 3, 4, 7, 6, 7, 5, 7, 6, 5, 4, 3, 4, 3, 2, 3, 4, 5, 6, 7,
		5, 7, 6, 7, 6, 5, 6, 7, 8, 7, 6, 7, 5, 6, Rest(0.5), 2, [4, 7, 9], Rest(0.5), -1, [1, 4, 8], Rest(0.5), 2, [5, 7], Rest(0.5), -1, [2, 4, 6],
		Rest(0.5), 0, [3, 5], Rest(0.5), 2, [2, 4], Rest(0.5), 0, [3, 5], Rest(0.5), 1, [4, 6, 8]

 ]),
 \ctranspose, 0,
 \amp, Pwhite(0.4, 0.5),
 \decay, 6,//Pwhite(3),
 \coef, Pkey(\degree).linlin(-5, 14, 0.1, 0.25),
 \dur, Pseq([Rest(16), Pseq([0.5], 128), 1.75, 0.25, 0.5, 0.5, 0.5, 0.5, 1.75, 0.25, 0.5, 0.5, 0.5, 0.5, Pseq([0.5], 16), 1.75, 0.25, 0.5, 0.5, 0.5, 0.5, 1.75, 0.25, 0.5, 0.5, 0.5, 0.5, 0.5, 0.5, 0.5, 0.5,
  //end pg 1
		//start pg 2
  Pseq([0.5, 0.25, 0.25, 0.5, 0.25, 0.25, Pseq([0.25], 8)], 13), 0.5, 0.25, 0.25, 0.5, 0.5, Rest(0.5), 0.25, 0.25, 0.5, 0.5,
  //end pg 2
		//start pg 3
		Pseq([Rest(0.5), 0.25, 0.25, 0.5, 0.5, Rest(0.5), 0.25, 0.25, 0.5, 0.5], 7),
		Pseq([0.5, 0.25, 0.25, 0.5, Pseq([0.25], 10)], 12),
		Pseq([Rest(0.5), 0.5, 1, Rest(0.5), 0.5, 1], 4)

 ])/2
)
)


////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////


(
~am = Pbind(
    \instrument, "amsynth",
	\strum, 0.015,
	\echo, [2, 4],
	\modfreq, 2,
	\degree, Pseq([
 [0, 4, 7, 9],[-3, 1, 4, 7],[-2, 2, 5, 7], [-5, 2, 4, 6], [-4, 0, 3, 5], [0, 2, 4], [-4, 0, 3, 5], [-3, 1, 4, 6], 9, 8,
  7, 6, 5, 4, 5, 6, [7, 9], [6, 8],
  [5, 7], [4, 6], [3, 5], [2, 4], [3, 5], [4, 6], 0, -3, -2, -5,
  -4, 0, -4, -3, 0, -3, -2, -5, -4, 0,
  -4, -3, 0, 2, 4, -3, -2, 2, 5, -5, [5, 7], [3, 5], [2, 4], [3, 5], [4, 6],
  0, 2, 4, -3, -2, 2, 5, -5, [5, 7], [3, 5], [2, 4],
  //end pg 1
		//start pg 2
  -4, -4, -3, -3, 0, 2, 0, 2, -3, -3,
  -2, 2, -2, 2, 2, -5, -5, -4, 0, -4, 0, 0, 0,
  -4, 0, -4, 0, -3, -3, 0, 2, 0, 2, -3, -3,
  -2, 2, -2, 2, 2, -5, -5, -4, 0, -4, 0, 0, 0,
  -4, 0, -4, 0, -3, -3, 0, 2, 0, 2, -3, -3,
  -2, 2, -2, 2, 2, -5, -5, -4, 0, -4, 0, 0, 0,
  -4, 0, -4, 0, -3, -3, 0, 2, 0, 2, 0, -3, -1, -3, -1, -3,
  //end pg 2
		//start pg 3
	-2, 2, -2, 2, -2, -5, -1, -5, -1, -5, -4, 0, -4, 0, 0, 0, 0, 0,
	-4, 0, -4, 0, -4, -3, -1, -3, -1, -3, 0, 2, 0, 2, 0, -3, -1, -3, -1, -3,
	-2, 2, -2, 2, -2, -5, -1, -5, -1, -5, -4, 0, -4, 0, 0, 0, 0, 0,
		-4, 0, -4, 0, -4, -3, -1, -3, -1, -3, Pseq([0], 8), Pseq([-3], 8),
		Pseq([-2], 8), Pseq([-5], 8), Pseq([-4], 8), Pseq([0], 8),
		Pseq([-4], 8), Pseq([-3], 8), [-5, 0, 2, 4, 7], [-5, 0, 2, 4, 7], [ -3, -1, 1, 4, 6], [-3, -1, 1, 4],
		[-5, -2, 2, 5, 7], [-5, -2, 2, 5, 7], [-5, -1, 2], [-5, -1, 2], Pseq([[-4, 0, 3]], 2), Pseq([[-5, 0, 2]], 2),
		[-4, 0, 3], [-4, 0, 3, 5], [-3, -1, 1], [-3, -1, 1, 4], Pseq([[0, 2, 4]], 2), Pseq([[-3, -1, 1]], 2),
		Pseq([[-2, 2, 5]], 2), Pseq([[-5, -1, 2]], 2), Pseq([[-4, 0, 3]], 2), Pseq([[0, 2]], 2),
		Pseq([[-4, 0, 3]], 2), Pseq([[-3, -1, 1]], 2), 0, -3, -2, -5,
		-4, 0, -4, -3, [0, 4, 7, 9, 11, 14]

 ]),
 \ctranspose, 0,
    \amp, Pwhite(0.4, 0.5),
    \decay, 1,//Pwhite(2, 4),
	\coef, Pkey(\degree).linlin(-5, 14, 0.1, 0.25),
 \dur, Pseq([2, 2, 2, 2, 2, 2, 2, 2, 2, 2,
 2, 2, 2, 2, 2, 2, 2, 2,
 2, 2, 2, 2, 2, 2, 2, 2, 2, 2,
 2, 2, 2, 2, 2, 2, 2, 2, 2, 2,
 2, 2, 0.5, 0.5, 1, 2, 0.5, 0.5, 1, 2, 1, 1, 2, 2, 2,
 0.5, 0.5, 1, 2, 0.5, 0.5, 1, 2, 1, 1, 2,
  //end pg 1
		//start pg 2
  1, 1, 1, 1, 0.25, 0.75, 0.25, 0.75, 1, 1,
  0.25, 0.75, 0.25, 0.25, 0.5, 1, 1, 0.25, 0.75, 0.25, 0.75, 1, 1,
  Pseq([0.25, 0.75, 0.25, 0.75, 1, 1], 2),
  0.25, 0.75, 0.25, 0.25, 0.5, 1, 1, Pseq([0.25, 0.75, 0.25, 0.75, 1, 1], 3), 0.25, 0.75, 0.25, 0.25, 0.5, 1, 1,
  Pseq([0.25, 0.75, 0.25, 0.75, 1, 1], 2), 0.25, 0.75, 0.25, 0.5, 0.25, 0.25, 0.75, 0.25, 0.5, 0.25,
  //end pg 2
		//start pg 3 till end
		0.25, 0.75, 0.25, 0.5, 0.25, 0.25, 0.75, 0.25, 0.5, 0.25,0.25, 0.75, 0.25, 0.5, 0.25, 0.25, 0.75, 1,
		Pseq([0.25, 0.75, 0.25, 0.5, 0.25, 0.25, 0.75, 0.25, 0.5, 0.25], 3),
		0.25, 0.75, 0.25, 0.5, 0.25, 0.25, 0.75, 1,
		0.25, 0.75, 0.25, 0.5, 0.25, 0.25, 0.75, 0.25, 0.5, 0.25,
		Pseq([0.25], 64),
		Pseq([1], 32),
		Pseq([2], 8),
		4

 ])/2
);


~am2 = Pbind(
 \instrument, "amsynth",
	\strum, 0.015,
	\modfreq, 1,
 \degree, Pseq([Rest(16), Pseq([0, 2, 4, 7, -3, -1, 1, 4,
  -2, 2, 5, 7, -5, -1, 2, 4, -4, 0, 3, 5, 0, 2, 4, 7, -4, 0, 3, 5, -3, -1, 1, 4], 2,),
  Pseq([7, 6, 7, 0, -1, 4, 1, 2, -2, 7, 6, 5, 6, 9, 11, 12,
   10, 9, 8, 10, 9, 8, 7, 6, 5, 4, 3, 2, 1, 3, 2, 1], 2,), 7, [9, 11], [9, 11], [10, 12], [9, 11], [8, 10], [6, 8], [6, 8], [6, 8], [7, 9], [6, 8], [5, 7], -4, 0, 0, 0, 0, 2, 4, 7, -4, 0, 3, 5, -3, -1, 1, 4,
  7, [9, 11], [9, 11], [10, 12], [9, 11], [8, 10], [7, 9], [7, 9], [7, 9], [8, 10], [7, 9], [6, 8], -4, 0, 0, 0, 0, 2, 4, 7,
  //end pg 1
		//start pg 2
  5, 5, 4, 5, 6, 5, 6, 4, 5, 6, 7, 8, 9, 10, 11, 9, 10, 11, 9, 10, 11, 4, 5, 6, 7, 8, 9, 10,
  9, 7, 8, 9, 2, 3, 4, 5, 4, 3, 4, 7, 6, 7, 5, 7, 6, 5, 4, 3, 4, 3, 2, 3, 4, 5, 6, 7,
  5, 7, 6, 7, 6, 7, 4, 5, 6, 7, 8, 9, 10, 11, 11, 9, 10, 11, 9, 10, 11, 4, 5, 6, 7, 8, 9, 10,
  9, 7, 8, 9, 2, 3, 4, 5, 4, 3, 4, 7, 6, 7, 5, 7, 6, 5, 4, 3, 4, 3, 2, 3, 4, 5, 6, 7,
  5, 7, 6, 7, 6, 7,4, 5, 6, 7, 8, 9, 10, 11, 9, 7, 8, 9, 8, 7, 8, 6, 7, 8, 9, 8, 7, 6,
  7, 5, 6, 7, 2, 3, 4, 5, 4, 3, 4, 7, 6, 7, 5, 7, 6, 5, 4, 3, 4, 3, 2, 3, 4, 5, 6, 7,
  5, 7, 6, 7, 6, 5, 6, 7, 8, 7, 6, 7, 5, 6, 7, 9, 10, 11, 9, Rest(0.5), 6, 7, 8, 6,
  //end pg 2
		//start pg 3
		Rest(0.5), 7, 8, 9, 7, Rest(0.5), 4, 5, 6, 4, Rest(0.5), 5, 6, 7, 5, Rest(0.5), 2, 3, 4, 2,
		Rest(0.5), 5, 6, 7, 5, Rest(0.5), 6, 7, 8, 6, Rest(0.5), 9, 10, 11, 9, Rest(0.5), 6, 7, 8, 6,
		Rest(0.5), 7, 8, 9, 7, Rest(0.5), 4, 5, 6, 4, Rest(0.5), 5, 6, 7, 5, Rest(0.5), 2, 3, 4, 2,
		Rest(0.5), 5, 6, 7, 5, Rest(0.5), 6, 7, 8, 6, 11, 9, 10, 11, 9, 10, 11, 4, 5, 6, 7, 8, 9, 10,
		9, 7, 8, 9, 2, 3, 4, 5, 4, 3, 4, 7, 6, 7, 5, 7, 6, 5, 4, 3, 4, 3, 2, 3, 4, 5, 6, 7,
		5, 7, 6, 7, 6, 7, 4, 5, 6, 7, 8, 9, 10, 11, 11, 9, 10, 11, 9, 10, 11, 4, 5, 6, 7, 8, 9, 10,
		9, 7, 8, 9, 2, 3, 4, 5, 4, 3, 4, 7, 6, 7, 5, 7, 6, 5, 4, 3, 4, 3, 2, 3, 4, 5, 6, 7,
		5, 7, 6, 7, 6, 7, 4, 5, 6, 7, 8, 9, 10, 11, 9, 7, 8, 9, 8, 7, 8, 6, 7, 8, 9, 8, 7, 6,
		7, 5, 6, 7, 2, 3, 4, 5, 4, 3, 4, 7, 6, 7, 5, 7, 6, 5, 4, 3, 4, 3, 2, 3, 4, 5, 6, 7,
		5, 7, 6, 7, 6, 5, 6, 7, 8, 7, 6, 7, 5, 6, Rest(0.5), 2, [4, 7, 9], Rest(0.5), -1, [1, 4, 8], Rest(0.5), 2, [5, 7], Rest(0.5), -1, [2, 4, 6],
		Rest(0.5), 0, [3, 5], Rest(0.5), 2, [2, 4], Rest(0.5), 0, [3, 5], Rest(0.5), 1, [4, 6, 8]

 ]),
 \ctranspose, 0,
 \amp, Pwhite(0.4, 0.5),
 \decay, 1,//Pwhite(3),
 \coef, Pkey(\degree).linlin(-5, 14, 0.1, 0.25),
 \dur, Pseq([Rest(16), Pseq([0.5], 128), 1.75, 0.25, 0.5, 0.5, 0.5, 0.5, 1.75, 0.25, 0.5, 0.5, 0.5, 0.5, Pseq([0.5], 16), 1.75, 0.25, 0.5, 0.5, 0.5, 0.5, 1.75, 0.25, 0.5, 0.5, 0.5, 0.5, 0.5, 0.5, 0.5, 0.5,
  //end pg 1
		//start pg 2
  Pseq([0.5, 0.25, 0.25, 0.5, 0.25, 0.25, Pseq([0.25], 8)], 13), 0.5, 0.25, 0.25, 0.5, 0.5, Rest(0.5), 0.25, 0.25, 0.5, 0.5,
  //end pg 2
		//start pg 3
		Pseq([Rest(0.5), 0.25, 0.25, 0.5, 0.5, Rest(0.5), 0.25, 0.25, 0.5, 0.5], 7),
		Pseq([0.5, 0.25, 0.25, 0.5, Pseq([0.25], 10)], 12),
		Pseq([Rest(0.5), 0.5, 1, Rest(0.5), 0.5, 1], 4)

 ])/2
);
)


Pachabel's Canon

Tina (Hilda) Traboulsi
114103907
8 December 2014
MIDI and Audio
MU2021

My piece, "A Slice of Pi," is inspired by the first 80 digits of pi and Carl Sagan's quote about apple pie. The notes are played in the key of C and I have assigned the notes as follows: 1=C, 2=D, 3=E, 4=F, 5=G, 6=A, 7=B, 8=C 9 0=Rest. 

Length of piece: 4:36

A MIDI track, which:

1) Demonstrates ability with MIDI editing
	Copy and paste Instrument Track 02 from Reason

2) Demonstrates use of MIDI quantization
	Quantized Instrument Track 01 and Instrument Track 02

3) Uses VST instruments and/of Reason instruments
	Used reason instruments: Malstrom
	Instrument Track 01 ["Malstrom 1" in Reason] - Sound on Sound
	Instrument Track 02 ["Malstrom 2" in Reason]- VelocitySines

4) Contains at least one passage where you have made use of automation to manipulate the sound of a VST/Reason instrument
	Instrument Track 02 [Malstrom 2] - automation (played with the oscillation B shift of the sine wave)

An Audio track, which:

1) Demonstrates ability to record a sound with a microphone
	recorded Maggie Oreo, chewey, bass beat 1, bass beat 2, snap clap, Trail Mix, whistle, violin 1, violin 2, and bass pluck

2) Demonstrates ability with simple audio editing
	cut and paste most of recorded audio

3) Demonstrates ability with low-level audio treatment
	time stretched "pi-fast-tts" and "pi-slow-tts"

4) Demonstrates ability using simple effects
	reverb on bass beat 1, bass beat 2, snap clap, whistle, violin 1

5) Demonstrates Automation
	panning on pi-fast-tts, pi-slow-tts, and pi- tts

6) Demonstrates how sound is sent to the group track
	Violin group
	pi-tts-group

7) Demonstrates using the channel send, for a global effect
	pi-tts-group:  reverb and pitch correct
	

At least one Group Track, which:

1) Contains an effect
	pi-tts-group: reverb and pitch correct

2) Demonstrates Automation to creatively manipulate the global effect.
	Violin Group: Violin 1 copy and Violin 2 (volume automation)

----------------------------------------------------------------------------------------------------------------------------------------------------------------------------

pi-fast-tts
	Standard Panning - Automation
	fade out

pi-slow-tts
	standard panning- automation
	fade out

pi-tts
	standard panning- automation
	fade out

Carl Sagan
	roomworks- reverb

Maggie Oreo
	audio mic recording with Edirol (Maggie: chewing oreos)
	fade in / fade out

chewey
	audio mic recording with Edirol (Me: chewing oreos)
	volume automation
	fade in / fade out

bass beat 1
	audio mic recording (cello)
	room works - reverb
	fade out
	cut and paste

bass beat 2
	audio mic recording (cello)
	room works - reverb
	fade out
	cut and paste

snap clap
	audio mic recording (chest-snap-clap-chest-chest-snap-clap-snap)
	room works- reverb
	fade out
	cut and paste

snap clap fx
	distortion
	fade out
	cut and paste

Trail Mix
	audio mic recording (shaking trail mix bag)

whistle
	audio mic recording (whisteling)
	room works - reverb
	cut and paste

violin 1
	audo mic recording (Stephen Spies playing first 80 digits of pi. half notes)
	room works - reverb
	fade out

bass pluck
	room works -reverb

bass copy
	audio mic recording (Stephen Spies Percussion)
	volume automation

violin 1 copy
	audio mic recording (Stephen Spies playing first 80 digits of pi. half notes)
	volume automation (group track)

violin 2
	audio mic recording (Stephen Spies playing first 80 digits of pi free style)
	volume automation (group track)

Instrument Track 01 [Malstrom 1]
	played digits of pi on keyboard

Instrument Track 02 [Malstrom 2]
	played digits of pi on keyboard
	automation (played with the oscillation b shift of the sine wave)
	copy and paste

group track
	violin group
	pi-tts-group

channel send
	pi-tts-group: reverb and pitch correct

A Slice Of Apple Pi

Joy's Desolate Chamber

Tina Traboulsi's jury piece for private composition at Santa Clara University.

Words-from Kahlil Gibran's The Prophet, "On Time."
Vocalist-Audrey Gomes.
Prepared Piano- Alex Christie
Strange Hissing/Critter Breathing- Water Bottle

Scattered The Stars Into Space

In SCU Audio Club each member was challenged to make a "deaf composition," meaning the composer couldn't listen to the piece as they were making it. Here is my deaf composition entitled "I Think We're Flying into a Mountain."

I Think We're Flying into a Mountain - Deaf Compositoin

Tina Traboulsi's Music Theory III Composition assignment at Santa Clara University.
Words-from Kahlil Gibran's The Prophet, "On Prayer."
Vocalists-Maggie Simons, Nathan Metzger, and Julian Nesbitt.

Tina Traboulsi

Popular tracks