YOU VOICE LEGIT SUITS RAVN'S SONGS SO WELL🥺💛 COLLAB WHEN ?😏

기욱 (GIUK) 'HYPEBOY (Bass cover)'

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[#STUDIO_WE] #82

🔗 https://twitter.com/official_onewe/status/1592472481486368773?s=46&t=BkOeHnA7S5nl49ytSBYq_A

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Bass @giuk2

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기욱이 : 
한입보이 기욱이 커밍쑨커밍쑨

HYPEBOY (Bass cover)

We finally did a UFO episode, and it’s our retelling of one of the most confounding and mysterious cases on record: The Socorro Saucer. This case has all the makings of a cognitive conundrum: a credible main witness (Lonnie Zamora), secondary witnesses, physical evidence, the Air Force classifying it as unknown, and a lack of convincing alternate explanations. This UFOlogical tale is told in parallel with the story of the Jacques Cousteau of UFOs (and channeler of ascended masters), the swaggiest researcher of them all, Ray Stanford… who also found dinosaurs in a NASA parking lot. Featuring an interview with journalist skeptic-believer D. Dean Johnson.

To listen to the full episode, and gain access to our other mini-series such as Manclan and Trickle Down, you can subscribe for just five bucks a month at: http://www.patreon.com/QAnonAnonymous 

D. Dean Johnson: http://twitter.com/ddeanjohnson

The Spectral Voyager theme composed by Nick Sena.

Additional music by Pontus Berghe and Jake Rockatansky.

Editing by Corey Klotz.

QAA’s website: http://qanonanonymous.com

The Spectral Voyager Episode 6: The Socorro Saucer (Sample)

ONLEE - STEWADRESS GIRL (DJ SPARROW Remix)

숲-승민(Seungmin of Stray Kids) Cover [원곡 : 최유리]

Cover of "Good Riddance" by Green Day

Lyrics:
Another turning point, a fork stuck in the road
Time grabs you by the wrist, directs you where to go
So make the best of this test, and don't ask why
It's not a question, but a lesson learned in time
It's something unpredictable
But in the end, it's right
I hope you had the time of your life
So take the photographs and still frames in your mind
Hang it on a shelf in good health and good time
Tattoos of memories, and dead skin on trial
For what it's worth, it was worth all the while
It's something unpredictable
But in the end, it's right
I hope you had the time of your life
It's something unpredictable
But in the end, it's right
I hope you had the time of your life
It's something unpredictable
But in the end, it's right
I hope you had the time of your life

Good Riddance (Cover)

For DEMIAN's 1st Anniversary, I wanted to do a cover of the album created by pls9ravn; all rights, lyrics, and compositions belong to him, I only provided my voice.

Songs:
한참을 달려왔어 (2023)
살아보니 (Bye Bye Bye)
혼자 텅 (Now I)
너도 그럴지도 (Be Okay)
가끔 자주 (Sun Goes Down)
그래도 고마웠어 (You)

Demian Medley

track7

Embark on an emotional odyssey with Sergio Suárez Benítez's 'Stories Of The Heart,' an instrumental tapestry that captures the essence of human experiences through a diverse range of electronic genres. This album is a testament to the power of instrumental music, transcending the need for words to convey profound emotions.

The journey begins with ambient tones, creating an introspective atmosphere that sets the stage for the emotional tales that unfold. As the album progresses, techno beats pulse with a rhythmic heartbeat, infusing energy into the sonic narrative. House influences weave through the compositions, adding a sense of warmth and familiarity to the overall experience.

Trance elements elevate the mood, carrying the listener through ethereal landscapes of emotion. Dubstep intricacies add a touch of drama, providing dynamic peaks and valleys that mirror the complexities of the heart. Breakbeat rhythms contribute to the ebb and flow of emotional intensity, creating a captivating journey through the stories embedded within the music.

Downtempo melodies invite reflection, allowing the listener to connect with the emotional nuances conveyed by each track. Benítez's exploration of IDM and chillout genres introduces a delicate balance, revealing the artist's ability to evoke a range of feelings without uttering a single word. Acid-infused moments and synthwave vibes add a futuristic touch, adding layers of texture to the sonic canvas.

Glitchy textures and drumstep intricacies bring an experimental flavor, challenging the listener to explore the emotional depths within. Hardcore influences surge through, injecting an adrenaline rush that heightens the intensity of the musical narrative. Electro and minimal undertones showcase meticulous craftsmanship, where every sonic element plays a crucial role in conveying the intricacies of emotion.

Psytrance and industrial tones interweave, creating a symphony that mirrors the complexity of the human heart. The bass resonates with a powerful presence, providing a foundation for the album's progressive and synthpop elements. Jungle beats and nu-disco aesthetics infuse a lively energy, reflecting the varied emotions that make up the 'Stories Of The Heart.'

This album is more than a collection of tracks; it's a sonic novel, inviting you to explore the rich tapestry of human emotion. I encourage you to immerse yourself in the 'Stories Of The Heart,' let the music resonate within, and share this emotive journey with others on social networks. Sergio Suárez Benítez has crafted a masterpiece that transcends language, allowing the heart to speak through the universal language of instrumental music. Listen, share, and let the 'Stories Of The Heart' become a part of your own narrative.

Stories Of The Heart

These are significant things.
The problem is I keep feeling blue.
I keep feeling painfully blue.
The problem is the problem is you.
The problem is the problem is you.

I need to say to him,
things I've kept for better days.
I don't like crying in the rain.
Oh! It's never best to go to war
but this is my life I'm fighting for
and I'm not the sort to run away.
I would never just disappear.

So I keep on, keeping on,
keeping all the rows at bay.
The problem is that problems-
they never just go away.
And I keep sleeping on it,
and, to be perfectly honest,
I keep weeping about it too.

The problem is I keep feeling blue.
I keep feeling painfully blue.
The problem is the problem is you.
The problem is the problem is you.

What's anyone supposed to do?
As it goes, you grow and you grow,
and finally you grow to know
there is no more growing to do.

You know what you must pursue.
You know what you must pursue.
The problem is I keep feeling blue.
The problem is the problem is you.

Life has started to take us apart.
This ache is you breaking my heart.
And I take it you haven't got a clue.
Where do we start?
We part! We part! Oh dear!
You've got absolutely no idea.
Problem is I keep feeling blue.
The problem is the problem is you.

So I keep on, keeping on,
keeping all the rows at bay.
The problem is that problems-
they never just go away.
And I keep sleeping on it,
and, to be perfectly honest,
I keep weeping about it too.

The problem is I keep feeling blue.
I keep feeling painfully blue.
The problem is the problem is you.
The problem is the problem is you.
The problem is I keep feeling blue.
I keep feeling painfully blue.
The problem is the problem is you.
The problem is the problem is you.

13/09/2024

THE PROBLEM IS YOU

"Captive in Your Tears" is a poignant exploration of grief, patriotism, and resilience in the face of conflict. The poem weaves together imagery of falling tears, rising cries, and marching soldiers to paint a vivid picture of a land and its people grappling with loss and duty. Through lyrical verses, it captures the paradox of being bound by sorrow yet strengthened by love for one's homeland. The poet's voice, simultaneously lamenting and reverential, speaks to the deep emotional bonds between individuals and their nation during times of strife.

Captive In Your Tears

In the garden of my heart
I grow blood red roses.
The yellow Welsh poppies
are all self sown
and the blue Forget-me-nots
keep me from feeling alone.

I turn to these things
whenever you are away
and I miss you suddenly
no matter the time of day.
It's so hard to turn down
the volume of my love.
Our home could be quiet
in the middle of the night
and you're here being loud
but in truth you're out of sight.
And it makes me cry tears of joy-
the joy is the best, the very best,
it's the best joy I've ever enjoyed.

In the garden of my heart
I grow blood red roses.
The yellow Welsh poppies
are all self sown
and the blue Forget-me-nots
keep me from feeling alone.

[You have gardened my heart
with a growing affection.
You've given me a new direction
and I can't wait to be a part of you.
I can't wait to have you home.
I'm aching to be close to you.
You are my Forget-me-not blue.]

I turn to these things
whenever you are away
and I miss you suddenly
no matter the time of day.
It's so hard to turn down
the volume of my love.
Our home could be quiet
in the middle of the night
and you're here being loud
but in truth you're out of sight.
And it makes me cry tears of joy-
the joy is the best, the very best,
it's the best joy I've ever enjoyed.

In the garden of my heart
I grow blood red roses.
The yellow Welsh poppies
are all self sown
and the blue Forget-me-nots
keep me from feeling alone.

I can't wait to have you home.
I'm aching to be close to you.
You are my Forget-me-not blue.
I can't wait to have you home.
I'm aching to be close to you.
You are my Forget-me-not blue

Demian Medley

Mythamos

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