Name: Tin Man - Depthy Acid (Foreign Material Remix) by TINMAN
Duration: 6 min 43 s
Description: Acid Friend

Re-upload of "In A Straight Line" Unreleased Raw Version
from from The Inner Citadel EP. Syncrophone 014.
2012

In A Straight Line (Raw Version)

[demo] aleema

abdulla rashim - weldiya

Ruhig - A2. Eddying

PH50RMX [@phantasysound]
Sensation (Rrose Remix)
Clear (Abdulla Rashim Remix)

http://go.phantasysound.co.uk/DAveryCollection

[Edited version of the track]

Buy 12"

Daniel Avery - Sensation (Rrose Remix)

from ostgutlp24-hr-usb

Barker & Baumecker | Promises In The Dark

Tresor Records are pleased to present S_W_Z_K, the new project from David Brown aka Swayzak. Whilst the name remains identifiable, S_W_Z_K presents a clear departure from his work with James Taylor who recently left the legendary production duo. Taking cues from the outfit’s heavier live material, Brown — with the sporadic help of long time collaborator and friend Richard Davis — steers S_W_Z_K into deep and spacious techno on this eponymous debut album.

	Before taking different paths in July last year, Taylor and Brown had been producing together since 1997. A union that spawned five studio albums, two high profile DJ comps and stack of genre-spanning EPs, Swayzak became one of the leading figures of !K7 Records, as well as appearing on labels like Force Tracks, M_nus and of course, their own Swayzak Recordings and 240 Volts. But it’s their legacy as a formidable live act that lays the groundwork for Brown’s new direction as S_W_Z_K, turning the pair's chaotic, experimental and textural live aesthetic into a recorded signature that’s energetic, raw and unrestrained.

“The project was to make sonically powerful music that would work in clubs without necessarily making "club music". The tracks are very minimal in the sense that no more than ten sounds were used, giving each track space to breathe.” comments Brown.

	S_W_Z_K is an Intelligent Dance album with Berlin sensibilities. It balances the more pensive, introverted Warp moments like “Elsenstr. 171” and progressive closer “End of the Line Old Boy” with plenty of floor friendly cuts. From the shimmering Basic Channel-hailing opener “31 Techniques” the album plunges into steelier, hydraulic recesses with “Dimanche Noir” before Artificial Intelligence and the Tresor basement collide in “Neukölln Mon Amour”. The remainder of the album continues to reinvent itself, working over a restricted sound pallet and yet culminating in a diverse, rich and intriguing long player. 

S_W_Z_K deftly showcases Brown’s 20 years of electronic craftsmanship, with tracks like the morphing “Marianne F” and multi-tiered “The Last Drop” flaunting a particularly inventive approach to sound design. It’s a stunning juncture in an already prolific and venerable career, and one Tresor Records look forward to fostering in the future.

01. S_W_Z_K - 31 Techniques

Acid Friend

Depthy Acid (Foreign Material Remix)

Tin Man - Depthy Acid (Foreign Material Remix)

DSC013
https://www.delsinrecords.com/release/5864/artefakt/the-radiant-city

The Radiant City

Now available for digital and vinyl pre-order on our bandcamp: https://thebunkerny.bandcamp.com/album/the-moon-chant-ep-the-bunker-new-york-035
@Marco_shuttle first caught our ear many years ago when we discovered his music the old fashioned way, picking up his Clone Store Only Series record at Halcyon in Brooklyn. This mysterious record led to becoming obsessed with his incredible, self-released podcasts that were floating around online at the time so we reached out to him and ended up working together to put his Fanfara EP out on our label in 2014, when he was almost unknown in North America. Since then, his music career has grown in leaps and bounds. He’s no longer at his day job in the fashion industry but tours and produces full-time, releasing albums on his own Eerie Records, Donato Dozzy and Neel’s Spazio Disponibile, as well as a string of killer EPs on several respected imprints. His productions and DJ skills have led to repeat bookings at Labyrinth Festival, Berghain, Concrete, Fabric, De School and just about everywhere else around the world where discerning heads congregate to hear great techno. 

When Marco was in Brooklyn to play an 8 hour set at The Bunker Limited earlier this year he played some new demos that stuck out as something exceptional, even by his very high standards, and we knew we had his next record on The Bunker New York ready to go. We’re psyched to present these intricate and detailed jams for your enjoyment in foggy dance floor corners. These tracks all have that unmistakable Marco Shuttle vibe with plenty of deliberate, slightly twisting melodies, shadowy disembodied echoing vocals courtesy of @gabriellavergilov that let your brain fill in the meaning, underpinned with punches of tautly layered rhythms. 

releases November 30, 2018 

Mastered by Neel at EnissLab 
Cut at Manmade Mastering 
Pressed at Brooklyn Vinyl Works

Marco Shuttle - The Moon Chant (Chanting By Gabriella Vergilov) from BK-035

@answercoderequest remix of "Evasion" by AVION will be released digitally on 20th June through @crossing-rec. More info: http://bit.ly/TPevasion

Untrod Remixes 

Avion - Evasion (Answer Code Request Remix)

Of Finnish descent, but born and raised in California, TIN MAN now has a home in Vienna, a town perfectly suited to his deep and moody productions. TIN MAN launched his Global A label project in 2005. The first two releases, 'Places' and 'Acid Acid', weighed in at three pieces of vinyl each, and showcased his two major musical passions: fragile deep electronica and acid house. TIN MAN has acclaimed releases on the Finnish record label Sähkö / Keys of Life, Cheap Records from Vienna, and continues with new releases on his own imprint, Global A . While TIN MAN's output is diverse in its references, certain underpinnings can be heard throughout. There is always a strong reference to Acid House music, as well as a strong reference to Ambient and Electronic Pop music from the past 30 years. TIN MAN's newer output features his voice and follows a "concept album" format. Thus, complete records are as important as individual songs. The songs tend to follow a simple structure with changes that grow slowly within motifs. Mood construction and story telling are both equally important. And with each new record, there are new historical references to tell different stories. TIN MAN also continues with his passion for Acid House by continuing to produce retro-acid tracks and playing live shows regularly. These live shows celebrate early house music, its hypnotic charm, and its blissful raw energy. To find out more about TIN MAN please visit www.tinmanmusic.com


Tin Man - Depthy Acid (Foreign Material Remix)

TINMAN

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