This best tiny-mix guest mix of the year, now this! Please contact re airplay - see my SC profile for details

<3 --L-O-V-E--I-T--T-O--T-H-E--B-O-N-E-- <3

Processing

All credits to Porn Sword Tobacco!
Influences:
Anything creative, nice and honest. An afternoon stroll, Recording studios, Gunnar Ekelöf, Karl, Pilkington, Massimo Ranieri (perdere l'amore), Journey(only the young), Nintendo, Leonard "the hills" Mills, Mozart, Stephen Hawking, Murals, Carl Sagan, D+M mastering, Crispin Glover, Nacho Libre, Ed witten, Wierd rants from outlaws and homeless people, instrumentals, 80 blocks from tiffanys, old records, For the sake of the song, Matt monro, Bo Widerberg, George Carlin, Alan Watts, Omar s, the interior of my grandmothers place, Roy Andersson, Galt Mcdermont, Techno, the Swedish woods, My Friends, Vilgot Sjöman, the heartful quality of the foot fist way, Mr.Dawkins, Internet, DJ Gazz, Christopher Hitchens skills, Reh Dogg, Richard Feynman, Cappuccino, Africa, punny..

Porn Sword Tobacco - Cubical Fever

Taken from debut album "Engravings" out now through Tri Angle Records. 

http://www.forestswords.co.uk | http://facebook.com/forestswords | http://twitter.com/forestswords

The Weight Of Gold

from 'Quatorze Pieces De Menace' [CD|2xLP|DIGITAL]
Denovali Records · den178
available in September on all formats at [http://denovali.com/dalecooper]

This new full-length of the cult French Dark Jazz collective is the follow up of the highly acclaimed 2011 output "Métamanoir" - the second release for the German experimental music label Denovali. Halfway from their debut "Parole de Navarre"'s ambient and drone driven soundscapes and the more orchestrated "Métamanoir", this new collection of tracks is following their quest for dreamy but mysterious places.

A hint of 50s cool jazz, a truckload of noise and melodies, again tiny references to Twin Peaks' series soundtrack and some ghostly and deep tone voices: the Dale Cooper Quartet pushes the genre Dark Jazz towards other spaces. The album is further enriched by appearences of guest musicians such as Gaëlle Kerrien (Yann Tiersen) and Alicia Merz (Birds of Passage) on vocals.

Recorded in Brest, Britanny, France, this album always conveys an atmosphere of strangeness and beauty, the trademark of each of the Quartet's records. Based upon the live experiences of the band and their everlasting love for the local landscapes, "Quatorze Pièces de Menace" is as striking, deep, fascinating and beautiful as a storm in the middle of the Atlantic.

Quatorze Pieces De Menace

Dale Cooper Quartet & The Dictaphones - Lampyre Bonne Chère

Lucrecia Dalt - “Glosolalia”

Mathematical Music 6a

From the album Off World 2
Constellation CST127
06 Oct 2017
http://cstrecords.com/cst127

ALBUM TRACKLIST:
1. Wet Max
2. Island Fanfare
3. Scrubdown
4. Memory Drip
5. The Mask
6. Play Room
7. Night Valve
8. Decamp
9. Satellite Beach
10. The Grail 

PLAYERS:
Sandro Perri: bass, drum machine, electronics, guitar, piano (all tracks)
Drew Brown: electronics (tracks 2 & 8)
Eric Chenaux: guitar, percussion (track 10)
Matthew Cooper: electronics (track 8)
Craig Dunsmuir: bass, guitar, percussion (tracks 1, 6 & 7)
Brandon Hocura: electronics (track 7)
Susumu Mukai: drum machine, electronics, guitar (tracks 1, 2 & 8)
Lorenz Peter: drum machine, electronics (tracks 3, 5 & 9)

Off World • "Decamp"

First song of the upcoming album "The Paris Tapes" out on April 21st 2018!
Previously unreleased album, recorded in Paris in the 80s!

Robert Goerl - The Paris Tapes - Part 2

lyrics:

for tonight
all is desired
in the stillness
life is delight

on the shores 
the sea roares
on the countryside 
life is delight 
in the sunlight 
we fight 

i tell you i promise you we fight 

for tonight 
all is required 
composure
force in motion
on the shore
oh the sea roar
on the countryside 
leave all behind 
in the sunlight 
we fight 

i tell you i promise you we fight 

for tonight 
show me your king 
and i will show you an army 
it's evening desire increasing it's binding
whatever you do lets leave us two 
whatever you decide never hide never hide
a yell through the heat men are wolves the kill and eat 
leave us celebrating or with defeat 
a yell through the night that never gets dark
cause afraid we 
never get this far 
afraid we 
never get this far

produced mixed and mastered by Mathias Sarsgaard
Bass by Patrick Kociszewski
Guitar by Rune Risager
Drums by Mathias Sarsgaard

Persistence

From the album The Grid, available June 21, 2019 on Western Vinyl.

Bandcamp: https://robburger.bandcamp.com/album/the-grid
iTunes: https://itunes.apple.com/us/album/the-grid/1455379979?ls=1&app=itunes
Apple Music: https://itunes.apple.com/us/album/the-grid/1455379979?ls=1
Spotify: 	http://open.spotify.com/album/0IPX0k7LE3SJ6RIetDUUzQ

Rob Burger is an accomplished keyboardist and composer whose storied career comprises film soundtracks and other compositional work, as well as meaningful contributions to the albums of artists such as John Zorn, Laurie Anderson, and Iron & Wine with whom he maintains an ongoing working relationship. Burger rightfully brings his skills and nuanced sensibilities to the fore on The Grid, an LP that recombines neo-classical soundscapes, Harmonia-esque kosmische, and jaunts of 20th-century exotica into a multigenre quilt-work all his own. As a listening experience, the album ranges meanders gracefully between the jovially playful, the contemplative-- and occasionally the menacingly stark-- with masterful ease.

Artist Site http://robburgermusic.com/
Instagram https://www.instagram.com/robburgermusic/
Twitter https://twitter.com/robburgermusic
Facebook https://www.facebook.com/rob.burger.526

The Grid

Rob Burger - "Souls Of Winter (feat Laurie Anderson)"

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<p>Excerpt from the album, available from <a href="http://www.soundohm.com/product/Luciano-CILIO-/Dell-Universo-Assente/pid/20619/" rel="nofollow" target="_blank">soundohm.com</a>. The critically acclaimed "Dell'universo assente" has finally made available again in a stunning double-LP and CD remastered edition. "These recordings sound as they feel self contained, introspective, and determined, you can feel in the music a sort of necessity that can be rarely found, as in Bill Fay's "Time of the Last Persecution", or in Nick Drake's "Pink Moon": this enormous weight that is bearing on it's creators, the absolute need to exorcize it from their lives, a moment in time where you are invited to hear artists truly in contact with their existence. Luciano Cilio holds that moment in time, an authentic emotional testament, something to be cherished (...) from Jim O'Rourke liner notes</p>
</body>
</html>

Luciano Cilio "Interludio" da Dell'Universo Assente

R. Elizabeth is the recording name of London-based artist and academic Rachael Finney. Every And All We Voyage On is her
solo recording project’s second full length and is a focused distillation of her practice in sound art and her knack for pop
minimalism. It follows a long sold out release on Where To Now? Records and a prolonged period in which she concentrated
on artist residencies exploring her interest in recorded sound and voice. Immediate and natural, Every And All We Voyage On
manages to sound joyful while tackling complex themes, handling everything with an improvisatory touch. The songs are full of
air and light; infectious, melodic and off-the-cuff.
Recorded using a single 80s Casio keyboard, reel-to-reel tape manipulation, piano and vocal, Finney’s practice with R. Elizabeth
belies a studious attention to detail. Her academic work is often focused on analysing sounds – particularly voice and language –
divorced from meaning and R. Elizabeth challenges the listener with overtly emotional tropes: sweeping portmento lap-steel
guitar keyboard tones on Back From Ten suggest a nostalgic melancholy when it intersects with the narrator closing her eyes,
realising she has nothing left to give. The lilting vocal cloaked in reverb is disarming, with an almost child-like surrender to the
undertow of the song. On Tragedy And Trade there’s a rough grace to the mixing with visceral, manipulated tape sounding like
the artists’ hands are literally in the speakers wrenching the melodies in mid-air. When it intersects with chants about the “gaps
and the silences” it has an eerie, hauntological effect. R. Elizabeth is constantly playing with sound and song: a Wonderland of
perceived emotion, the listener’s perception of what they’re hearing constantly in flux, it’s deceptively simple and deserving of
repetitive listening.
Cut Piano opens the album and introduces a documentary-feel which the album upholds through-out. It’s the sound of the artist
mangling a tape of her own piano recording, twisting it out of shape and suggesting a bend in reality. We’re listening to the artist
becoming a ghost in her own machine, a 3rd or 4th generation copy of an emotion rendered a long time ago, chilling and playful at
the same time. An Image Is Different bursts out of this with a sunny Casiotone beat, a melodic contrast that also introduces
Finney’s vocal. It flitters between a gorgeous repetitive melody ruminating about the nature of reality and a seemingly careless,
conversational tone. The effect is joyful, but you don’t really know why. The lyrics instruct someone (you? The artist?) to “go
outside and break someone’s neck, make it feel so real” before ending with R. Elizabeth nonchalantly stating “I dunno, to be
honest I don’t really care” as if on the phone to someone they’re bored with. It would be jarring if it wasn’t so catchy and uplifting.
The title track is a slow-tempo meditation with droning synths providing the background to slow, dragging tape sounds and
grounding, just-out-of-focus vocals bunkering down in the mix. The methodology suggests the work of Broadcast: there’s a
loping bassline that propels the track forward but the duet/duel between Finney’s haunted vocal and the soloing tape warble
provides aural snakes for the listener’s ear to follow.

R. Elizabeth - SPIRITUAL TO SYMPHONY (from Every And All We Voyage On)

From the album Music For 18 Musicians (Steve Reich) available May 8, 2020 on Western Vinyl.

Pre-order: https://smarturl.it/motgsf

Erik Hall - "Section I"

'Dead Guitars' is taken from Seefeel's self titled album, their first for 14 years.
The album is releasing Jan31/Feb 1, and coincides with a special headline show at London’s King’s Place on the same day.
The band have also just announced a run of UK and European dates in March.
"(Seefeel) underpin their dream-glossed, loop-heavy soundscapes and tunes with a heavy powerhouse of a rhythm section. The show was punishingly loud; played with a professional politeness that skirted-over any ‘it’s great to be back’-bullshit.” - Loud + Quiet, live review
Pre-order the album here : http://bit.ly/9novaN
Seefeel live dates
31/01/2011London @ King’s Place – http://bit.ly/geBDIl
18/03/2011Manchester @Islington Mill - www.ticketline.co.uk
19/03/2011Dublin @ Button Factory - www.tickets.ie
21/03/2011Glasgow @ The Arts School - http://bit.ly/ge9WWg
22/03/2011Birmingham @ Hare &amp; Hounds - http://www.theticketsellers.co.uk
24/03/2011Paris @ Point Ephemere - www.fnac.com
25/03/2011Brussels @ AB Club - www.abconcerts.be
26/03/2011Amsterdam @ Paradiso - www.ticketmaster.nl


Lucrecia Dalt - “Glosolalia”

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