Harsh/Noise/Noisecore/Breakcore/Electronic/Experimental

Melt-Banana - "The Hive"

Kid, just letting you know we are doing it again

No, I didn´t say the keyboar needed flattery

turkey - climber

FUCKING WEREWOLF ASSO - KEEP MY ADRESSE TO YOURSELF, CAUSE WE NEED SECRETS!

DEATH GRIPS "FASHION WEEK"
Instrumental Full-Length Soundtrack

Release Date: Jan 04, 2015

Runway W

Runway D

Runway Y

Runway E

2020initialsequence2022

keygen memory

A cathedral of circuits and steel: blade-edged guitars, obsidian synth choirs, and drums like thunder in a vaulted nave. Black Glass Gospel is a liturgy for the neon night—sermons of grit, absolution through distortion, and hymns sung to electricity.

What it sounds like
Retrosynth choirs over metal spine • cinematic low end • angular hooks • epic, chant-like choruses.

Themes
Faith under fire • shattered icons and new devotions • confession at the edge of the city • mercy in the machine.

For playlists / mood
metalwave • dark synth • cinematic • night drive • fight scene • ritual energy

Credits
Written, performed, produced & mixed by Vector Collapse (Chris Morley).

Suggested tags
retrosynth, synthwave, metal, metalwave, darksynth, cinematic, industrial, cyberpunk, VectorCollapse, BlackGlassGospel

Release notes
Mastered for impact and width. Light the censer, raise the gain, let the gospel roar.

Hashtags
#VectorCollapse #BlackGlassGospel #Metalwave #Retrosynth #Synthwave #DarkAesthetic #NewMusic

Cutter's Mercy

Cut With the Cake Knife

Don’t Fear the Reaper

Arthur is a new artist based out of Delaware county, PA. Having just turned 20, Arthur is a singer songwriter, producer and multi instrumentalist. He currently only records at home and as of yet has never debuted his music anywhere. Citing influences spanning several genres and decades, Arthur’s music stands out as an amalgamation of experimental songwriting and classical-esque melodic progressions. 

I was introduced to Arthur through a close friend and engineer, Caleb Laven. He played me one of the ‘kids’ stuff, a band that he had been working with and producing over the past few years in Philadelphia. I was immediately enveloped by the creativity and experimental nature of Arthur’s music. For quite some time I’ve been looking for releases that will help broaden the scope of PLZ and take it a step away from its electronic roots. Arthur’s music not only does this, but also builds upon his ‘Acid Pop’ predecessors. 

I think what I like so much about Arthur’s music is it’s fluidity. One day he’ll send me a hyper digitally-degraded synth pop track about being invisible (or at least ignored), and the next it’ll be a haunting lap steel ballad to working on a farm. I can never truly pin down what he’ll send next, but I’m always incredibly excited to hear it.

Melt-Banana - "The Hive"

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