CoolmixTape where I can enjoy TIOLOLE's DopeRime and amazing skills! The middle groove in the middle is also nice~ The Dope Hip gradually builds up and it's cool! ! Respct TIO＆H.Gee’s Flash work!

GOOOOOOOOOOOOOOO BROOOOOOOOOOOOOOOOS GOOOOOOOOOOOOOOOO YEASSSSSSSSSSSSSSS AHAHAHAHAHAAWW!!!

WEEEEEEEEEEEEEEEEEEEE!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

YASSSSSSSSSSS!!!!!       MEH BRAINS ON THE FLOOR!! IN THE BEST WAY POSSIBLE!!  Y'ALL SOME AMAZING F'ING TALENTS   BROS  DAMNNNNNNNNNNN!!!    AND THANK Y'ALL FOR Y'ALLS FANTASTIC WORK  !!!!  HOLYYYYYYYY MOLYYYYYYYYYYY!!!!!!!!!

Interpetation/Cover of Mikael Wiehes "Girl and the Crow" from 1981
Music/Compose/instrumental/vocal/mix and production :Stina Crow 2023
For music video please visit https://www.youtube.com/watch?v=mR6f5wy4c2A

ENGLISH LYRICS
The girl and the crow
I sat the other day and read my newspaper
A day like so many others before
And I thought about all those dreams
You dream that one after another have come to an end
 
Then I saw a picture of a girl
With a wounded crow on her arms
She runs through the forest
As fast as she possibly can
 
And her curly hair flutters when she runs
She runs on her thin legs
And she prays and begs and hopes and believes
That it's not too late
 
The girl is little and her hair is so bright
And her cheek is flickering red
The crow is clumsy and croaks black
In a moment it's completely dead
 
But the girl runs for her life
With a wounded crow in her arms
She runs towards safety and warmth
For what is real and true
 
And she runs with sparkling eyes
She runs with think legs
Because she thinks it's true, what dad has said:
If there's life it's never too late
 
And I run with my heart beating
I run with thin legs
And I pray and beg, but I actually know
That it is already too late

Flickan & Kråkan ( The Girl and the Crow )

Sphere

S-Zulu

Recorded in Modesto, Ca.   Featuring Hammond B3 Organ solo. Gibson 335 Electric Guitar solo. Gibson L5 Electric Guitar Rhythm. Acoustic Bass. Hammond B3 Organ Rhythm with Bass Peddles. Drums Full drum kit. Percussion Tambourine, 22" Zildjan ride & Crash Cymbal.

Redondo

Bluez House

Aesthete

Video;
https://youtu.be/dVTVR1MrYvc

Made in #Ableton (December 2023)

Genres;
#Electronic
#Experimental
#Pop
#Rock

Warm Spaces

"Take aim at his heart now!" he yelled. "And shoot for the head!" shouted back his armed colleague. But with tears in the formers' eyes, he knew he had already lost the fight. The longer he wore on in the battle with his foe, the greater his uncertainty. 
This song is about a mercenary remembering an encounter with a fellow mercenary. They were both after the same target and the first, unarmed mercenary was forced to kill his armed colleague with a car.
Listening to the story of the song, one may get the sense that betrayal and regret are central themes; however, they are only one of the many threads unfurled in the song. Violence and mercy are more central, especially within the mind's eye of the protagonist re-living what had occurred on one fateful day.
A violent mind may not breed mercy, but mercy will never hold a place (or a candle, if you will) in the minds of those whose idea of violence is not honourable and just -- in a moral sense, of course. Moral compasses change direction from person to person, from time to time, and from situation to situation. They can even, sometimes, point to one's own fate -- mercifully or not.

LYRICS:
Somebody once told me
In a ripped-up rage
Had eyes like a monster, and it came
Like the wind against my head.
So Drive Like You Stole It
With nothing to say
Eyes runnin' like water, to this day
I could not relate.

Hearing slowed-down sounds
Of an engine roaring,
Wheels rollin' to a cliff's end
And shot out in escape.
So it seemed
Was a blow to my youth.

Somebody once told me
In a ripped-up rage
Had eyes like a monster, and it came
Like the wind against my head.
So Drive Like You Stole It
With nothing to say
Eyes runnin' like water, to this day
I could not relate.

Seeing moving parts
As it comes upon him,
Devoted locomotion
To bring about elimination.
What I've seen
I have created.

Somebody once told me
In a ripped-up rage
Had eyes like a monster, and it came
Like the wind against my head.
So Drive Like You Stole It
With nothing to say
Eyes runnin' like water, to this day
I could not relate.

Take aim at his heart now
And shoot for the head
A backstabber grieving his existence,
So tortured.
Hold up a candle
In a darkened cave
Canot fix what cannot be seen:
I refuse to replay.

Like You Stole It

H.Gee Mixtape "TIOLOKE"

Chants Métallurgiques (metallurgical songs)

Folk number from way back merging a few concepts... Lammas is an August harvest festival and Martinmas a November cattle-slaughtering and salting-down for winter one. Plough Monday celebrates the burying of a corn 'dolly' made from the last harvest sheaf to 'embody' the corn spirit and provide a winter refuge prior to its summer rebirth. Kine is an old word for cattle. How in touch with the land were rural folk from centuries past, and how disconnected we seem today in our little plastic techno-bubbles.🙄My lyrics, Mr. L's music/vocals. Copyright 2008 Jay Rich and Mr. L. Lyrics below:

                John Barleycorn

V1:

Hail old John Barleycorn
Your once ripe earth is so forlorn
With weeds instead of grain it's overgrown
From its trials it seems so worn:
Planted seeds as yet unborn
Lie dormant in the soil in which they're sown

V2:

Come summer, crops stand tall and strong
With you to urge their growth along
So Lammas brings in rich and heavy yields
Reapers sing Thanksgiving songs
Nights are short and days are long
The harvest moon shines bright upon your fields

Ch1:

Hail old John Barleycorn
Arise and be reborn
John Barleycorn arise and be reborn

V3:

Lush pastures flush with feeding kine
And Mother Nature marking time:
Her rhythms and her cycles so well known
To you a reader of the signs
Knowing what she has in mind:
Horn of plenty for the harvest home

*****Break*****

V4:

Plough Monday's corn doll offering:
A ploy to ward off suffering
Tombed in the first furrow of the year
With Martinmas comes slaughtering
Of fattened stock now herded in
Feeling nature's bounty will bide near

V5:

As seasons pass embrace your fate
Of lyring low and enforced wait
Retirement though won't suit John Barleycorn
You'll do no more than hibernate
Your reappearance never late
Your spirit will return to be reborn

Ch2:

Hail old John Barleycorn
Arise and be reborn
John Barleycorn arise and be reborn

Ch3:

Hail old John Barleycorn
Arise and be reborn
John Barleycorn arise and be reborn

Outro:

John Barleycorn arise and be reborn
John Barleycorn arise and be reborn



John Barleycorn (Mr. L music/vocals)

Pour Autant Ft - Ziaziou

I rap and produce.  hmu to collab
I'm making music for the love of it.

H.Gee Mixtape "TIOLOKE"

TIOLOKE

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