*insert funny playlist name here*

Belle Ryu To Sobakasu No Hime - Gales Of Song (Uta Yo) Extended

Gaemi, Park Jung Hwan – Lost Time | Sweet Home Soundtrack  Netflix (OST)

Park Jung Hwan – Gnarled Hands | Sweet Home Soundtrack Netflix (OST)

ALICE IN BORDERLAND 2 (Soundtrack from the Netflix Series)

ALICE IN BORDERLAND Season 2 Opening

GODS ft. NewJeans

GIRL HELL 1999

MURDER EVERY 1 U KNOW! (feat. takihasdied)

Linked_Horizon_-_Nisennen_Moshiku_wa_Nimannen_Go_no_Kimi_e_

DINNER!

Breakcore, hardcore, hyperpop! About gambling on estrogen :3

Lyrics
Hit the slots, 7-7-7,
Looks on top, like I'm winning winnin winnin
Chasers falling on the floor floor floor
Jackpot vibes, I am always gonna score

Gamble on dreams
Jackpots on sight
Rainbow chips feel just right
Gamble on dreams 
Gamble on Dreams
Chips feel just right
gamble on dreams 

Gamble on dreams
Jackpots on sight
Rainbow chips feel just right
Gamble on dreams 
Gamble on Dreams
Chips feel just right
gamble on dreams 

Spinnin’ the wheel, flashin’ lights,
Feelin’ so lucky, stars in my sight,
Estrogen jackpot, body’s my prize,
Rollin’ those sevens, watch me rise.

Spinnin’ the wheel, flashin’ lights,
Feelin’ so lucky, stars in my sight,
Estrogen jackpot, body’s my prize,

Let's Go Gambling! 

Aw Dang it

Coins clinkin’, jackpot bells,
Trans memes poppin’, breaking those shells,

Cards on the table, bets are all in,
Chasin’ that dream, ready to begin,

Roulette of life, spin it real fast,
With every dose, the die is cast.

Hit the Slots 7-7-7

Gamble on dreams
Jackpots on sight
Rainbow chips feel just right
Gamble on dreams 
Gamble on Dreams
Chips feel just right
gamble on dreams 

Gamble on dreams
Jackpots on sight
Rainbow chips feel just right
Gamble on dreams 
Gamble on Dreams
Chips feel just right
gamble on dreams 

Spinnin’ the wheel, flashin’ lights,
Feelin’ so lucky, stars in my sight,
Estrogen jackpot, body’s my prize,
Rollin’ those sevens, watch me rise.

Spinnin’ the wheel, flashin’ lights,
Feelin’ so lucky, stars in my sight,
Estrogen jackpot, body’s my prize,

Let's Go Gambling! 

Hit the slots, 7-7-7,
Looks on top, like I'm winning winnin winnin
Chasers falling on the floor floor floor
Jackpot vibes, I am always gonna score, score 

Lets Go Gambling!

THROUGH GLASS
by MAX DEVEREAUX & KAZUYA ISHIGAMI

released July 15, 2025

Digital Album  $2 USD  or more
edition of 25 Cassette  $6 USD or more 

1.FRIED GRASSHOPPERS 03:53
2.GALVANIZED STEEL TUB 03:10
3.PARTICULATES 04:33
4.SHED FESTIVAL 05:03
5.RIVER OF RAZORS 02:17
6.CORRUPT WIND-UP 04:48
7.THROUGH GLASS 05:54
8.THE LOWEST CHAMBER 05:29
9.WORKING TO RETURN 06:09

Side A : 1-5
Side B : 6-9


Through Glass is the result of a deeply collaborative and cross-continental experiment between Japanese electroacoustic composer Kazuya Ishigami and American multidisciplinary artist Max Devereaux. Rooted in contrasting yet complementary approaches, the project unfolds as a dialogue between structured sound design and spontaneous sonic exploration.

The process began with Kazuya Ishigami, who created a series of intricate sound materials, merging electroacoustic textures, noise fragments, and ambient field recordings. These materials were then sent to Max Devereaux, who layered, reinterpreted, and expanded upon them through improvisation, using field recordings, found objects, contact microphones, and modular synthesizers. Max's additions reflect his tactile and often textural approach, combining environmental sounds and lo-fi textures with gestures that evoke both intimacy and sweeping activity.

The recordings passed once more into Ishigami's hands, where he carefully deconstructed and reassembled the sound elements into finished compositions. His final edits shaped the album into a cohesive whole, blending raw improvisation with composed electroacoustic precision. He also oversaw the mastering process.

The album’s title was chosen by Devereaux, reflecting a feeling he has carried for much of his life as an artist, especially one working within the avant-garde. To him, creating art often feels like living behind glass: present but removed, able to observe and reflect the world with clarity, yet never fully immersed in it. This invisible barrier separates the artist from society, allowing vision without contact, insight without belonging. The music on the album, with its delicate, translucent textures and fleeting glimpses of human presence, seemed to embody this sensation perfectly, like watching life unfold just beyond reach.


THE LOWEST CHAMBER



«A collection of pieces about the discovery of sounds and sonic universes hidden in objects, places and within yourself.» - Feldermelder & Julian Sartorius

Commissioned by the legendary concert venue Bad Bonn in Düdingen, Switzerland, and the KRAN project, ‘Bonn Route’ is a collaborative album by electronic musician Feldermelder and percussionist Julian Sartorius. A location- based sound walk that can be experienced both on-site in the village of Düdingen, and as a full-length album. The eleven tracks are a sonic homage to, and an artistic interpretation of, a small village in Switzerland’s heartland.

Building on his practice of site-specific performances and percussive sound walks, Julian Sartorius captured sounds and patterns at eleven locations: the train station and cemetery, on the banks of a stream, on a bicycle path, and in an intimate cavern above the village’s lake, amongst other locales. Sartorius documented the soundscape of the village in field recordings, recorded samples of objects and captured percussive patterns by playing on the architecture and vegetation found on-site.
Feldermelder then processed these recordings into eleven compositions, preserving the locations’ acoustic identities, but expanding on Sartorius’ material. Besides the bassline on ‘Veloweg’, Feldermelder used only sound reactive synthesis and resonators to create additional sounds, layers and tracks, thus multiplying the spectrum and rhythms of the original material. ‘Bonn Route’ is a musical journey rooted in the emittance of sound, and our resonation with the world around us.

Feldermelder is a Swiss musician, sound designer, producer and installation artist. He is co-founder of -OUS and part of the audiovisual collective Encor.studio. He has previously released several releases on -OUS, both solo and in collaboration with Sara Oswald.

Drummer, artist and percussionist Julian Sartorius’ precise and multi-layered rhythmical patterns are keen excursions into the hidden tones of found objects and prepared instruments, bridging the gap between organic timbres and the vocabulary of (experimental) electronic music. He has previously released his album «Locked Grooves» on -OUS.
credits
released June 17, 2022

Credits
Field recordings, samples & patterns: Julian Sartorius
Arrangement, resonators & production: Manuel Oberholzer
Mix, master and design: vfbm Fribourg


Bonn Route  - Bahnhof

ears 10 30 bpm take 1 81125

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스위트홈 오프닝 원곡 DiesIrae - 조윤정

Gaemi, Park Jung Hwan – Lost Time | Sweet Home Soundtrack Netflix (OST)

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