At the age of 22, Tizane has made good use of that teenage apprenticeship, and now stands ready to present a superbly unique and challenging collection of songs – commencing with the punky pop masterclass – OFF THE EDGE.
Off The Edge was composed and built in the studio by all four members of The Tizane Band – Tizane, herself, Nathan Gordon on bass, Charlie Harris on guitar and Greg Titmarsh on drums.
The recording was produced by former Vibrators guitarist, Pat Collier who is noted for his production work with the likes of House of Love, The Jesus and Mary Chain, Primal Scream and X-Ray Spex.

Off The Edge

Forever is Nothing is the title track of the 2023 scheduled Tizane album and is already rated as one of her finest ever songs. Produced by Pat Collier (Jesus and Mary Chain) - Forever showcases both her innate fragility and her new no-nonsense hard rock style.

Forever is Nothing

‘I’m Not Her’ is another ‘Sad Girl’ masterclass from dark-pop artist Tizane, South-East London's most intriguing and hotly tipped young artist.
Following an epic reaction to her last single, ‘Forever is Nothing’ which enjoyed generous spins and playlistings from top stations as diverse as BBC Radio 2, Radio London and even Kerrang, Tizane serves up another plaintive platter with generous helpings of both Beauty and Beast.
She describes it as travelling a fifty-year timeline between Nick Drake and Lizzie McAlpine. ‘Both of whom, I absolutely adore!

I'm Not Her (Radio Edit)

Tizane blows her lungs on this 'Sad Grrrl' Monster! Turns out the significant other has opted to walk down the aisle with A.N.Other and Tiz is far from best pleased. Stand back and watch the Wedding Day fireworks - this is a real banger! Co-written with the boys in the band, Charlie, Greg, and Natz, expect to see 'Why Not Me?' as one of the chosen 10 tracks destined for the long awaited 'Forever is Nothing" Long Player.

Why Not Me?

Every Minute

Tizane's spectacularly irreverent cover of the Rob Davis composed mega hit, Cant get you out of my head which is best known for its Kylie Minogue version. But no sign of hot pants pop here as The Tizane Band reinvent the once chummy choon into a moshpit uber banger. WARNING: Not the faint of heart!

Can't Get You Out Of My Head

Tizane has a terrible pain in the pit of her gut - her latest relationship appears to be going the same way as all the others before. She cant bear to hear the inevitable and cries out - please- don't tell me the end! In one of her grittiest, grungiest vocal deliveries ever, Tizane and the band deliver a punk charged sad girl anthem like no other. Don't Tell Me The End can be found on the new ten track album, Forever is Nothing. Bangin'

Don't Tell Me The End

Tizane, drawing here on the dystopian legend that surrounds the ravens at The Tower of London. When the ravens leave, your world shall turn to ashes. This is pure Tizane, part Beauty and part Beast. Another uniquely dark anthem which features Charlie Harris on guitar, Greg Titmarsh on drums and Natz on bass.

When The Ravens Leave

Tizane contemplates her place on a small world In a small universe. But for all the minimalism, the sound is big and Small World is one of the Tizane Band's hardest hitting post punk anthems. Expect to find it on her 2023 Forever is Nothing Album.

Small World

The original version of this Tizane classic first appeared on streaming services back in 2021. Later in 2023 when Tizane the artist became Tizane the band, it was decided to create the song in the more compelling electric sound that we have now come to expect from them. Completists will want to know that this version has been included on the band's debut album, Forever is Nothing' and features the full mind-blowing Charlie Harris guitar solo - Awesome! Critics have described WGHMN as a gorgeous 'Sad Girl' ballad that gradually morphs in to a stadium head-banger. Listen now on Soundcloud!

Who's Gonna Hurt Me Now? (2023 Version)

Tizane is now one of the most booked and room-filling artists on London Camden’s Alt Rock / Indie circuit, being seen regularly by ever swelling audiences, at all the historic grassroots venues such as The Dublin Castle and The Fiddler’s Elbow.

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