These tracks take the sounds from two pieces produced by Pierre Henry & Pierre Schaeffer. 
There is a distinct lack of structure in the original pieces by design. Schaeffer was interested in creating music by ear rather than to a preset plan. 
My own view is that music works best with some structure so I quickly produced these as an alternative.

Rassemble - Reassembled

The composition in text form.
More details at: https://tladb.com
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Patten: A1
Function: All - Chain with different mutes

Group: Percussion

Tracks
1  / Kick / Kick / P 1-4 / 1(1)@87, 2(1)@13, 3(1)@41, 6(1)@25, 8(1)@50,9(1)@41, 10(1)@75, 12(1)@87, 16(1)@41 | 
2  / Snare / Snare/ P 1-4 / 5(,1),9(1)@1000drawings
3  / Closed HH/ Shake / P 1-4 / 1,3,5,7,9,11,13,15 (1) @80 | All 1 hits
4 / Open HH / Sizzle / P 1-4 / 13(1)@75

Group: Bass

Tracks
5 / Bass / Massive3 / P 1-4 / 1(16)@81 |TUN=-5, Selected the end bit
6 / Bass / Massive2 / P 3 / 5(1)@33 | Guitar replacement 
6 / Bass / Massive2 / P 1-4 / 9(1)@75, 11(1),12(1),14(1)@PRE | Electron Sequencer: if 9 then 11,12 & 14

Group: Atmosphere

Tracks
7 / Background Pad / The Ring 1/ P 1,3 / 1(32)@100 |  Alternate with track 8 in mute groups
8 / Background Pad / The Ring 2/ P 1 / 1(0,16)@75, 5(12)@_PRE (or 25|  Alternate with track 9 in mute groups
8 / Background Pad / The Ring 2/ P 2 / 1(+31,6)@75, 5(12)@_PRE, |  (+3,16) = + 3 semi tone tuning, 16 steps long
8 / Background Pad / The Ring 2/ P 3 / 1(+7,16)@75, 5(12)@_PRE 
8 / Background Pad / The Ring 2/ P 4/ 1(0,16)@75, 5(12)@_PRE

Group: Transitions

Tracks
9 / Impact Open / Scary Buildup / P 1 / 1(8)@1st | Only play on the start 

Group: Vocals

Tracks
11 / Vocals / Eat Your Brain “I” / P 1,2 / 1(1)@67, 9(1)@67, 14(1)@67 | Word and phrases extracted from loop
11 / Vocals / Eat Your Brain “I” / P 3 / 1(16)@67|Full phrase, 9(1)@_PRE | 11 / Vocals / Eat Your Brain “I” / P 1,2 / 1(1)@67, 8(1)@67, 11(2),12(2),13(2)@4:4, 14(1)@67 | 8(1) transition patten

12 / Vocals / I am the law  “Gun Rack” / P 1 / 1(2)@50 |SMPL: STA=0 END=10
12 / Vocals / I am the law  “I am” / P 1,2,3,4/ 2(2)@33 |SMPL: STA=22 END=32
12 / Vocals / I am the law  “the law” / P 1-3 / 7(3)@33, 12(3)@33 | SMPL: STA=31 END=41
12 / Vocals / I am the law  “Gunfire” / P 4 / 12(5)@4:4 | SMPL: STA=50 END=73  

Group: Effects

10 / Effect / Swoop / P 1-3 / 9(4)@33-45-678
10/ Effect Pad / Spooky / P 4 / 1@4:5
10/ Effect Hit / SFPop  / P 2 / 6@2:3, 11@2:5 |
10/ Effect Hit / SFPop  / P 3 / 6@3:4, 11@1:6 |
10/ Effect Pad / Spooky / P 4 / 1@4:5

Eat the Law

Song
	Name:	Case 2 Waves
	Genre:	Electronic / IDM / Dillas derived
	BPM:	101
	key:	NA
	Sound:	Berlin Techno 6 / Mad Zack 'Brootle" sound pack
	Detail:	Model 1 close to original
	
Machine: RYTM
Patten
	ID: 		A1
	Function:	Main
	
Group: Percussion
	Inspiration: Funky Drummer - Funky Drummer
		Tracks
		ID /Function /Sound Name / Patten Page /Step(Note,Length)@Conditions (percentage)| Info notes
		1 / Kick / Kick / 1@100, 3@30, 6@2:2, 9@3:3, 11@100, 14@4;4, 16@8:8 : Saw LFO on Amp VOL | + SYN kick
		2 / Snare / Rim Snare/ P 1/ 5@100, 9@100
		3 / Hat 1 / Shaker / P 1 / 1,2,3,4,5 @100,6@2:2, 8@75,9,10,11,12,13@100,14@8:8,15,16@100 |(PRB=80) | LFO on Frequency-> Saw wave -1x16
		4 / Hat 2 / Riser / P 1 / 8@_NEI, 14@_NEI
		
		// The 'No Kicks' done with LFO on volume 
		
Group Guitar Chords 
	Tracks
		5 / Guitar Note/ Lead 1 / P 1-4 / 2(0,1)@81 | STA=0 END=4 ; captures 1 note | Add delays
		5 / Guitar Note/ Lead 1 / P 1-4 / 10(-3,1)081 | STA=0 END=4 ; captures 1 note | Add delays 
		There are no chords in the sound pack. An attempt to build one not adequate. The three not sequence works with the alternative same locked on 10. Originally the notes were 1 and 9 and shifting them to 2 and 10 works. (Function + > = shift patten) 
		6 / Guitar Note / Lead 2 / P 1-4 / 2(0,3)@25, 9(-10,3)@25 | STA=0 END=8                                                                                      

Group: Chant
		7 / Chant / '"You Can't Control Me" / P 1-4/ 1(+12,16)@50
		8 / Chant / "You" / P 1-4 / 1(-5,4)@_NEI | STA=21, END=120
		8 /Chant / "Control Me" / 9(-1,8)@25

Group: Background		
		11 / Background murmur / Granular Turnip / P 1-4 / 1(16)@100 | LFO on STA 
		11 / Background murmur / Granular Turnip / P 1 / 7@50
		11 / Background murmur / Granular Turnip / P 3 / 11@50
		11 / Background murmur / Granular Turnip / P 4 / 5,11@50
Group: FX
		9 / Initial Intro / Bass B / P 1 / 1@Ist / STA=81

Case 02 Waves

Taking the Rail Line track produced by Music in Images and converting the audio to melodies and harmonies in Ableton Live. 
Different octave ranges where allocated to different instruments, FM8, Reaktor - Metaphysical, Reaktor - Photone

Rail line - sketch

A audio results from various test and experiments with the Lyra 8

L8 Organ ~ C2 - C3 B

L8 Chords Organ CEG CEA CFA

Lyra 8 experiments - MOD levels from generator 12 to sound at 4

4-mod-i12@12

4-mod-i12@7

4-nomod

4-mod-i12@5

4-mod-i12@3

I came into music by way of visual art so there is that method or lack there of which I follow.

Currently I am wandering about various electronic styles including algorithmic which is just possibly an excuse to not actually select notes. This is just a hobby so I don't feel constrained to an audience or market. (You can tell by the music as well.)

My blog/journal is at http://tladb.wordpress.com/

tladb

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