sonar reykiavik

Kicks, snares, hihats: Machinedrum
Bass: Arp Odyssey
Chords: Roland JP4 and U-He Diva
More hihats, booms and efx: Cwejman S1 mk2
Long leads 2nd half: also Cwejman S1 mk2 (w Valhalla Vintageverb)

TODD TERJE - Q

Young Karin - Hearts

Transitions

Kyoto

Nýju fötin keisarans (prod. Helgi Sæmundur)

I've remixed "Awake" of Tycho (Ghostly).
It's included in Tycho's new album "Awake" jp edition.
http://www.artuniongroup.co.jp/plancha/top/releases/artpl-049/

Tycho - Awake (Ametsub remix)

WAVESWORTH 7" ON SALE NOW :: 
http://lastgang.myshopify.com/products/destroyed

http://soundcloud.com/wave-racer/
https://twitter.com/waveracermusic

~BUY~

Ryan Must Be Destroyed (Wave Racer Remix)

FEMNRG005

Pre-order:

Kindness - kindness.es
iTunes: http://bit.ly/otherness-itunes
Amazon: http://bit.ly/otherness-CD
Rough Trade: http://bit.ly/otherness-roughtrade

Headline Show - 16 Jan http://bit.ly/kindness-brixton

Written by Adam Bainbridge, Kelela Mizanekristos
Published by The Funk Stops Here / Cherry Coffee Music/Sony/ATV

Lead vocals: Ade Omotayo, Kelela Mizanekristos
Backing vocals: Adam Bainbridge, Rebecca Freckleton, Valentina Pappalardo
Drum programming, keys: Adam Bainbridge
Drums: Kenneith 'Bam' Alexander
Percussion: Pauli 'The PSM' Stanley-Mackenzie, Adam Bainbridge
Sax: Finn Peters
Bass: Blue May

All vocals & instruments recorded at XXVII, London except drums, recorded Ontario, CA

Produced by Adam Bainbridge 

Mixed by Blue May at XXVII, London

Mastered by Howie Weinberg at Howie Weinberg Mastering
Assistant mastering by Gentry Studer at Howie Weinberg Mastering

℗ & © Female Energy Records 2014. 

Buy 'Otherness' here

World Restart feat. Kelela & Ade

Paris Nordursins (Paris of the North)

EP1
Produced/Mixed by Friðfinnur Oculus 
Vocals, guitar Co-Production: Unnsteinn Manuel
Strings: Viktor Orri Árnason
Guitar: Hrafnkell Gauti Sigurðarsson
Keys: Tómas Jónsson
Drums: Gylfi Freeland
Drum Programming: Logi Pedro

Photo by: Saga Sig

Manuel

Sæborg ✌ ✌ ✌

Disco

Written by Lilja Jónsdóttir
Recorded, produced and mixed by Snjókaldur
Mastered by Finnur Hákonar

Lily The Kid on Facebook (www.facebook.com/lilykidkid)
Lily The Kid on Twitter (www.twitter.com/lilykidkid)
Lily The Kid on Instagram (instagram.com/lilykidkid)

photo by Sigga Ella (www.siggaella.com)

Mainland

Nice View

Fullt af assholes, brehbreh.
Pródúsererert af mínum muddafuccas, Lady Babuska.

Ellefu trilljón kæstar skötur á rauðu ljósi í Reykjavík um vetur [Lady Babu prod.] (ruffruff demo)

yellow emmanuelle feat. chris barron

Nils Noa "Move Like The Wind" (feat. Ingrid) [Kohib Remix]

Night drive music

Part of the @foliedouce colder confessions compilation
https://soundcloud.com/foliedouce/sets/folie-douce-colder-confessions

Free Download

Tuesday (Alizzz edit)

One of the most eagerly anticipated electronic albums of 2012 is finally released! After a series of groundbreaking singles: Pain In the Ass, Im Week and Ghetto Kraviz (featured here) Muscovite Nina Kraviz is set to release her eponymously titled debut artist album on Radio Slaves superb Rekids imprint. Ninas album is a combination of stripped-bare house, deepest Detroit sounds via beautifully ambient pockets and more soul infused slo-mo jams, all coated with an authentic analogue finish and Nina exquisite vocals. The music is emotive and engaging, whilst being something truly original and inspirational. The album features collaborations with Hard Ton and King Aus. Playing out like a full artistic statement rather than just a collection of tracks, the odd time signatures, innocent and waify vocals, muted acid lines and hypnotic loops layered up by Nina all work subtly at pulling you into her world. A superbly, executed and accomplished debut album that has already set the bar high for electronic albums this year.

http://soundcloud.com/nina-kraviz

Nina Kraviz - Ghetto Kraviz

• Third and most accessible album by icelandic experimental pop artist Sin Fang
• Recorded & produced by Alex Somers (producer of Sigur Rós & Jónsi)
Although there is a certain reassuring quality to evergreens – you can rely on them to never drop their foliage – it’s the flowering plants, the ones that bud, blossom, and bloom, which really light up and even define a season. This is exactly what happens on Flowers, Sin Fang’s third solo album: Seabear’s founder and mastermind unlashes a melodic spring storm and explores even more corners of the lush and baroque gardens he spent the last five years in.
Following his Half Dreams EP, Flowers is a solo album that nevertheless opens with a lot of collective chanting, a sense of deep rootedness, togetherness, unity, shared experience: “We were young boys, smoking in the woods, I showed you how”, are the first words Sindri Már Sigfússon aka Sin Fang scatters across the less-beaten tracks, only to leapfrog across the lawn and switch on the stage lights for his own take of stadium pop. Don’t worry, there’s nothing wrong with your ears: A song like “What’s Wrong With Your Eyes” would indeed sound infinitely awesome in a stadium setting – it’s so massive, so outspokenly pop, when the beat meets layered vocals and the piano comes in just at the right moments. “I was thinking a lot about pre-teenage and teenage feelings,” he explains. “The exaggerated feelings and dramatic thoughts that most teenagers go through: Love and rejection, the constant ups and downs... I thought Flowers was a good name for that theme as they are used both for sad and happy occasions.”
A few albums and EPs and make-shift DIY beards later (he went from paper to knitted goods and now likes them freshly watered and soon withering), Mr. Sigfússon has obviously learned how to cultivate the heaviest crops of the pops: indie-rooted but vast, quirky at times but crystal-clearly aiming at the stars in other places, there’s more tracks with huge sing-along gestures, more of that well-rounded surround experience now stripped of any insecurities. This is a bold statement that’s a million miles away from cliché Icelandic indie stuff, but instead shows that you can indeed be a sucker for outlandish prison tattoos and at the same time go for rather timeless orchestrations that unfold like springs, followed by summers and autumnal winds.
There’s clearly a ghost at work here, still carrying him away, as he gathers more and more rosebuds and moves from epically marching (“Look At The Light”) to overgrown power pop (“Not Enough”) and back via lots of oh-uh-oh-uh-oohs (going up and down like those distant hills you can’t stop staring at) to fast-paced bliss (“Sunbeam”). “Weird Heart” takes a look at the things one doesn’t care about as one gets older (“so many things don’t mean a thing to me”), while “Feel See” is a call for like-minded individuals out there, as it moves from section to section, pushing onwards, now hesitant and soft-spoken almost, soon hopeful about the answer to the question it poses: “Is there someone that feels like me, that there’s nothing to feel or see?” There’s lots. To feel. To see. To discover and dive into. At least in this garden there is.

sonar reykiavik

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