Patch bien tempéré III – pour flûte, karlax et dispositif temps réel.
Harmonisation, Synthesis.
Composition: Tom Mays
Performance: Anne Cartel (flute) and Francis Faber (karlax) of the ensemble "Fabrique Nomade", Institut Italien, Paris, 25 October 2013.

Well-tempered Patch III - for flûte, karlax and live electronics

Patch bien tempéré II – pour vibraphone et dispositif temps réel.
Delays.
Composition: Tom Mays
Performance: Rémi Durupt, Institut Cervantes, Paris, 25 June 2010.

Well-tempered Patch I – for vibraphone and live electronics

Composition: Tom Mays
Soundscape composition using sounds from Luc Ferrari's archives, thanks to the "Concours Presque Rien" proposed by Brunhild Ferrari (http://www.lucferrari.org).
The piece is performed on karlax. This is a fixed version from a studio performance.

Presque rien avec karlax - TomMays (2014)

Composition: Tom Mays.
Windows of Audibility – for cello and live sequenced electronics.
Performance: Matt Brubeck
San José, California, 1990.

Windows of Audibility (1990)

Composition: Tom Mays
Originally composed at CNCM Césaré en 2000.
Shorter, remixed version, 2009.

Tom Mays

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