t-mos music just gets better every time i hear him he knows what he wants hiphop is all around him an he brings it out of eveything truefire

The guitar riff is sick and sounds great over the percussion. Great Job

GOTENKS. Produced by @IamCam

SAVEMONEY

Suitcase Ft. Chance The Rapper

2007. I made this beat years ago for a group that never used it (As always..). I played it on the Soundwaves Radio mix I did May 2014, So here ya'll go. Enjoy.

Around

10 Backyard

'Broad Shoulders' is the title track taken from the upcoming album
Follow Taylor Bennett on: 
Instagram: https://www.instagram.com/taylorbennett/?hl=en
Twitter: https://twitter.com/_TaylorBennett 
FaceBook: https://www.facebook.com/TaylorBennettFans/
YouTube: https://www.youtube.com/channel/UCizBJqJzjI-6YqYjqPQ8Ttw

Follow Chance The Rapper on:
Twitter: https://twitter.com/chancetherapper
Instagram: @chancetherapper
FaceBook: https://www.facebook.com/chancetherapper/
Youtube: https://www.youtube.com/user/ChanceThaRapper

Produced By: Ludlow 
Follow LudLow on:
Twitter: https://twitter.com/__ludlow
Instagram: @__Ludlow
Facebook: https://www.facebook.com/ludlowmusic

Broad Shoulders ft. Chance The Rapper

Download This Song And More At http://DigitalDripped.com

DL http://ddrip.co/buxm

http://Instagram.com/RealDJFaze

http://Twitter.com/DigitalDripped

Busta Rhymes - Hello ft. Chance The Rapper (DigitalDripped.com)

Blessings (feat. Ty Dolla Sign)

Packs Ft. IshDARR (Prod. Skinny Mooxe)

Official Video

Locals (Prod. !llmind)

High For Hours

High for Hours

First single from my album, Grown Ass Kid.
℗ Secret Door
----------
Credits:
Produced by Cam O'bi 
Additional production & arrangement by Dee Lilly
Recorded by Nick Breton @ Truth Studios; Don "Hullio" Outten & Elton Cheung @ Classick Studios
Mixed by Elton Cheung, Dee Lilly, Cam O'bi
Mastered by Bernie Grundman
Artwork by David Silverstein
--------
Lyrics
[Chorus]
How come I can't do what fuck I want do
How come, how come
Tryna get this skraight no damn hot comb through
How come, how come
Weavin' through the naps, dreams been on hold
since my cradle hit the flo
tender head, my denim skrong
Yea, yea, yea, yeaaaaaah

[Verse 1: Cam O'bi]
Remember when I was a kiddo
growin' up in the middle
windows lining my smile, silver teeth underneath my pillow
a nigga had a nappy head like a Brillo pad
sister said I need to do somethin' about them beedy-beed naps
snackin' on Andy Capp's with a pickle and a quarter water
walked in the barbershop asked me what I wanted 
I told that man I wanted to look like Superman,
but when he had the long hair
you know, kinda like Michael Jackson?
The damn barber just started laughin'.
I cried as he gave me that bald fade.
Afro puffs hit the flo', symbolic of shedding my innocense
I guess I thought they were magicians or alchemists
or mathematicians 
with algebraic calculus algorithms designed to cure me of my nappiness
like a perm burned off my happiness
I sat silently acquiescent
pitfalls of adolescence 
spitballs and scrabble sessions and tattle-tales
playing around in the hallway like one of Santa's elves
"You wanna goto jail?" 
"Hell naw, mister security!", got sent to the principal for my potty mouth 
talkin' bout some "give me your number so we can call the house" 
but gimme got shot, so the ink staining my record now
you pull a comb thru my afro that shit'll crackle like a bowl full of Rice Krispies
rollin' my innocence in a cigarillo like

[Chorus]
How come I can't do what fuck I want do
How come, how come
Tryna get this skraight no damn hot comb through
How come, how come
Weavin' through the naps, dreams been on hold
since my cradle hit the flo
tender head, my denim skrong
How come, how come
How come I can't say what fuck I want say
How come, how come
Tender braids, but I can't make my eyes rain
How come, how come
Yanked straight from my naps, dead on my comb
When my cradle hit the flo' 
Tender head, my genes on swole
Yea, yea, yea, yeaaaaaaah

[Verse 2: Smino]
I don't wanna sing the
Star-spangled banner, 'less it's produced by David Banner
elbows on the lunch table, eatin on a gravy sammich 
lil' nigga no table manna's
crazy it attracted shawty's 
on the back of the bus gettin' neck had a knack fuh noggin'
lil' nick at nighttime
googlin' booty, beauty illusions polluted and deep-rooted in my mind
my block was a rubix
anywhere you turned, the shit was hot around the clock 
and they could not ice cube it
damn
mama I don't like this school shit, 
fuck a logarithm, I'll log into the music
damn
daddy I don't like this school shit
I beat the desk until my knuckles bleed
all my teachers think I'm challenged mentally
but my mental skrong, know who I wanna be,
instantly began a surgery
bada-bing, voila!, made wings wit the words Hallelujah, yah bitch, yah!
all my blessings came when I accepted I'm not y'all
I been put it down the line like laundry
they told find something more concrete
now a lil' nigga breakin' concrete
praises to God I ain't no convict
they'll never take away my confidence

[Chorus]
How come I can't do what fuck I want do
How come, how come
Tryna get this skraight no damn hot comb through
How come, how come
Weavin' through the naps, dreams been on hold
since my cradle hit the flo
tender head, my denim skrong
How come, how come
How come I can't say what fuck I want say
How come, how come
Tender braids, but I can't make my eyes rain
How come, how come
Yanked straight from my naps, dead on my comb
When my cradle hit the flo' 
Tender head, my genes on swole
Yea, yea, yea, yeaaaaaaah

Grown Ass Kid

TenderHeaded ft. Smino

Butter on my Biscuit (prod by T-Mos)

*************************************************
2010 Red Bull Big Tune National Finalist
2011 iStandard DC Champ
2020 #SaturdaySampleFlip Champ
*************************************************

"...As he heads into this year’s Chicago finale after finishing runner-up at the Philly qualifier, the Maryland resident doesn’t plan to represent a city, state or even region. Instead, he’s holding it down for an entire culture. Back in 1999 when he first heard the Beatnuts track "Se Acabo," T-Mos says he realized "that hip-hop was sleeping on Hispanic culture." He adds, "I decided to start producing because I took it upon myself to show the world the beauty behind my culture’s music." - Red Bull

*************************************************
For Press and serious inquiries only, contact me at monjeos@gmail.com

Butter on my Biscuit (prod by T-Mos)

T-Mos

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