I'm reading a book about him and listening to his art, I mean it feels like being in heaven although I'm going through hell.

the live orchestral performance truly is awe inspiring

Tchaikovsky/arr: Waltz from Sleeping Beauty

Camille Saint-Saens-Danse Macabre

Pyotr Ilyich Tchaikovsky - Suite From The Nutcracker. Pas de deux

Recorded at Hallé St Peter's, Manchester, England - April 2023
Featuring the Up North Session Orchestra
Conducted by Eduardo Portal


©Rob Miles Coverdale 2024 All Rights Reserved
robmilescoverdale.com

Ultimum Conatum (Race to Liberty)

La Gioconda  Dance Of The Hours  - Amilcare Ponchielli, By The Long Island Youth Orchestra

A Trip to Prague

Serenade for Strings in E Major II. Waltz Op. 22

1812 Overture Op. 49 - Tchaikovsky Large Symphony Orchestra, Vladimir Fed[MP3-Codes.com]

Performer: 't Muziek Frascati, May 14th, 2009, Concert Hall Leuven 
Conductor: Kris Stroobants

http://www.tmuziekfrascati.be/concert/5

--

"Prince Igor is an opera in four acts with a prologue. It was composed by Alexander Borodin. The composer adapted the libretto from the East Slavic epic The Lay of Igor's Host, which recounts the campaign of Russian prince Igor Svyatoslavich against the invading Polovtsian tribes in 1185. The opera was left unfinished upon the composer's death in 1887 and was edited and completed by Nikolai Rimsky-Korsakov and Alexander Glazunov. It was first performed in St. Petersburg, Russia, in 1890." (source: Wikipedia)

'Polovtsian Dances' from 'Prince Igor' (Alexander Borodin)

Marche Slave, Op. 31 by Tchaikovsky performed at the July 21st concert to benefit the Sean Hanna Foundation

Marche Slave, Op. 31 by Pyotr Ilyich Tchaikovsky

"One of the many fascinating aspects of this work is that, for all the depth and gravity of its great message, it is full of the vitality, passion and ardour of the young man Brahms was when he wrote it. And what a difficult balance it is to reach in interpretation. It would be hard to mention a favourite moment, because the incredible emotional, dramatic power of the piece keeps us on the edge of our seats with all our senses involved from the very beginning. I feel so deeply shaken by the orchestral exposition that I often find it difficult to start the first solo".
Nelson Goerner

'Polovtsian Dances' from 'Prince Igor' (Alexander Borodin)

tmuziekfrascati

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