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While dropping their self-titled debut LP with us in August, Anya and Izaak from Loveshadow (@loveshadowdjs) were kind enough to also record a lovely mix and answer a few questions. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hi Izaak and Anya, nice to have you on board. Both living in Bay Area, how would you describe your daily surroundings? Is it a nice place to be as an artist?

LS: Right now we live in SF. We grew up one town away from each other near the airport, though we didn’t meet until much later. The landscape is inspiring for sure- we spend as much time as we can out in the parks and wild areas and draw a lot from that. The art and music scenes here run deep, though the cost of living and of course covid have made things tougher.
 
MFM: The songs on your debut album as Loveshadow -which will be out in August- sound incredibly fresh where they also remind to certain pop, boogie, funk and even house from the mid and late '80s. What were some of your main influences for this project? 

LS: Thanks! We have to mention the UK act Fashion after whose song we named the group, but our tastes range all over. You could say that Loveshadow is kind of a lap around the 80’s prehistory of today’s dance music, when things were still firmly rooted in pop songwriting but had a simultaneously psychedelic and funky sensibility- one that grew out of dub/disco/punk counterculture. Getting more serious about learning the records at the roots of the whole thing allowed us to see how we might contribute something new to it in a way that was more than a style exercise.

MFM: Of course also the use of specific instruments ad up to that flavor - it seems that for example the Linndrum plays an important role. Did you aim for that sound and gathered the instruments around it, or the other way around maybe?

LS: We had an overall idea in mind that definitely informed the instrumentation but we’re not purists. A lot of the sounds on the record are replications of or deviations from the iconic originals. Those famous drum sounds in particular are like symbols, they impart a particular meaning and we use them to set a mood.

MFM: What's the dynamic between the two of you like in the studio? Is there a certain steady structure or does this change all the time? Maybe you could tell a little about your writing and recording process?

LS: It changes all the time- we’ve lived and worked in so many places separately and together since we started recording. Either one of us might come up with an idea that we’ll design sounds around, demo, arrange, and then throw it all in the trash and start again. Most of the songs on the record have had a few lives.

MFM: It feels that the music from the LP could work really well live on a stage too. Are there any plans for you to go touring? 

LS: We’re going to play a gig in Detroit later this summer that will be sort of a test run! After that, we’ll see. The project started out as an interest in records and recording, but anything’s possible.

MFM: Thanks a lot for contributing! It seems you quite regularly record a mix. Have you both always been busy collecting and sharing records? 

LS: Our pleasure, thanks so much for asking us! We’re always looking for new music. Sharing mixes online has helped us organize our favorites but playing parties is the best. We were gigging around before covid and we’ll hopefully get back to it as things continue to open up. This mix is definitely on the hype side of things- new digs, old favorites, some edits, tunes pals graciously sent our way, and what we’ve been dancing around our apartment to while we were stuck inside.

MFM Mix 030: Loveshadow

Khruangbin & Leon Bridges - B-Side

Manuel Tobares aka @tobadin è un musicista, Dj e producer nato a Tandil e residente a Buenos Aires in Argentina.
All'età di 15 anni ha iniziato a suonare la chitarra e studiare teoria musicale fino ai 22, quando inizia ad appassionarsi di musica elettronica grazie all'influenza degli album di Gustavo Cerati, ricchi di drum machines e samples. 
Sempre incuriosito dalla possibilità di trovare nuovi suoni ha iniziato a mettersi in gioco dietro ai giradischi, diggando house e techno anni 90 ed electro degli anni 2000.
Nel 2022 ha pubblicato il suo primo Ep su vinile per la sua etichetta Nila's Quest, distribuita da KMA60


Manuel Tobares AKA TOBI is a musician, DJ & Producer borned in Tandil and currently based in Buenos Aires, Argentina.
At the age of 15, TOBI started to study guitar and music theory till age of 22 years old, when he started to get involved with electronic music after being influenced by Gustavo Cerati solo albums where he used drums machines and samples.
Always curious about finding new sounds and new music, he started to get into vinyl, digging 90s house & techno, 2000s electro.
In 2022 he released his first EP on vinyl on his own imprint Nila's Quest, distributed by KMA60.

Bunkereeno Series 005: TOBI

Meet our dear Aussie friend, Danny Bodega (@beaton-4), serving silky moves for our Tapes series. After 15 minutes, Danny lets us leave the bed and sheets, and we're off for another 90 minutes of dancing. We're listening to Danny's trophies from his digging adventures across Europe and South Africa last year and a couple of Aussie tunes that fill the gaps to show you what he's all about.

Tape 029 - Danny Bodega

We welcome Tornado Wallace (@tornadowallace), long time friend of the label and whose record 'Falling Sun' we released through Second Circle back in 2016.  Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hey Lewie, how have you been lately?

TW: I dipped out to East Asia and Australia for the infamous Berlin winter and now I’m back ready for the euro warmth. Though it’s in no hurry to arrive here just yet.

MFM: There's a new record coming on Basic Spirit, the label you run with Jamie Tiller, and it all looks rather secretive... Can you tell us more about it Lew E? :) 

TW: I made these tracks when I was holed up sick for a week. Not being able to go to the studio I relied strictly on samples and software, which was fun to change the workflow up a little bit. I wanted to make some very club ready tracks, without any intention for a release. They (rather obviously) sample two well known tracks, but there’s a lot of new ideas too. I use a different name as it felt like a different style and approach to how I usually go about things. I think there will be more Lew E things on the horizon though :D.

MFM: Previous releases on Basic Spirit also had this '90s touch to it. What is it that you like about (music from) that era?

TW: I grew up in the 90s so a lot of the music coming out then really hits the nostalgic feels. But also, really interesting things were happening with technology, and it became a lot more affordable to put together a record. So there were a lot of - for lack of a better term - laymen releasing electronic music. Some of which had very new and out-there approaches to processes like sampling, mixing and arranging. But trends and technology all moved along so quickly that some of these sounds and ideas never had a chance to get fully fleshed out. Which is why it’s nice to pick up where some left off. People are currently very responsive to this late 90s/early 2000s sound, which is great for me because that’s a time when I really fell in love with electronic music. As a DJ, I’m playing these really personal tracks that I discovered as a teenager, and for the first time since I began playing parties/clubs 18 years ago, people seem to really understand them. It’s a very cool feeling.

MFM: You've also started a new more pop oriented project called a.s.o. together with vocalist Alia Seror O’Neill. Has it always been a dream or goal of yours to start a more band kind of project? Does it require a different writing/recording approach compared to when making dance music for the clubs?

TW: I like making music that I like listening to. And with the pandemic in full swing in 2020, I was having a little break from club music, and diving deeper into other styles of music I enjoy. Both from a listening and producing perspective. I found it to be a very different approach. It’s more melody/hook driven and focuses on getting ideas down quickly as they’re forming. A lot of the time I would use a basic keyboard and guitar to record, and Alia would add vocal melodies and harmonies on the fly. Sometimes it could get difficult when we would both want to put our fleeting ideas down at the same time! On that note, collaboration is never easy for me as I like to have full creative control of whatever it is I’m working on, and sometimes the creative paths divide and compromises have to be made. Sometimes the compromised path is thick and thorny, and sometimes it is paved gold and smells of roses.

MFM: How did you go through the selecting and recording process, any specific record or mood you had planned?

TW: I came across a bunch of really nice tracks all in a relatively similar downtempo/shoegaze style, and wanted to make a mix of music like that. For moody home/car/train etc listening. I also included a forthcoming Cousin remix of an a.s.o. single which I love and wanted to share early!

MFM Mix 049: Tornado Wallace

GIORGIO GAMBA(Bunkereeno/ 🇮🇹) / PRISMSERIES002

Suzi - Stratos Afterhours @ Wake Up - 29.11.2015

Psychemagik Presents Magik Sunset - Part One 

Greg Sonnleitner - Misunderstood

Lou Blic - Minéralité (3:15)

High Flyer | TERRY BROOKS AND STRANGE

004 Jamie Bennett

Do you know Jamie Bennett? Maybe you do, maybe you don’t, maybe you heard one of your friends whisper: “That’s the Crown Ruler guy." One thing is undoubtedly true – Australia’s music scene wouldn’t be the same without Jamie’s influence. The wonderful Crown Ruler brand has exerted its influence throughout the country and far beyond. If this is news to you, start looking a little closer to home and you’ll spot the clues.

We’ll keep this intro brief – a cheeky web-surf will provide plenty of thoughtful write ups on the man’s roots. We think Jamie’s an incredible DJ. A trove of aural excellence comes through in this mix; Lovers rock, sun-kissed gems, and plenty of soulful rarities from all corners. It’s a little less about genre and a little more about mood.

When we joked with Jamie that the cost of the records in this mix alone must be his retirement fund, he slyly shot back: "That's my super." It’s hard to explain the effort, the research, and even the resources that go into pulling together the sort of collections that are at the heart of a mix like this. Perhaps that’s a little digger-to-digger nod, a silent sign of appreciation at the incredibly impractical art of carting around bags and bags of records in this day and age.

Our admiration goes beyond knowing the work involved. Hearing and experiencing Jamie’s talent through Waxflower’s speakers was, for us, a thing of joy. And at the heart of it all is Jamie’s love of music. We were honoured to have him play on the wheels at Wax. Music and Human connection, Enjoy!

Recorded live @Waxflowerbar

Suzi - Stratos Afterhours @ Wake Up - 29.11.2015

Suz Suzi

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