A cut from a liveset rehearsal for the Prop Hunters. Decided once again to turn my live show on it's tits. Obviously it's fairly rough n ready. It's a live cut. Fuck you.

LiveJam002

Continuing to stray away from over production. More fuzz/warmth in this. More grooves/less complications.

Bloated Float Corpse

There. One and  half minutes of new music. Jesus Christ. I am making new music but I hate all of it. So please bare with me.

CorpusCorpsi

Olyff Gritt

POPMUSIC

O Atrophied Saint

Queen Irrelevant

Yesterday I found a bunch of old 80s sounding tracks that might have made an EP. They're mostly from 2012/2013 when I was listening to lots of John Carpenter/Fabio Frizzi/Umberto kind of stuff. The second track is a collaboration with Katie Kim, and I think Katie is too amazing to go unheard. There's also the only recording you'll ever hear of me playing wonky slap bass.

AutoCat - Autocat EP

Cut from an EP I may or may not be working on.

DeadSequence009

Unmastered track I'm working on. still needs a few more edits/extensions to keep it interesting. Thought I'd up it because I've been sitting on an EP for awhile now and you're all just so handsome.

Salt Water

I've been sitting on this track for ages now. This is one of it's many incarnations. Because I've finally gotten around to making a facebook page I thought I'd get it on the net ahead of the EP. Cos yiz are all just mad sound. It still needs a bit of mastering. Take it as a demo say it's bro-fi, I dont know.

The Space Between Feat. Margie Lewis (Weep Into The Sea mix)

I decided I wasn't making things complicated or difficult enough for myself so I started trying to work on a new direction and I think this might be it. Featuring the tender vocal pluckings of Georgia Cusack.

Enter The Nougat Void (prevewe)

"The expressionistic and glitchy music on the EP contains elements of Fennesz’s sound, but Mirolo manages to get up to a lot of different things over the course of twenty five or so minutes. Three tracks in particular stand out. ‘Ear Geography/ Matches in High Wind’ starts off like a Farben track with that unmistakable smooth whirr, but develops beyond the comparison once its live drums kick in, creating the impression of something ghostly acquiring a vital physical presence. " State.ie

"He’s not afraid of noise and adventurously delves straight into corrupting the given structures of melody and rhythm with strange chirrups and washes of jarring sound that, rather than spoiling the beauty of thoughtfully-constructed patterns, emphasise them. Ickis Mirolo seems to have little truck with replicating other people’s sentiments and instead, delivers a noisy, unnerving and very striking alternative instead." - Harmless Noise

"Yet another one to watch on the Irish underground electronic scene. His sound it unique not fitting into to wide fuzzy genres of bass or beat music, he rather opts for a much more intricate and delicate sound that is irresistibly appealing."-Soundblob

"Ickis Mirolo has just released his PACHYDERMY EP to wide acclaim, The EP is mixture of all things in dark ambient wave music, house, dubstep and techno and creates a dark and dreary basement club vibe that really represents a half and half of the label and Ickis’s own imprint “Rand Records”.-FSL

"Judging by what live sets I’ve seen, Ickis Mirolos “Pachydermy” EP is just the tip of an iceberg of material waiting to be released. Comprising of found sounds taken from scratch or made from samples of objects, this is the sound of someone trying to find a meeting point between noise/sound art and basement dubstep. The music is punctuated by various breaks in order to put more emphasis on textures and sounds for the listener"- LittleGreen.ie

Ickis_Mirolo

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