Behind @electromngr 's punny label name is a wish to open the realm of conceptual music and infuse it with comedic tones and a strong visual identity. Influenced by breakbeat, dub, jungle, UK bass and drum & bass, Electroménager will take you on a journey beyond music.

Tune in for Electroménager one 1st Thursday out of two every other month from 20h to 22h [CET] on rinse.fr

Rinse France Podcast

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Electroménager avec Otis b2b Bby Eco & Jacques Torrance - 06 Mai 2021

@diversionprogram traverses the outer sonic realms of industrial environments while rooted in a playful and ever-satisfying rhythmic foundation. Toggling between heavy, trudging bass weight and dramatic granular reimaginations, the mix is a nod to metal, bass and club heads. Phases of textural elegance are peppered among oozing, heavyweight percussion. 

Text by @quasistate
Art by @bruno-lauzon-tanzi

Tracklist:

Omeed Norouzi - Privileged Loner
dybbuk - Station Orchid
ZULI x Baykal - Sot Rammallah Remix
Young Stoner Life Records - Slatty
Yyed - An Instant Folded Over Itself Into a Knot
TALPAH - VACUUM W/ TANCA
Russ x Tion Wayne - Keisha & Becky Remix (Noumeno's Ultimate Reptilian Mutant Trap Spliff)
DivPro - Leaking
Scorn - Distortion
DJ YTP - TFW DAW CRASHES BEFORE SAVING (NAHASH REMIX)
Teya Logos - TO FALL INTO THE PIT
Jori - Trauma
Free The Land - The essential goal of human beings is to transcend, not dominate the biological, with a view toward bringing a new input: consciousness
Modeselektor, Flohio - Social Distancing (J.Manuel & ANNA Z Remix)
Future - Tricks on Me
Eartheater - Fantasy Collision
B E N N - pasvake
Cybotron feat. Dillinja - Light Years
Dean Blunt - ZaZa

DIVPRO - CC MIX 017

V/A - Kikommando
Label: PAN / Hakuna Kulala
Cat.No. PAN 124 / HK029
Format: DL / Book
Release Date: 6 August 2021
Purchase: pan.lnk.to/Kikommando
Video: bit.ly/3i2EgSg

A collective effort from a vital scene in Kampala, KIKOMMANDO takes its name from Ugandan street food of flat bread and beans. As a ‘food of soldiers’ offering maximum energy for minimum funds, the eponymous mixtape, video series and book project is an equally nourishing and ambitious proposition. It all began in the East African summer of 2018, during a two-month residency at the Nyege Nyege label and collective’s villa, in collaboration with their sublabel Hakuna Kulala. Producer and PAN artist Simone Trabucchi (aka STILL) opened the door to his temporary studio in the city and a crucial cross-cultural collaboration was born.

“The intention was to record as much as possible,” Trabucchi says about KIKOMMANDO’s musical showcase of eight Kampala-based artists, coming from the spectrum of musical influences, crossing trap, drill, cut ups, kuduro, electro, smooth jams—the list goes on. In creating a sonic space to support the expression of its featured singers, poets and emcees, the mixtape ties countless styles and flows into a single snapshot of a particular part of the Kampala music scene, at a particular point in time. The invective of rapper and street legend Blaq Bandana’s “Nkwaata” is laid over a spare and brooding ambient. Kampala Unit trumpet player and first-time singer, Florence, rolls a thick melodic texture through the organic clicks, knocks and atmospherics of “Bae Tasanze”. Jahcity’s unique lyricism combines a personal take on traditional music and soulful-reggae with a jerky, wobbly collection of drops and donks.

Meanwhile, Ecko Bazz applies his grimey vocals and rhythmic, introspective words to lead single ‘Ntabala (Rolex Riddim) at a particularly pertinent moment of self-reflection. “I was trying to listen to the voice inside myself and wanted to achieve a higher level of understanding of things, life,” he says about the themes that he felt inspired to explore with Trabucchi at the recording desk. The accompanying video, shot on a rooftop in the Kampala neighborhood of Ggaba, is one of a series of slick and high-definition films complementing each one of the KIKOMMANDO tracks. These also include contributions from Ugandan emcee and key Hakuna Kulala member Biga Yut, don dada of the GabaGaza gang Swordman Kitala (with Omutaba on percussion) and South Sudanese poet and singer Winnie Lado.

Also accompanying a ‘visual mixtape’ of moving images for each song on KIKOMMANDO is a recording diary of sorts, where Trabucchi compiles a vibrant collection of pictures, colours and textures reflecting the its heterogeneous sonic palette into a book. Together this multifaceted, interdisciplinary project showcases, what Lamin Fofana’s liner notes describe as, “amazing originality, complexity”, while “embracing dissonance”.

Trabucchi’s personal take on a kind of ‘digital dancehall’ defined the sound of his ground-breaking rumination on Italy’s colonial history on debut STILL album, I, in 2017. KIKOMMANDO is a different proposition entirely, where he finds new ways to complement the personality and skills of its contributors sprung from a constant stream of visitors arriving at the Nyege Nyege Villa’s makeshift studio. “It was a dialogue,” stresses Trabucchi, who has always preferred collaboration as a means to escape branded and stereotypical identities, while creating something new. “I created the musical platform to make the singers confident, and challenged them at the same time. Working together accelerates ideas and reveals that nothing is your invention alone. That’s why KIKOMMANDO is a mixtape to me, and not an album.”

The mixtape is mastered by Rashad Becker, featuring artwork by NMR. Tracks 1, 2, 3, 4, 7, 9, 11 & 12 mixed by Ville Haimala. Tracks 5, 6 & 8 mixed by Lorenzo Dal Ri.

@hakunakulala

KIKOMMANDO

STILL, Biga Yut - Plupawa (PAN 124 / HK029)

https://hkcr.live/shows/absurd-trax-w-crown-shyness-26-08-2021

Absurd TRAX w/ Crown Shyness - 25/08/2021

Torn and tarnished, dj meddle makes their debut on TT with their record ‘jeu du stop’, providing us with seven unadorned tracks that dive into their core sonic fibre.

On tracks such as ‘skin’ and ‘fever’ dj meddle and his collaborators strip back and obscure references to pop, kuduro and dancehall. Contorting the voice into new forms that work equally as p[ercussive elements and earworms that leave the listener wanting more.

Concurrently in moments on ‘rosa imunda’ and ‘speed is life, speed is death’ meddle takes a confrontational approach. Creating blistering club excursions that spare no time in getting to the heart of the matter (beefy drum workouts) and guaranteeing dancefloor euphoria in the months and years to come.

The final track ‘drafts’ is the score to an abstract comic created by artist Miranda Smart. To mark the release of ‘le jeu du stop’ the comic will be available to purchase via the TT Bandcamp or through Miranda directly

‘le jeu du stop’ is released via TT on September 24th

le jeu du stop

dj meddle - drafts (score)

JEROME Mixfile #805 - ex.sses

https://soundcloud.com/ex_sses
https://www.instagram.com/ex.sses/
https://cherche-encore.bandcamp.com/album/relic
https://www.balamii.com/host/ex-sses

JEROME Mixfile #805 - ex.sses

A07 - Zero - Asio Otus

@trancefem
Hyperlink is a virtual safe space for all the dreamers of the world <3 Releasing music and mixes from emerging producers of the post-club scene, Hyperlink wants to highlight and link people with different backgrounds and different experiences.

Séverine • Hyperlink Takeover

https://soundcloud.com/roniquehossain
@halfmoonbk

HalfMoonBK Radio - Emosh Drill Special with Guest Mix from CinnaRon (Apr 22)

Free Download

W.T.T.P. (8K FREE DOWNLOAD)

@mycruelty comes with an uplifting and emotional EP of acid tinged dance explorations. Forthcoming on @editedarts

More: https://ins-rt.net/audio/my-cruelty-my-promises

My Promises

Article

Premiere: My Cruelty - My Promises

Label and occasional function
Run by @djpitchdj + @maya-garside + @madjestickasual
General inquiries - info.TT.label@gmail.com
Demos - demos.TT.label@gmail.com

Art Direction
@josh-crumpler
www.joshcrumpler.co.uk

dj meddle - drafts (score)

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