Name: eye measure - Why do people vomit? by TT
Duration: 7 min 58 s
Description: 'Why do people vomit?' is an exasperated 2-tracker posing a series of questions to the listener. Made during a scrapism course with Sam Lavigne at the School For Poetic Computation. The music was generated from a python script which gathers search engine suggestions from the phrase ‘why do people’, and spoken by Bas Bleau.

Varg²™ - I.D.N.C.G.2.D

This morning I woke up to terror such as I have never experienced before: I was entirely stripped of feeling. Everything was gone; it was as if I had lost something that had been entrusted to me the previous evening, something I was supposed to take special care of overnight. I was in the position of someone who has been assigned to guard an entire sleeping army, but suddenly finds himself mysteriously blinded, deaf, and effaced. Everything was gone. I was completely empty, without pain, without longing, without love, without warmth and friendship, without anger, without hate. Nothing, nothing was there anymore, and I was left like a suit of armor with no knight inside
I did not see God today
Of course there is a lot of misery, but it is the same misery that's all around us. The trees here are in misery. The birds are in misery. I don’t think they sing, they just screech in pain. Nature here is violent. I would see fornication, and asphyxiation, and choking. And fighting for survival, and growing, and just rotting away
I did not see God today

Music: Varg²™
Words: Anonymous
Design & Laser: William Francis Green
Label: Toothgrinder Press 2022

Varg²™ - 'I Did Not C God 2 Day'

@tatiaumiel @nudotxmx

Tati au Miel introduces their latest birthing 'Carousel'. This EP showcases a fusion of electronic and experimental melodies, featuring collaborations with Cecilia, Embaci, and the group Nudo. The auditory experience is complemented by a collection of sculptures crafted by the visual artist Lacra. The essence of 'Carousel' draws its inspiration from Tati au Miel's lived experiences and personal reflections, delving into concepts such as nomadism, migration, nostalgia, and the Haitian spiralism movement. These themes found expression during Tati's artist residency at Echo Correspondence, where the seeds of 'The Tale of The Vagabond': a fictive inter-disciplinary narrative revolving around a hybrid human-bird character known as 'The Vagabond'. The sounds initially created for this narrative have now evolved into 'Carousel', a 5-track EP that captures the playful yet eerie essence of its origins.

Follow @tatiaumiel
www.instagram.com/tatiaumiel/
twitter.com/tatiaumiel

Tati au Miel & nudo - Carousel

Jiyoung Wi is a multi-faceted artist from Seoul, Korea currently residing in The Hague, Netherlands. Jiyoung’s work can be situated within fictional literature, improvised music, field recording, with an interest in juxtaposing or disjointing these fields of practice through her sonic and literary methodologies. Jiyoung’s debut album 𝑨𝒄𝒄𝒆𝒑𝒕 𝑨𝒍𝒍 𝑪𝒐𝒐𝒌𝒊𝒆𝒔, is a concise body of work that punctuates a beginning point to her work within the 12” LP format. The recording serves as one of the two releases concluding the three year sonic endeavor that is the ENXPL (Enmossed X Psychic Liberation) series.

Having previously released recordings on compilations for labels like Mirae Arts, Eastern Nurseries, and Psychic Liberation, here Jiyoung hones a cinematic-like structure that exemplifies the biome within her craft. While presently Jiyoung is performing the systematic dismantling of a violin in her live improvisations paired with approachable boutique synthesizers, 𝑨𝒄𝒄𝒆𝒑𝒕 𝑨𝒍𝒍 𝑪𝒐𝒐𝒌𝒊𝒆𝒔 is a pairing of the inimitable Korg MS-20 and field recordings staged or captured by Jiyoung in Seoul and Busan, South Korea.

With three scenes per side, Jiyoung walks us through different geographical and spatial intimacies. Public spaces and intimate conversations are obscured and reconstructed. Glass elevators, an unknown hotel lobby piano recital, office toilet rants, windowside night bus travels, and multiple languages interplay with staged and unstaged conversations to transmogrify themselves into a world of Jiyoung’s view. Money, sex, relationships, and cultural parameters are at once idiosyncratic as well as disorientingly familiar to the listener.

As an extension of the series coined by Jiyoung as 𝘚𝘰𝘶𝘯𝘥 𝘍𝘪𝘤𝘵𝘪𝘰𝘯, the album feels crisp, pressurized, and at times funny, at other times melancholic. As language, space, and viewing perspective shift, Jiyoung’s succinct album invites the listener to an aural world uniquely of her own viewpoint. While collecting source material relying on the outside world (conversations, elders, the closing track featuring Sungeun Lee), we have a listening experience that deeply illustrates Jiyoung’s perspective. The disjointed experience of someone maneuvering internationally to further develop a practice is encapsulated brilliantly here by Jiyoung with 𝑨𝒄𝒄𝒆𝒑𝒕 𝑨𝒍𝒍 𝑪𝒐𝒐𝒌𝒊𝒆𝒔. Alongside Makoto Oshiro’s 𝑺𝒕𝒂𝒄𝒌𝒆𝒅, it is a perfect bookend to the ENXPL series.

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Jiyoung Wi is a writer and musician based in Seoul and The Hague. She writes fiction in-between institutional and non-institutional contexts, and works with sounds in-between clubs and art museums. Her methodology involves building and breaking sonic narratives by arranging and re-contextualizing disparate sound sources ranging from field recordings to fragmented anonymous dialogue.

She approaches sound and text as invisible experiences and phenomena, and is interested in the narrative symptoms that emerge when both are juxtaposed on the same axis. In a series entitled 𝘚𝘰𝘶𝘯𝘥 𝘍𝘪𝘤𝘵𝘪𝘰𝘯, she explores these symptoms operating within and without the art space. She has been co-organizing an experimental/leftfield listening event 𝘚𝘰𝘳𝘳𝘰𝘸 𝘊𝘭𝘶𝘣 𝘚𝘦𝘰𝘶𝘭 since 2019. 

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Voices by Windy Kim, Carl G., Schang09
Piano by Sungeun Lee
Audio finalized by Glyn Maier
Design by Dominique S

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Jiyoung Wi - Walking Tumor (ENXPL22)

No Escape Except Peace w/ Iris Ipsum & Treglia

'Why do people vomit?' is an exasperated 2-tracker posing a series of questions to the listener. Made during a scrapism course with Sam Lavigne at the School For Poetic Computation. The music was generated from a python script which gathers search engine suggestions from the phrase ‘why do people’, and spoken by Bas Bleau.

Why Do People Vomit

eye measure - Why do people vomit?

While this week’s label mix technically comes from Marseille, France, it’s truly the product of the internet. @hyperlinkfr founder Fanny Cahu is an active participant in her corner of internet music, searching for under-the-radar artists to amplify their art through the platform she single-handedly built. 			

“While there's no rigid sound, I aim for coherence within a particular niche, representing what I love most—ranging from ambient to pop to grime, with a strong emphasis on sound design,” she told Nina.

Her label mix is a testament to the label’s diverse, yet aesthetically focused and refined output. She effortlessly steers through catalog highlights, ranging from eerie ambient tracks to post-apocalyptic drum-and-bass to experimental pop. 

Collect the mix for free on Nina: https://www.ninaprotocol.com/releases/hyperlink-nina-label-mix-021

Hyperlink - Nina Label Mix 021

lower your eyelid: pitch hiker w/ ssaliva & geo - 29/03/2024

first time recording my own voice, including the chorals :)
 
poem: Darkness by Lord Byron

not at all a dream

honoured to announce 'yearn' the debut ep from Kulowo Wawega, digital available on bandcamp

https://ssair.bandcamp.com/album/yearn

–

Kulowo Wawega has hidden experiments in sound across the internet since 2009. Tucked away across platforms and under a handful of aliases (the tares, no debts, esuna), Wawega’s music glimmers like an aluminum candy wrapper pressed into the pavement–worn in by passersby, but treasured by whoever finally stops to scratch at it, squinting as the sun glares off its edges. Yearn–the first EP under the name Kulowo Wawega–finds grace in the daily struggles, sacrifices and surrenders of the human experience.

yearn collects sounds from 2017 to 2023, spanning Wawega’s wide influences in worship music, minimal dubstep, drone, slow core, and RnB, and finds parallels in the revisited rhythms of the work and field songs of enslaved people. While yearn is particular to its maker in style–each delicate loop, spattered piano key, and granular shift in texture, is a marker of Wawega’s practiced ear–yearn longs for something unspecific and unresolved. The struggle towards desire becomes its resolution and the cycle repeats.

“I’m not in a rush. I’m not in a hurry. I’m there to be with whatever people are experiencing, and to watch the newness come forth after going through the mundane, the menial, and the suffering.

Words by Alphonse F.

Kulowo Wawega - poor in spirit

𝙨𝙪𝙧𝙥𝙧𝙞𝙯𝙚𝙚 𝙣𝙖𝙨 𝙖𝙣𝙙 𝙡𝙪𝙠𝙖𝙨 𝙩𝙚𝙖𝙢𝙚𝙙𝙙𝙙 𝙪𝙥𝙥𝙥𝙭𝙭𝙭𝙭!! 2𝙢𝙖𝙠𝙚 𝙖 𝙡𝙞𝙡 𝙨𝙚𝙭𝙮 𝙩𝙧𝙖𝙘𝙠 2 𝙛𝙚𝙚𝙙 𝙪𝙧 𝙗𝙤𝙙𝙮 𝙣 𝙨𝙤𝙪𝙡𝙨 <3 #𝙩𝙬𝙤 𝙘𝙪𝙩𝙨 4 𝙪 𝙖𝙣𝙙 𝙙𝙖 𝙘𝙡𝙪𝙗 ..𝙜𝙚𝙩 𝙨𝙚𝙭𝙮𝙮𝙮 𝙬𝙞𝙩𝙝 𝙞𝙩𝙩𝙩

windowseeker x NAS TEA - Biyah Injah (Club Mix)

BEAT A BODY BOOST'D BY v1984 [2014]

Label and occasional function
Run by @djpitchdj + @maya-garside + @madjestickasual
General inquiries - info.TT.label@gmail.com
Demos - demos.TT.label@gmail.com

Art Direction
@josh-crumpler
www.joshcrumpler.co.uk

eye measure - Why do people vomit?

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