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archive-series

1/24

Fluxion, Area, ARC#, Terence Dixon& Michael Zucker,  Eduardo de la Calle, Traumer, Population One, The Leap,  Eduardo de la Calle, UBX127, Fabio Monesi, Man Power

2/24

Vinyl by: Kompakt, Playhouse, Perlon, Klang, Sender

3/24

Kate Simko & Andres Bucci-Kerri Chandler-RickWade & B.Dancer-Dj Duke-DJ Moreese-          B From E-3 A.M.-The Hollywood Impact-Jungle Wonz-Chez Damir-Kasper-Mood II Swing-Ralph Rosario

4/24

Snow Bone, Albert van Abbe, Vohkinne, Arnaud le Texier, Maan, MRS, Shifted,
Roberto, Norman Nodge, Dj T-1000, Assailants, Steve Parker, Patryk, 
Antonio De Angelis, Phillipe Petit, Johannes Volk

5/24

Terrence Parker-Come with me 1992, Soulsearcher-Can´t get Enough 1998, Jamiroquai-Space cowboy David morales rmx 1997, Hardrive 2000-Work this like this 1999, Kings of Tommorow-Finally 2000, Joe Smooth-Promise Land 1987, Tony di Bart- Turn your Love around 1995, Frank Roger-Love is Always 2012, Diamon&Pearls-Rockin your World 2024, Crystal Waters Party People 2020, Hawke-nudes having sax on acid 1993

8/24

FOWRU 005 | Eerste Communie invites Stephanie Sykes

And here we go again,

welcome to a new month and a new ESOA podcast.
And no less musical quality.
My guest today writes that in his youth he rummaged through his father's jazz and bossa nova record collection or drew inspiration from his mother, who came with Harry Belafonte. As he got older, however, he became more interested in funk, hip-hop and punk'n'roll, so his love of music covers a pretty wide range.
And then came Homework, which marked a turning point towards house and techno. Fun fact: Homework was also the first record I ever bought.
He started producing himself and eventually got into DJing. His love of music is still unbroken today, and his sets currently contain a touch of jazz and a lot of house music.
For us, he has prepared a beautiful technoid set somewhere between Detroit and Berlin.
Friends, here is ESOA Podcast 86 by Cancelore.
Once again, enjoy listening, liking and sharing.

Have a great time.

Cheers

Intro Track: Surgeon - Fall

More Infos about A dreams A:
www.soundcloud.com/cancelore
www.cancelore.bandcamp.com
https://www.instagram.com/cancelore/
https://www.facebook.com/cancelore/

Listen to all ESOA Podcast Shows:
www.esoa-podcast.com
www.facebook.com/esoapodcast
www.instagram.com/esoa.podcast


ESOA Podcast 086 Cancelore

Andrew Weatherall's first official posthumous mix. The only b2b DJ Harvey ever agreed to. Six hours at Trouw. This one's special.

When mulling which direction to go in for RA's 1000th mix celebrations, many options came to mind. Some shadowy character 2-stepping around the fringe of our collective consciousness? An impossible-level IDM icon?

All tempting. But, ultimately, we are a DJ-forward publication and this is a DJ mix series. It felt truer to the history of the RA Podcast to release deep vault material from a time when the world of niche records felt different, tighter, more discrete.

The fourth-longest mix in the series' history is an unrepeatable marathon set recorded in 2012 at a superclub that no longer exists. 2012, incidentally, is farther away from 2025 than 2012 was from 2000... if we have to clock it, so do you.

It's the coming together of one British icon who passed away in 2020, and another whose time on the road has scaled back considerably as of late. DJ Harvey agreed to exactly one b2b set in his life: this one, with Andrew Weatherall.

The night took place at Trouw, an Amsterdam club already considered legendary before it shuttered its doors in the opening hours of 2015, as part of an RA series anchored around start-to-close combinations. Harvey was at the peak of an irresistible career second act, which dovetailed with a disco revival that dominated clubs for years. Weatherall, with infinite brownie points stockpiled from the '90s, remained everyone's favourite debonair psychonaut. 

What follows is 385 scintillating minutes of arpeggiated chug and slow-cresting climaxes: a moment when the resting heart rate of dance floors plunged lower than any comparable point in the 21st century. A masterclass, entirely self-contained in audio form.

If you've got time to spare, a fun side game is sussing out who plays what. A disco-dub cover of Echo & the Bunnymen? Smart money's on Weatherall. Exuberant EQ'ing of The Isley Brothers? Gotta be Harvey. As for the low 'n slow, lightly spangled house that was all the rage in the early 2010s (think Maxxi Soundsystem, Disco Bloodbath, Rub & Tug, C.O.M.B.I. and Full Pupp), it's anyone's guess. 127 BPM feels practically like an F1 car.

When we kicked off our RA.1000 campaign, we outlined a few goals: tick off a handful of long-awaited dream guests, honour architects who shaped the world around us and deliver recordings you truly can't hear anywhere else. Full send.

DJing and the mythmaking around it has undergone a quantum leap since 2012, let alone 2006, 1996 or 1989. For those of us who were kicking around in the former, there's a creeping melancholy that our prime is fast becoming a matter of historical record. The killing moon really did come too soon. 

Where will electronic music, DJ sets or any of this be in 2044? Hard to say. Best not to overthink that one. Instead, we want to say thanks to all contributors on the series so far. Now enjoy luxuriating in the company of two of the greatest to ever do it, together, for the first and last time.⁠ – Gabriel Szatan (Editor, RA)

@andrew-weatherall

Read the interview with DJ Harvey and Andrew Weatherall's family at https://ra.co/podcast/1016. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at https://1000.ra.co

RA.1000 DJ Harvey & Andrew Weatherall

For the penultimate RA.1000, we take it back to the source with unreleased tapes from the private collection of Frankie Knuckles, the Godfather of House.

This is Pt.II, from 1996. The mix is provided courtesy of the Frankie Knuckles Foundation.

For RA.1000 Frankie Knuckles in full and all information on this unearthed audio, head to https://ra.co/podcast/1018 or 1000.ra.co

RA.1000 Frankie Knuckles Pt.II (1996)

For RA.1000, we take it back to the source with two never-before-heard tapes from Frankie Knuckles's private collection

There is no house music without Frankie Knuckles, literally or figuratively. The queer icon's luxurious DJ sets at Chicago's Warehouse gave a rising movement its name. From there, countless offshoots splintered and travelled the globe. But what did the genesis and growth of the sound really feel like?

The Godfather of House left behind not only timeless records, but personalised cassettes with hand-drawn liner notes handed out to friends and family. Two of those, dated to 1989 and 1996, have been digitised especially for RA.1000. (Thank you to the Frankie Knuckles Foundation.)

To put that in context: the first tape predates not only many of today's active clubbers, but the entire existence of jungle, drum & bass, UK garage, French touch, Jersey club, Afrobeats, IDM, baile funk, hardcore, footwork, dubstep, dub techno, tech house, breaks, minimal, maximal, gqom, gabber, grime and hyperpop.

In short… that's a very, very long time ago. The world of dance music was much smaller. DJ culture was functionally unrecognisable from the one we see in 2025. 

And yet, to some degree, what you'll hear on RA.1000 hasn't changed at all. It's a capture of not only what made Frankie Knuckles one of the beloved pioneers of first-generation dance music, but what draws people to club culture in the first place.

The mood on these Frankie Knuckles sets outlasts even its creator: a spirit of optimism that floods the world's best dance floors and keeps dance music pulsing on into the future, nearly 40 years later, in spite of it all. We end our 1000th mix celebrations here because it all starts there.

Find the tracklist at ra.co/podcast/1018. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at https://1000.ra.co

RA.1000 Frankie Knuckles

Softcore is a Brooklyn-based club night that showcases local femme-talent, focusing on high NRG, acid, Italo and techno

https://www.instagram.com/softcore_brklyn https://www.instagram.com/gabbycocco_ 
https://www.instagram.com/chloebattelle 

https://www.soundcloud.com/gabbycocco



Lauren Flax invites gabby cocco and Chloe Battelle @ The Lot Radio 08-14-2025

Multisexual Mix #29 Nat Wendell

A Sagittariun - 26 August 2025

A modular exploration from Erik Jabari, captured live at New Faces, June 11, 2025.

Follow Erik Jabari
Instagram: https://www.instagram.com/erik_jabari/ 
Resident Advisor: https://ra.co/dj/erikjabari
Soundcloud: @user-406461266

Photo credit: Marie Staggat: www.marie-staggat.com/
-----
About Tresor Berlin
At midnight, on March 13th 1991, a basement door opened at Leipziger Strasse 126, Berlin. Through this door, many passed, on their way to defining new terrains in electronic music. There they found a dance floor in the vaults of a closed-down department store, with a unique sound bound to dense fog, building night after night a history that was also a vision of the future.

This history has seen in Jeff Mills’ first sets on three turntables, Underground Resistance's first live appearances in Europe, grandiose Tresor Park parties, to various chapters of the Loveparade with Sven Väth in the 90s and since then countless generation-spanning parties. These moments represent the highlights of infinite personal clubbing experiences. It is the manifestation of the Berlin spirit, emerging from its considerable strife. This history is not without its complications - from temporary closure by the authorities and several raids in the early years to closure and demolition of the old location in 2005. What followed was years of wandering in exile and, finally, resurrection in the new home in Kraftwerk Berlin.

These stories, conversations and shared experiences within our walls forge a resilience that drives towards a shared ideal, the Tresor sound: community, resistance, and the world to come. This was observed in the newly re-unified German youth, who danced and celebrated together from the club’s inception, and into the present day through ongoing community work in Detroit.

To those that have danced before, and to those that will dance in the future: the light at the end of the long Tresor tunnel is a signal. A flicker amidst the fog. This is our future. This is our place.

Erik Jabari (Live Modular Set) | Live at Tresor - 11.05.25

Mix Theory is our newest mix series where we showcase Kaoz Theory family & friends and their music.

Episode 002: Ceri

Follow Ceri
@ceri
Instagram: www.instagram.com/cerimusic/
TikTok: www.tiktok.com/@cerimusic

Follow Kaoz Theory:
@kaoztheory
Instagram: www.instagram.com/kaoztheorymusic/
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Follow Kerri Chandler:
@kerri-chandler
Instagram: www.instagram.com/kerrichandler/
TikTok: www.tiktok.com/@kerrichandlerofficial
Facebook: www.facebook.com/KerriChandlerOfficial

MIX THEORY 002 - Ceri

authentic music with a big heart, #vinylonly

8/24

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