Very good sounds and a great lead in the intro. Your kick and your bass have so much energy in the inaudible sub area that they kind of choke the rest of the frequencies in your final limiter. This makes your track sound a little weaker than it could have sounded.

This track has a lot of interesting ideas but it sounds like many different tracks in one.

Great work in the electric guitar! That drop works wonders along the beat.

All in all a very interesting track lots of turns and moods. Nicely done.

This is a masterpiece sir! oozes quality for 7 mins. it should get to No1. if it doesn't - let me know and I'll get things straight.

I love multi-part songs. so this is right up my street. this really excites me.

very good track! only complaint is the kick gets a little distorted at times and sorta messes up the low end smoothness

Your music is a trip to another dimension. It sounds like a decent soundtrack draft for an indie game.

OSC 192 Six Sines
Reaper 6.83
39ish instances
ReaLimit, ReEQ, A1Triggergate, A1StereoControl, Distortion (kiloheartz) and JS:Saturation (these two only for the thunder rumble), Raum, Supermassive Valhalla, ReaVerb, TDR Kotelnikov, OTT, Replika, Loudmax.

Thanks to Exponent for the snare. 

LUFS-I=-11.1

OSC192 The Day It Rained (Six Sines) 14/28

(English description: please scroll down)
Björn aka @Full-Bucket hat es wieder getan: ein neuer Sythesizer. Dieses mal eine Weiterentwicklung des Ragnarok zu Ragnarok2. Ragnarok 2 ist an vielen Stellen "aufgepppt" worden und ist immer noch so interessant wie der "alte" Ragnarok:

- simuliert einen einmaligen, selbst gebauten Synthesizer aus dem Jahr 1980,
- die Bedienung ist einfach, schnell sind interessante Klänge gemacht,
- soundmässig ist der Synth grossartig, von einfachen bis auch zu (sehr) dreckig klingenden sounds,
- der CPU-Hunger ist gering.

Nach langer Zeit habe ich mir diesen Monat mal wieder etwas Zeit genommen um mit dem Synthesizer ein Stück für den KVR One Synth Challenge zu erstellen (ja, genau: nur dieser Synthesizer ist für alle Klänge erlaubt)
10 Jahre sind seit dem letzten Track mit dem Ragnarok vergangen der ich der ESA-Misson Rosetta, insbesondere Philae, gewidmet habe (Rotation 23, verdammt lang her).

Also fragte ich mich: was hat der kleine Lander auf dem Kometen erlebt, im Vorbeiflug um die Sonne und wieder zurück in das All. Was alleine schon total verrückt ist ... und so entstand der der Kometentanz mit Philae :)

Alle in diesem Stück verwendeten Klänge sind von mir von Grund auf erstellt worden oder "Tweaks" der Klänge von der Rotation 23.

Viel Spass beim reinhören und Kommentare: wie immer, herzlich willkommen:)

Artwork: von mir (2025 Kraftraum :)
-------------------------------------------------------------------------------------------
Björn aka @Full-Bucket has done it again: a new synthesizer. This time, a further development of Ragnarok into Ragnarok2. Ragnarok 2 has been "upgraded" in many ways and is still as interesting as the "old" Ragnarok:

- simulates a unique, self-built synthesizer from 1980,
- easy to use, interesting sounds are created quickly,
- the synth's sound is great, from simple to (very) dirty sounds,
- it's low on CPU power.

After a long time, I finally took some time this month to create a track with the synthesizer for the KVR One Synth Challenge (yes, that's right: only this synthesizer is allowed for all sounds).
10 years have passed since the last track with the Ragnarok that i dedicated to the ESA Rosetta mission, specifically Philae (Rotation 23, a long time ago).

So I asked myself: what did the little lander experience on the comet, flying past the sun and back into space? Which is totally crazy in itself... and that's how the "Kometentanz mit Philae" (comet dance with Philae) came about :)

All the sounds used in this track were created by me from scratch or are tweaks of the sounds from Rotation 23.

Enjoy listening, and comments: as always, welcome :)

Artwork: by me (2025 Kraftraum :)

Rotation 36 (Kometentanz mit Philae)

Kraftraum - Rotation 36 (Kometentanz mit Philae)

The gremlins in Negoba's studio decided to steal snippets of his previous OSC's to create a monster destined to confound and disgust all listeners. Unbeknownst to them, their creation (Jenkins) instead prefers cuddles and long walks on the beach.

All sounds created using Odin2 Softsynth by Wave Warden for KVR OSC #197.

Mix of stock presets, tweaked presets, and init. Shout back a bit to a previous track where I used Odin on an open round. I think I’ve learned a little since then.

Jenkins Knows He Ain't Pretty - OSC 197 Odin2

An entry for OSC#197 : Odin 2 
https://thewavewarden.com/pages/odin-2

All sounds created practically in Odin 2, with no CGI...

"An ash I know there stands,
Yggdrasill is its name,
a tall tree, showered
with shining loam.
From there come the dews
that drop in the valleys.
It stands forever green over
Urðr's well."
 ~ Völuspá (second stanza)
.
.
Bitwig 5.3
Odin 2 - 18 Instances

Bitwig Native Plugins
Arpeggiator, Compressor, Delay+, Dynamics, 
EQ+, Limiter, Note Length, Note Transpose,
Strum, Tilt, Tool

Free 3rd Party Mixing Plugins
Deelay, Free Clip 2, Limter No6, OTT
Kotelnikov, Nova, TENSjr, FreqEcho

Free 3rd Party Monitoring Plugins
dpMeter5, Prism
.
.
"Nobody ever lends money to a man with a sense of humour"
 ~ Peter Tork

Copyright : NeverBeenInARiot, 2025 : All Rights Reserved.

Yggdrasil Dub

Created for the One Synth Challenge #197 with 32 Instances of Odin 2 by The Wavewarden in FL Studio 2024. Every sound is made from scratch with Odin 2

--- CHANGELOG 31.07.2025 - 21:59 ---
Changed a transition at 3:43
Changed weird repetition in the outro section, it felt a bit off
Played with the mix / mastering a bit, i'm still not completely happy with it but it's a bit better now
Fixed incorrectly placed space in the track-title inside the thumbnail

Link One Synth Challenge: https://sites.google.com/site/kvrosc/2025/osc-197-odin-2
Link to current VST: https://thewavewarden.com/pages/odin-2

„Nichts Halbes und Nichts Ganzes“ is a german saying for something that is „half baked“ [Translation: „Nothing half, nothing complete“].

Technical Details:
Every sound is made from scratch (init Preset).

DAW: FL Studio 2024
Instances: 32
BPM: 179 and 159
Total Bars: 197

FX:
Fruity Limiter	 [3]
Fruity Maximus [1]
Youlean Loudness Meter2 [1]
Fruiyt Compressor	[2]
Fruity Parametric EQ2 [2]
Fruity Reeverb 2 [2]
Channel EQ [3]

Nichts Halbes und Nichts Ganzes (OSC #197 - Odin2)

My entry for OSC#197

"There's almost something spiritual about two proud gnomes on unicycles - accelerating to battle speed, each holding aloft a large frozen herring."

Borderline self-parody, I see this as the last hurrah on a string of increasingly silly songs.

20 instances of Odin

DAW: Reaper
No external Reverbs
Dead Duck: Filter, Autopan
JS Channel Time Delay
Khs Gain
ReaEQ ReaXComp
Limiter No6
SPAN & Youlead Loudness Meter

Unicycle Jousting

Made for KVR One-Synth-Challenge 197
https://sites.google.com/site/kvrosc/2025/osc-197-odin-2

bzz - Living High

blazin [197]

OSC 197 OnTrackP Mushrooms 1

For this OSC Any Synth Challenge, I chose the PS-3300, a beautiful software emulation of a late 1970s analogue polyphonic synthesizer from KORG. Cherry Audio developed this soft synth. Every sound you hear was created using the PS-3300. I tried to create an overall sound that matches the capabilities of a studio production in 1978. This is in honour of this beautiful synthesizer and its creators.

29 instances of PS-3300 by Cherry Audio 
Reverbs: Body &Soul by TSOM, VertiVerb by Audiority and VitaliumVerb
Delays: Deelay by Sixth Sample and Dual Delay X by UVI
EQ: Claro by Sonnox and Graphic EQ by Viator
Compression: FET-76 by Arturia
Enhancer: Type B by Audiothing
Mastering: Smart:Limiter and Smart:EQ4 by Sonible

Please note: I haven't used any distortion or saturation plugin to create the guitar tone. It's all been synthesized in PS-3300

After the Rain (OSC#198-Cherry Audio PS-3300)

Entry for KVR One Synth Challenge #198 using Massive X by Native Instruments

DAW: Reaper

Plug-Ins Used:
35x Massive-X (Native Instruments)
11x ReaEQ (Cockos)
5x ReaComp (Cockos)
4x Raum (Native Instruments)
2x SPL BiG (Plugin Alliance)
2x bx_glue (Plugin Alliance)
1x Transient Master (Native Instruments)
1x SPL Vitalizer MK3-T (Plugin Alliance)
1x bx_console AMEK 200 (Plugin Alliance)
1x bx_masterdesk Pro (Plugin Alliance)
1x MAnalyzer (MeldaProduction)

Machinations [OSC #198 Any Synth - Massive X]

Tobias Miller

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