I like the change of the sound for the 2nd verse!

dope track. 👍👍 . keep it up man! I'd greatly appreciate it if you could give my new tracks a listen  too.

created as part of jamuary 23 which is a challenge to create 1 piece of music per day in Jamuary

Coffee Break

‘Let Yourself Cry’ is a heartbeat to hold close to yours when you feel alone and desperate. It’s a song for everyone who’s experienced grief, pain, suffering. It’s words offered in solidarity and comfort.

Let Yourself Cry

L'inverno del nostro sconforto

Multi-layer improvised song on Korg Radias keyboard with some quality portamento.

Octal 73

ticket to the subconscious

Disquiet Junto  Project 0644: Event Horizon 
The Assignment: Record music for a party of your choosing.

My subconscious celebrates a party, I am not invited to. 

Composition: patterns, textures and small melodic captures assemble around a dancing theme.
Gear: Fiel recordings, Bruel&Kjaer lock-in-filter and noise generator, Roland D-50 (theme), SLATE + ASH cycles, Lea Bertucci Acoustic Shadows

Enjoy!

More on the 644th weekly Disquiet Junto project, Event Horizon — The Assignment: Record music for a party of your choosing — at https://disquiet.com/0644/

ticket to the subconscious (disquiet0644)

Magnetic Fields 4 (Cover)

Sternengeflüster

Dr.Baker (Ddha Qabra Remix) - The Beta Band

Prepare to be captivated by a mind-blowing fusion of Brazilian Phonk and EDM! 💥 "By My Side" 

© 2024 Robinson Wilde all rights reserved


#SCFIRST

#brazilphonk 

#phonk

#newmusic 



Shades

By my side

By My Side

A city is often a cacophonous space. Of course, cacophony comes in many forms. The roar of the ocean can feel cacophonous, as can the intensity of surrounding bug life in the wild. The cacophony of the city is unique from those other forms because the noise comes not from manifest dense uniformity but from myriad distinct, often unidentifiable sources acting as if at once. All this was running through my mind as I stood on a corner in San Francisco listening as hotel workers were engaged in a lively strike halfway down the block. The noise of their activity joined with that of passing foot and automobile traffic to create something that was at once noisier than a normal Thursday afternoon, and yet also that perpetuated the city’s ability to absorb all sounds into one sound. No matter the sounds, it was the sound of the city.

(The image is a reworking of a public domain photo via Wikipedia of a 1956 strike.)

A Subsumed Cacophony

Credits:
Vocals, Lyrics, & Music by London Lawhon (@ondonawhonusic)
Music & Original Production by Warren Huart (@warrenhuart)
Remix Production by Tobi (@tobisonics)
Mixed by Chris Sweet (@confectionarysound)
Mastered by Tobi (@masteredbyTobi)

A blast from the past!  My unofficial remix of London Lawhon's astonishing song of heartbreak and moving on, 'Locked Up'.  The official release was produced by Warren Huart and you can hear it here:

https://soundcloud.com/spitfiremusicgroup/london-locked-up

I re-visited my remix of 2 years ago and re-did the production from the ground up.  Enlisted my good friend and stellar mix engineer Chris Sweet to give that 'radio-ready mix' and I mastered.

Remix Production Break Down:
The production came all too easily (which never usually happens to me).  Playing around with chords, I stumbled upon a change of chord pattern.  London's voice is so incredible it sounded translated fantastically well to the new chords.  With the basic chords played out on Steinberg's Neo-Soul, I dropped the pulsating, sub and bassline in (added additional weight and sub with Waves Submarine).  Then the awesomely grungy/lofi 2bit Choir (EastWest) was added in the choruses.

With those elements in the place, the track already moved and felt like it was alive and driving.  The drums, strings, and tambourine are taken from Warren Huart's original production.  I trashed the drum samples up some and added some weight to the kick.  Introduced variations with reverb automation.

Next, I added additional percussive elements and 'ear candy' through the verses and choruses.  In the re-visited production, I added extra synthpop elements in the 2nd verse and choruses.  I also added extra brass hits in the choruses.  Every element was re-processed with attention paid to tone + timbre.  I also worked to increase depth and contrast with the instrumentation itself and in terms of the arrangement as a whole,

Handing the mix off to Chris was a no-brainer.  His 'radio-ready' mixing puts him right up there with some of the very top mix engineers and the remix needed to really 'pop'.  His first pass was a touch too much on the side of synth-pop; but like the professional he is, he had a re-listen to the reference tracks and came back with a mix that got us 90% of the way there.  

The advantage of working with a top mix engineer is you know when a production element is falling short,  I rejigged some of the production elements and Chris took the mix the rest of the way there.

Mastering comes with two kinds of pressure - typically, the pressure is to make up for the shortcomings of the production/mix without compromising the final master.  In this case, there was nothing to 'make-up' and, instead, I could simply get on with the job of mastering.  This is the second type of pressure.  Don't mess it up.

I worked to lift the track to a competitive loudness without being aggressive and while ensuring I preserved the dynamics and the hard work that Chris had put into the mix and I had put into the production.  Balanced used of Ozone 7 Dynamics model, DMG Limitless, and Fabfilter Pro L2 resulted in a loud, dynamic track rich in detail and contrasts in tone with a heavy, full sub and low end.  Additional EQ, parallel compressions and saturation enhanced the details, depth, and width.  

I processed the master at 64 Floating Point/192 kHz with additional oversampling to produce a clean harmonic response and reduce aliasing.  PSP X-Dither gave it that extra polish.  And I used the Nugen Mastercheck and Sonnox Pro-Codec to maximize the quality and loudness of the track across the various formats.

I lot of hard work and passion went into creating the various elements that make up this remix.  I hope you enjoy it as much as I am proud of it.    

Useful Links:
Have a go at mixing/remixing 'Locked Up' by joining the Produce Like a Pro Academy.  www.producelikeapro.com

London Lawhon Locked Up (Unofficial Tobisonic Remix)

Powerfully uncool electronic pop grooves for sarcastic introverts.
Working the Recovery Chronic Depression/Anxiety
Trekkie 🖖

London Lawhon Locked Up (Unofficial Tobisonic Remix)

Tobisonics

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