I really like this version. It really does remind me of something out of Yume Nikki or Yume 2kki

THANK YOU FOR POSTING THIS!!!!! I'VE BEEN LOOKING FOR SO LONG OH MY TORTELLINI

Chat why is So Sorry in the backrooms with Gaster of all people

man_2

kris_piano_lancer_waltz

lancer_annoying

The DELTARUNE, huh?
these songs stuck out to me from the new chapters, and i thought they would be perfect for the instruments of Cave Story. i downloaded PxTone to try to make it hardware accurate, but in a flying 5 seconds realized i immediately had no clue what i was doing, so went back to my comfort zone of fl.

this is my longest cover as of now because it combines 2 songs that are already so damn long. i hope it doesn't sound repetitive, but hey toby made it and not me so blame him instead

OBVIOUS SONG SPOILERS IF YOU HAVENT PLAYED THE CHAPTERS YET!! What the hell are you doing on soundcloud if you havent played the chapters yet

Song by Toby Fox
Deltarune by Toby Fox
Cover by me
Cave Story by Daisuke "Pixel" Amaya

The Second Sanctuary + The Third Sanctuary (Organya22khz8bit Cover)

* The air crackles with freedom... and electricity.

This track is based from the popular concept of... "What if Ramb was the superboss of Chapter 3?"
The track itself takes inspiration from Pepper Steak from OFF!

Art by https://x.com/Brehehehe1
Commissioned by Mike

PLUG AND PRAY

SWORD romberfied - Deltarune Chapter 3

* You are filled with the power of learning not to snap on beat 1 and 3.

hello party people. i wanted to make a version of this song with me singing vocoded to the main instrument to have singing while also hiding how bad my singing is, but instead i eventually settled on transforming it into a more jazzier tune due to the swinginess of it. its dying for weird chord reharmonizations and extra transitional chords inbetween. i guess since the shadowguys sound like saxophones you could count them as singing it? the lyrics are lost, though...

DELTARUNE and song by Toby Fox
Cover by me

Raise Up Your Bat (Darkners Live Cover)

my cover of nightmare knight 

the holy is here too

NIGHTMARE KNIGHT romberfied

last friend

With his seventh full-length release, Unterland, Austrian composer and sound artist Kobermann (Johannes Piller) presents a meditative counterpoint to a culture spinning ever faster — one where the next reel, the next drop, and the next dopamine hit scream for attention. Unterland withdraws from this dynamic, offering instead a deep, slow-burning exploration of repetition, space, and sonic ritual.

Created primarily using modular synthesizers, field recordings, and minimal post-processing, the album moves between ambient, dub, and avant-garde minimalism, drawing influence from early New Age cassettes, contemporary drone practices, and tape-saturated club ghosts. But more than genre, Unterland is a terrain — an imagined topography where each track marks a physical and emotional waypoint.

The 60-minute journey begins with Waves, where blurred field recordings and gently detuned drones wash over the listener like fog over a valley. A child’s voice introduces the piece, speaking of “huge waves” — a fitting metaphor for the undulating nature of what follows.

The 23-minute Hokus Pokus becomes the album’s gravitational core. It’s less a composition than a space to inhabit: modular sequences, feedback loops, and noise textures evolve gradually, encouraging listeners to surrender to a slower sense of time. It’s an invitation to recalibrate — to listen in a way modern life rarely allows.

Alebrijes follows as a surreal, protective presence: ghostly rhythms, laugh-like tones, and deconstructed dub pulses drift through the mix like dream-guardians.

The B-side opens with Strobe Pad, where shimmering pads, panned percussion, and reverb-drenched harmonics suggest a moment of clarity — a brief emergence from the murk. The track serves as a light source before the final descent into abstraction.

Small Cases and Unfold mark a psychological ascent: from the minimalist weightlessness of travel into the oxygen-thin air of revelation. Granular textures and filtered drones evoke both euphoria and disorientation — the moment after a summit, when the world reshapes itself around your breath.

The closing track, Future Schmelz, places the listener at a glacial edge, where crumbling drums and filtered sequences collapse into a dance of entropy. Delayed hats, decaying Moog DFAM sequences, and feedback bursts create a post-dub atmosphere — as if memory itself were dissolving.

All seven pieces were composed and recorded between February 2024 and February 2025 using a modular system, recorded and arranged in Ableton Live. 
credits
released July 13, 2025

All Tracks written and produced by Kobermann
Mixing & Mastering by Johannes Piller
Photography by Jonny P.
Artwork by Tanja Tuner
All rights reserved © A.T.C. Records 2025

Bandcamp

Kobermann - Strobe Pad

Don’t use this meditation whilst driving or using large machinery

man_2

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