nardineeeeeeeeeeeeeeeeeeee moukkkkkkkkkkkkkkkkkke genial  hhhhhhhhhhhhhhhh  jamel

that's the bomb!!!!🤙🤙🤙🤙🤙🤙🤙

Ok where do i get a copy of this from then?

excellent !!!sa dobre !!!! tres jolies !!!

"Celebrating a year of successful weekly edit campaigns, Parisian discophile Young Pulse legitimises his dealings with GAMM. This is the first of a series of collections and every track is a dancefloor-tweaked gem. Average White Band's "Work To Do" gets a slick groove extension, a very young Michael Jackson gets a cheeky arrangement polish and added beat muscle on "I Wanna Be Where You Are" and Minnie Ripperton's "Baby, This Love I Have" gets a complete strip-and-rebuild. We conclude with Leon Ware's "Why I Came To California" where Pulse ensures the latent funk in the bass and groove are brought fully for the fore. Stunning."

Subscribe to Young Pulse's mailing list : eepurl.com/uys1r

Also available on vinyl : http://www.juno.co.uk/products/young-pulse-paris-edit-vol-1/512120-01/

BUY THIS TRACK

A1. Work 2 Do

CHAZ JANKEL - Glad To Know You (Todd Terje edit)

Our track with BlackPeace is out on Lekke Records

Yelele - Black Peace Ft. Airon - Lekke record

[HB010] - Get On Down EP (Juno Exclusive)

Buy on Juno

The Funk District - I'm Gonna Get You Baby [HB010]

[Masterworks Music] Looks like Love [low quality]

SWS002 - Sweet Tooth T 'She Can't Love You / Feel The Same', the second release on the new Super Weird Substance label - release date July 6th 2015. 

Vinyl & Digital available here: http://bit.ly/SWS-002
Compilation CD available here: http://bit.ly/SWS-CD001

This is the full length Greg Wilson club mix, you can hear the radio version on YouTube: https://www.youtube.com/watch?v=MvNt2fcqMhM

When disco was declared dead in 1979, dance music was forced back underground, leading to one of its most creative periods. Moving into the eighties, post-disco producers were allowed to explore the new technologies emerging at the time with little corrupting influence from the mainstream and New York became a hub for the new electro-funk and boogie sounds.

Having built his reputation playing the latest US dance imports at Wigan Pier and Manchester’s Legend and Haçienda in the early eighties, DJ Greg Wilson is indebted to that sound and has paid homage to many of the cult hits of the era through his reworks and edits.

Greg had originally intended to edit Chemise’s 1982 underground cut 'She Can’t Love You', cherry picking the best parts from the original and dub mix. However this proved unsatisfactory, so instead he decided to take on a full cover, approaching Tyrrell; the guy who did such a brilliant job of recreating Massive Attack and the Rolling Stones - mashed up with Amerie - on his 2005 P.T.A release, which Greg then reconstructed into 'Two Sides of Sympathy', one of his most enduring edits.

Having recorded the backing track back in 2011, he needed to find the right vocalist. His first thoughts were to approach Adeline Michele, the singer from Brooklyn disco outfit, Escort. This never materialised and, apart from a fleeting fancy for recording it with NYC based Lady Miss Kier, formerly of Deee-Lite, the track was put in mothballs for a couple of years, until he dug it out just a few months ago to play it to The Reynolds, who’d sang so superbly on his track 'Summer Came My Way'. Katherine Reynolds took on the lead and Greg instantly knew the song had found its voice. Not only that, Katherine also expertly weaved lyrics from Triple X’s 1999 'Feel The Same' into the track to give it a new twist.

Greg road-tested the recording in a club for the first time in London last December and it’s since become a crowd favourite - the release is greatly anticipated by DJs and dancers alike. Kermit Leveridge, who has worked with The Reynolds on his Blind Arcade project chipped in with the rap section the girls add and also features on a further mix of 'She Can’t Love You', this time coupled with his own 'C’mon Sway' lyrics. Sweet Tooth T is a project channeling the hallowed sounds of New York in the early eighties but - like with Greg’s DJ sets - the sounds from this groovacious past have been reimagined in a contemporary manner.

Check out our Super Weird sounds at: https://superweirdsubstance.bandcamp.com
Stay up to date with the latest at: http://www.superweirdsubstance.com

Sweet Tooth T 'She Can't Love You / Feel The Same' - Greg Wilson Club Mix

https://pro.beatport.com/track/raw-human-emotion-part-2-original-mix/5202712

Pablo & Shoey - Raw Human Emotion - Part 2 (Original Mix)

But The Beat (Hot Toddy Dub Mix)/ Oh Yeah

Originally released in 1983 'Stop Bajon (Primavera)' became a favourite in Rimini Discotheques, Balearic Islands and even Chicago during the early house days.  It was an anthem on what went on to become the Italo Disco movement. The original mix is still revered and played to this day by DJ's such as DJ Harvey at his Mercury Rising night at Pikes, Ibiza. Blenda Jackson is a partnership between Nude Disco & Paul Harris, 'Stop Bajon' is their first work under the new moniker which will focus on re-edits of their favourite classic tracks.

Tullio De Piscopo - Stop Bajon (Blenda Jackson Re-Edit)

original - http://www.youtube.com/watch?v=io_4Nz-XmHw.

CHAZ JANKEL - Glad To Know You (Todd Terje edit)

toddterje

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