@qoa-koa
"Deriva Polar" refers to the movement of the orientation and position of the terrestrial magnetic poles over time, in order to be able to perceive it, it is necessary to observe its movement over a wide period of time, I am interested in thinking ambient in this analogy, of space-time of variations minimums that propose to slow down the speed of thought to be perceived and that in their lightness are amalgamated as time for things to happen.

[ESP]
"Deriva Polar" refiere al movimiento de la orientación y posición de los polos magnéticos terrestres a lo largo del tiempo, para poder ser percibirla hay que observar su movimiento un periodo temporal amplio, me interesa pensar el ambient en esta analogía, de espacio-tiempo de variaciones mínimas que proponen realentizar la velocidad de pensamiento para ser percibidas y que en su liviandad se amalgaman como tiempo para que pasen cosas. 

_
Hi there.
Here is our new compilation.
"VA.2 Tiny Textures"
We opened our spectrum to new sounds and new artists.
--
Artwork: Romina Malta 
https://www.instagram.com/si_romo_/
Textura: Gisele A.S.
Mastering: Nicolas Bruschi aka SidiRum
--
Buenos Aires, Argentina - 2021

VA.2 Tiny Textures

Free Download

Qoa - Deriva Polar

info + tracklist: https://radio.syg.ma/episodes/fermata-w-ladonna
https://soundcloud.com/ladonnadonnadonna
https://soundcloud.com/nikitamillennialrain

fermata

fermata w/ Ladonna

Qoa - Nysa
Marte - pétalos 
Aylu-A5
Kensho Nakamura - kaii 
Reptilian expo- 8-00
Javier Bustos - c
Rorschac- Lolo phopho ra 
Señor Service- well swag 
Vic Bang - Rosa de los vientos 
Volll - being hummus 
Flor con venas - en cada raíz 
Cabo pozo- C555N
Ulular- cumple de Guillermo Arduino
Lola Bhajan y enanomalhecho- me lo paso cantando
Los siquicos litoraleños - asado de por medio
Ignacio la Conga - acá del quiebran las hachas 
Dawa - arasy 
Nonoise79 - L4 M4DR3 D3 TODOS LOS B3SOS 
Camisa de hierro- Fuego blanco
Yoto - strl 
Jav- 1
Shumsick- festín secuestro 
Aldo Benítez- vos sabias 
Mateo Amaral - nunca seré policía (flema cover)
Satira la castrada - mi dieta eran cadaveres 
Talpah- not funny 
Astrosuka- rascacielos

Mix SBVRSV.press/IW/ internet public radio

Living Room n°30 ~ @farwarmth

q. pls introduce yourself:
Hi I'm Afonso Arrepia Ferreira and I write music as FARWARMTH.

q. is there a story behind the mix? how did it come together?
I always try to weave some sort of storytelling into my mixes, what the story is about however... that's up to the listener.

q. in your opinion, what would be the ideal circumstances to enjoy your mix?
Either headphones or nice speakers, so long as there is good bass and silence around you, make yourself comfortable.

q. describe a favorite object in your living room...
The couch where I sleep much better in than my bed.

q. are you working on any projects right now (music or not music)
I'm currently preparing my next album release and planning some events for the year.

~~~

Tracklist:
Ghostlore Of Britain - Gura Gura Ar Y Ddôr(tapping Tapping At The Door)
674 - 61dabf7db5f25c004b35db51
JOYUL - C2. LUCY LIYOU (MARGINALIA REMIX)
AAAAA - СБРОС ОТВЕТСТВЕННОСТИ
pablo altar - 14th of february at the royal chapel
𝑜 ꪶꪊ ꪶ 𝑜 ꪶ  - os _ love never dies 
innerinnerlife - You Coexist
City & i.o - Unkind (feat Dis Fig)
John Object - Safe Here (Live 2019)
Miedo Total - Foster (KMRU Remix)
dumpster boyfriend - to the stars which are set alight among the roses
heavenbby - Butterflies

Living Room n°30 ~ FARWARMTH

Behind @electromngr 's punny label name is a wish to open the realm of conceptual music and infuse it with comedic tones and a strong visual identity. Influenced by breakbeat, dub, jungle, UK bass and drum & bass, Electroménager will take you on a journey beyond music.

Tune in for Electroménager every 2nd & 4th Wednesday out of two every other month from 23h to 00h [CET] on rinse.fr

Rinse France Podcast

Electroménager avec Susu Laroche - 25 Mai 2022

@daisydarkpark 
@faussesceptiquevraiedj

EDGELANDS is a monthly residence curated by Fausse Sceptique diving into liminal music through dark ambient, haunted lullabies and more++

EDGELANDS.05 ⏤ Daisy Darkpark

—APOD0057—
Nikhil Vettukattil & Jackson Burton Takeover.
Edition Erich Schmid Ep. 33

APOD0057 Nikhil Vettukattil & Jackson Burton Takeover. Edition Erich Schmid Ep. 33

Favouring a predominantly digital palette – one that won’t be, at least on the surface, unfamiliar to aficionados of ambient minimalism – ju ca details a collection of scenes, fragments and delicate murmurs, one passage floating into the next. But it is not as if these are static, middling affairs – upon closer listening, one may realise that these snapshots of softened glass, rubberised edges, and hanging reverberations cycle and pivot in ever-changing sequences.

Like a trick of the light, foreground shifts to the back; what was a whisper is revealed as an echo of an impassioned plea; and while it may be hard to tell where an element emerged from, or where it indeed it may go on the plane of the work, everything does in some way seem in its right place.   It’s not as if one is staring at or glimpsing some pastorale of Impressionism from a century ago – no, more appropriately one is to find oneself slipping into the work itself.

Perhaps it is more powerful, more evocative to figure oneself in the nondescript, the semi-abstract when the placement is so deliberate, so lovingly assured – and, specifically concerned with the physical dimension, “but only if one would let it".

Music by ju ca
Mastered by Sean McCann at Recital Program

Includes remixes by ptwiggs (Eternal), Nico Niquo (Orange Milk) and Flora Yin-Wong (PAN)

Artwork is 'Untitled 7' by Lucas Dupuy

℗ & © angoisse 2020

Chasms

Pre-order

ju ca - Micah

Ball Trip

pq - triskelion

All proceeds of this compilation will go towards the NAACP, a civil rights organisation formed to advance justice for African Americans.

Flora Yin-Wong 'Ghat' [AV002]

Artist: @laughingears
Catalogue Number: IM086
Album: Blood
Release Date: February 26th, 2021
Format: Digital

Laughing Ears is poised to release her second LP this January via club music vanguards, Infinite Machine. Her lengthiest offering to date, Blood consists of 10 tracks that highlight Laughing Ears’s knack for building otherworldly atmospherics within club-ready, dance music structures. Taking the tale of Fenrir as it’s starting point, (a giant wolf in Norse mythology who spent much of his life bound and chained to a rock in captivity), the album conceptually deals with family ties and the melancholic beauty that can be found in the darkness of loss.

Blood opens with the airy, gliding synths and heavy drumwork of Flickering Shadows. The track has a unique sense of space due its wide stereo-imaging as well as Laughing Ears’ haunting melodies and driving rhythms. A 100bpm creeper fit for exploring uncharted virtual lands. On the following track, Loki, things are stripped back to their functional essentials. Tabla hits, bass pluses and strange whistles brush up against each other in a head-spinning assemblage before surging towards a climactic resolution.

The serene Untouched Places showcases Laughing Ears’ unique approach to melody and harmony. With a background in singing herself, her synths lines here seem to tonally intertwine, like vocal DNA, veering from harmonious and dissonant phases. Compared to the tranquility of Untouched Places, LP title-track, Blood, moves the record in a more intense direction. A brick wall of compressed percussion and humanoid-sung samples seem to battle it out for the listener’s attention in an enthralling sonic confrontation.

On Blood’s mid-point, Night Whisps, the producer’s love for the thrilling soundtracks of Satoshi Kon’s anime movies definitely comes through clearly. Bass drones claustrophobically reverberate around the mix - acting as a musical backbone that a wide array of staccato samples are stitched onto. Next up, Murderous Means, as its blood-thirsty title suggests, is a brutal and hard-hitting club track that’ll keep listeners guessing as the composition twists and turns. The song’s furious, ever-evolving drum patterns create mesmerizing rhythms you can’t help but bob your head to.

The polyrhythms continue on the following piece, Buona Fortuna. Like footwork, a genre she looks to for inspiration, on Buona Fortuna, the main groove is built out of a disparate family of drum samples which work in tandem - much like how individual dots of an Impressionist painting cooperate to form a single, concrete image. Laughing Ears then slows things down slightly with Glimmer, which sees the producer mix the low end stylings of UK Funky with strung out horns and gong hits.

On Potcheen, the longest of the record, Laughing Ears ambitiously constructs a track that starts from curious, ambient beginnings before morphing into a ferocious footwork-infused banger. Rounding off the release, Warm as A Lizard is a groove-laided drum freakout, crammed full of dense textures which build into a tonal fever pitch.

Artwork by Nic Symbios
Mastered by Fausto Mercier

Mix SBVRSV.press/IW/ internet public radio

yoto

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