Nice little Track with the sounds from this ... toy ... ;-) Good luck in the challenge:)

Reminds me a theme song from a strategic war game. Maybe because of drums.

Nice track but it would have been nice to develop the idea a little bit more and make it longer

Took me all but 2 sec to decide you're freaking bold as always! xD ....why does it feel like you didn't quite like to do this?!

A funural procession for a dead console, hahahaha! I think it's oddly awesome, but a bit too short... like a funny, silly jingle to say "goodbye" to the old one. o_o ...still cool!

Cool track! Fits perfectly with the sounds.

One Synth Challenge #99: vst2413

Restless Hearts

New Horizons

For KVR-OSC 87 - Podolski by U-he

19 instances of Podolski in Reaper v5.0

Dynamics: TDRFeedBackCompressor, GClip, ReaComp, TDRNova
Filter: ReaEQ, MQ57
Delays: NastyDLA
Reverb: Sanford Reverb, TAL Reverb III, EpicVerb
Satturation: -
Stereo: MAutopan, GStereo
Analyzer: Span, TT Dynamic Range Meter

Dynamik Range according TT Dynamic Range Meter: DR=12


Photonic - Cosmic Circus

OSC#88: TAL-NoiseMaker:

TALon - Becomings (of a harpy)
Though more of an ambient soundtrack, it tells the story of a Harpy being hatched, being raised, being fed, jumping out of the nest and taking flight... everything is a becoming

TAL-NoiseMaker: 33 instances

DAW: MULab
DAW FX:
10 x 2 Band EQ
3 x 4 Band EQ
2 x Hipass Filter (simple EQ)
2 x Vintage Echo 2
1 x Vintage Echo 1
2 x tight room
1 x TeaVerb
1 x Sat Repeats

3rd party FX: 
8 x LoudMax64
4 x Sanford Reverb
1 x Ambience
1 x Nova-67P




Taron - TALon Becomings [TAL-NoiseMaker]

For KVR-OSC 93 - OB-Xd by discoDSP

33 instances of OB-Xd in Reaper v5.0

Dynamics: TDRFeedBackCompressor, GClip, ReaComp, TDRNova, Bittersweet III, FerricDTS
Filter: ReaEQ, MQ57
Delays: NastyDLA, ReaDelay
Reverb: Sanford Reverb, TAL Reverb III, FreeverbToo
Satturation: GreenEugen, QX24
Stereo: MAutopan, GStereo
Analyzer: Span, TT Dynamic Range Meter

Dynamik Range according TT Dynamic Range Meter: DR=11

Photonic - Memories Of Tomorrow

An epic hybrid track which I started already over a year ago but struggled to finish at the time. Learned some new things about combining libraries, mixing and mastering with this one.

10000 Hammers of Justice

This is my entry for OneSynthChallenge  #99 (OSC#99) organized by KVRAudio forum. Tools that I have used to write this track are as follows,

DAW – FL Studio 12
SoftSynth – VST2413P (x6), VST2413R (x2)
Native Plugin – Fruity Reverb 2 (x2)
Third party Plugins – (All free VSTs)
A1Stereo Control (x6), BaxterEQ (x1), BootEQmkII (x3), Classic Delay (x3), EpicVerb (x5), FerricTDS (x1), NastyDLAmkII (x2), NastyVCS(x1), Nova67P (x8), Proximity (x1), ThrillseekerXTC Blue (x3), ThrillseekerXTC(2), TP Basslane(x1), Yohng's W1 Limiter (x1).

Thanks for listening and I hope you like this effort of mine.

Good Old Days

Entry to KVR's One Synth Challenge 99 - made with the vst2413 synth by Keijiro Takahashi

6 instances of vst2413 (5 x vst2413p, 1 x vst2413r)
1 x Maximizer
1 x Compressor
1 x C3 MultiBandCompressor
1 x Limiter

Köln

Special Offer

KVR OSC99 Entry. sites.google.com/site/kvrosc/

- 41 instances of vst2413s (Sega Mega drive FM chip emu)
- All sounds built from scratch
- DAW: Studio One
- Effects: S1 native effects (Analog Delay, Beat Delay, Room Reverb, Pro EQ, Mixtool, Compressor, Limiter, Fat Channel)

- Liberal use of stacked instances and automation

Sorry for Robot Dancing

Sorry For Robot Dancing

submission for the KVR One Synth Challenge 99: vst2413

Darksynth FX - Morning Dew

For KVR-OSC 134 - Easter Lockdown Any Synth

Done in Reaper v5.51

26 x Zebra by U-he


Dynamics: U-he Presswerk, Bass Professor II, TDR Nova, Maxwell Smart
Filter: ReaEQ, TDR VOS SlickEQ, MQ57
Satturation: Green Eugen, Thrillseeker XTC
Delay: NastyDLA
Reverb: Dragonfly
Stereo: MidSideMangler, GStereo
Analyser: SPAN

Photonic - Desire

A short experimentation after taking a few courses on writing for an orchestra. I just might be starting to understand a little how to write for different sections :)

EDIT: Re-uploaded a new version as the previous one had a track muted, and I fixed some problems with harmony. Silly me.

Athos

"Take Five" is a jazz piece composed by Paul Desmond and performed by The Dave Brubeck Quartet on their 1959 album Time Out. Recorded at Columbia Records' 30th Street Studio in New York City on July 1, 1959,[1] fully two years later it became an unlikely one-hit wonder and the best-selling jazz single of all time.[2] Written in the key of E-flat minor, it is famous for its distinctive two-chord[3] piano vamp; catchy blues-scale saxophone melody; imaginative, jolting drum solo;[4] and use of the unusual quintuple (5/4) time, from which its name is derived.[5] It was first played by the Quartet to a live audience at the Village Gate nightclub in New York City in 1959. (wikipedia.org)

Take Five (Dave Brubeck)

Heavily influenced by Justin E. Bell's magnificent piece "Journey's End" in the end of the game "The Outer Worlds". I wanted to experiment and see if I could manage to make a similar piece with only three chords like the original, so I used the same pacing, mostly the same instrumentation, and the same structure for the piece.

This piece is in no means an original composition, and it's not meant to be, but a more of an experiment into orchestral composing, and my humble tribute to the piece that was my inspiration.

* Re-mixed and re-uploaded a new version, the original mix had some noise issues that I wanted to get rid of.

No Good Deed

Join the challenge by going here: https://shorturl.at/bhBFQ

For over 25 years, composer of music for short films, commercial videos and feature film. Most recently, winner of multiple awards for the score for the Sci-Fi movie "The Jump".

Developer of CARL, a retro-style sequencer / tracker hybrid software.
https://toggleaudio.com/

I also go by Demoscene alias "Phaser":
https://scenestream.net/demovibes/artist/925/

Köln

Simo Virokannas

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