Very pretty, really pleasantly dreamy depth!

Hmmm.... great idea, but a bit weird with the broken drums. Interesting no less.

Beautiful melodies and atmosphere. Very pleasent song

the sounds compliment the chords and melody really well

Going back to the roots of synthesized music, every track has been crafted with one synthesizer each. They try to capture the small origins of synth music, when all you could afford is an 8-track recorder, mixer and one very careful choice of an instrument.

One Synth World

Restless Hearts

Entry to September 2021 KVR's One Synth Challenge

All sounds made with GR-8 by Phuturetone

Reykjavik

New Horizons

Check out the video as well:
https://www.youtube.com/watch?v=5tu6djXNKKU

Entry for KVR's One Synth Challenge, October 2022

Featuring Exacoustic's Ghost (beta)!

Plug-ins used:
21 x Ghost (instrument)
9 x Stereo Delay
6 x Space Designer
6 x Channel EQ
3 x Compressor
1 x Limiter

Cape Canaveral

For KVR-OSC 87 - Podolski by U-he

19 instances of Podolski in Reaper v5.0

Dynamics: TDRFeedBackCompressor, GClip, ReaComp, TDRNova
Filter: ReaEQ, MQ57
Delays: NastyDLA
Reverb: Sanford Reverb, TAL Reverb III, EpicVerb
Satturation: -
Stereo: MAutopan, GStereo
Analyzer: Span, TT Dynamic Range Meter

Dynamik Range according TT Dynamic Range Meter: DR=12


Photonic - Cosmic Circus

Entry to KVR Audio's One Synth Challenge #88.
All sounds made with TAL-Noisemaker.

Cherborough

OSC#88: TAL-NoiseMaker:

TALon - Becomings (of a harpy)
Though more of an ambient soundtrack, it tells the story of a Harpy being hatched, being raised, being fed, jumping out of the nest and taking flight... everything is a becoming

TAL-NoiseMaker: 33 instances

DAW: MULab
DAW FX:
10 x 2 Band EQ
3 x 4 Band EQ
2 x Hipass Filter (simple EQ)
2 x Vintage Echo 2
1 x Vintage Echo 1
2 x tight room
1 x TeaVerb
1 x Sat Repeats

3rd party FX: 
8 x LoudMax64
4 x Sanford Reverb
1 x Ambience
1 x Nova-67P




Taron - TALon Becomings [TAL-NoiseMaker]

Entry to KVR's One Synth Challenge 90.

Used synths and effects:
22 x Helm
3 x Stereo spread
3 x Channel EQ
3 x Compressor
2 x Stereo delay
2 x Space Designer
1 x Multiprocessor
1 x Limiter

Seattle

For KVR-OSC 93 - OB-Xd by discoDSP

33 instances of OB-Xd in Reaper v5.0

Dynamics: TDRFeedBackCompressor, GClip, ReaComp, TDRNova, Bittersweet III, FerricDTS
Filter: ReaEQ, MQ57
Delays: NastyDLA, ReaDelay
Reverb: Sanford Reverb, TAL Reverb III, FreeverbToo
Satturation: GreenEugen, QX24
Stereo: MAutopan, GStereo
Analyzer: Span, TT Dynamic Range Meter

Dynamik Range according TT Dynamic Range Meter: DR=11

Photonic - Memories Of Tomorrow

An epic hybrid track which I started already over a year ago but struggled to finish at the time. Learned some new things about combining libraries, mixing and mastering with this one.

10000 Hammers of Justice

Entry to KVR's One Synth Challenge 101 - Spiral Generator VST.

12 instances of Spiral Generator, all effects (except C3 comp) are Cubase built-ins.
6 x Ping Pong Delay
7 x EQ
5 x RoomWorks
2 x Stereo Enhancer
1 x Slim Slow Slider C3 Multiband Compressor
1 x RoomWorks SE
1 x Stereo Delay
1 x Limiter

Talara

For KVR-OSC 134 - Easter Lockdown Any Synth

Done in Reaper v5.51

26 x Zebra by U-he


Dynamics: U-he Presswerk, Bass Professor II, TDR Nova, Maxwell Smart
Filter: ReaEQ, TDR VOS SlickEQ, MQ57
Satturation: Green Eugen, Thrillseeker XTC
Delay: NastyDLA
Reverb: Dragonfly
Stereo: MidSideMangler, GStereo
Analyser: SPAN

Photonic - Desire

Entry for KVR's 134th One Synth Challenge - Shelter-in-place edition

22 x Synthmaster 2
1 x Compressor
1 x Multipressor
1 x Limiter

Nowhere

A short experimentation after taking a few courses on writing for an orchestra. I just might be starting to understand a little how to write for different sections :)

EDIT: Re-uploaded a new version as the previous one had a track muted, and I fixed some problems with harmony. Silly me.

Athos

"Take Five" is a jazz piece composed by Paul Desmond and performed by The Dave Brubeck Quartet on their 1959 album Time Out. Recorded at Columbia Records' 30th Street Studio in New York City on July 1, 1959,[1] fully two years later it became an unlikely one-hit wonder and the best-selling jazz single of all time.[2] Written in the key of E-flat minor, it is famous for its distinctive two-chord[3] piano vamp; catchy blues-scale saxophone melody; imaginative, jolting drum solo;[4] and use of the unusual quintuple (5/4) time, from which its name is derived.[5] It was first played by the Quartet to a live audience at the Village Gate nightclub in New York City in 1959. (wikipedia.org)

Take Five (Dave Brubeck)

Heavily influenced by Justin E. Bell's magnificent piece "Journey's End" in the end of the game "The Outer Worlds". I wanted to experiment and see if I could manage to make a similar piece with only three chords like the original, so I used the same pacing, mostly the same instrumentation, and the same structure for the piece.

This piece is in no means an original composition, and it's not meant to be, but a more of an experiment into orchestral composing, and my humble tribute to the piece that was my inspiration.

* Re-mixed and re-uploaded a new version, the original mix had some noise issues that I wanted to get rid of.

No Good Deed

For over 25 years, composer of music for short films, commercial videos and feature film. Most recently, winner of multiple awards for the score for the Sci-Fi movie "The Jump".

Developer of CARL, a retro-style sequencer / tracker hybrid software.
https://toggleaudio.com/

I also go by Demoscene alias "Phaser":
https://scenestream.net/demovibes/artist/925/

Seattle

Simo Virokannas

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