there seem to be some harmonies in the arp sound very sick

great atmos and professional composition!

Really well done, very musical and well produced song!  Congratulations, good one.

Made for KVR OSC 199

16 Tracks Rippler X with FL Studio 2025

Used Plugins:

Fruity EQ2, Maximus, KSHMR Kick, TDR NOVA, Auburn Lens, LoudMax, Valhallah Supermassiv, Deelay, Auburn Panagement, Replika, SkyNet Reverb, Fruity Freq. Splitter, NI Raum, OTT, Ozone EQ 10, TAL Reverb 2

No external sound sources were used. All sounds are from INI in Rippler X! 

A small but powerful synthesiser that I had a lot of fun with! Excellent support from TILR, who spared no effort in troubleshooting problems and implementing suggestions. I have never seen so many updates during the course of development. And not because things weren't working, but to improve them. Very good support and many thanks again!

Enter the Realm of Rippler

Viroo - Enter the Realm of Rippler

One Synth Challenge #200: Zebralette3 (beta) by U-HE

https://sites.google.com/site/kvrosc/2025/osc-200-zebralette-3-beta
https://www.kvraudio.com/forum/viewtopic.php?t=619793

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@The Sound Of Merlin
@Viroo
@SilverPants

Thanks for the likes for the last month's track. :)

For the last month I was a bit late and did not had enough time to finish my track.
Here comes my finished track, while the muse is still on vacation - I hope you guys like.

“OSCiLLiUM” opens with a descending bass line — a slow dive into vibration and inner space,
as a preparion of a journey down the inner sound.
At 88 BPM it moves with punch: tight kicks, crisp snares, and a sub that smoothly breathes.
The track unfolds like a wave — calm, clear, beat-driven, with pulsing depth and a hint of melancholy.

To be honest I used some factory presets as starting points, as they are sooo good! (Well done U-HE)

In the middle of the track, I gave an unedited preset called “Beat Machine 2” a solo appearance because I think it fits so well that I left it unchanged. I know this is rather unusual for OSC, but I just couldn't help myself – I fell in love...

nJoY.

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SiL3NC3_SWX - OSCiLLiUM
https://soundcloud.com/soulwerx/sil3nc3_swx-oscillium-osc200

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DAW: Bitwig 6 Beta 4
23 instances of Zebralette3

FX:
- Bitwig: Arpeggiator, Dynamics, Convolution, EQ+, Delay-2, Compressor+, Reverb, Distortion, KeyFilter+, Saturator
- Valhalla Supermassive
- Wider

Mastering:
- Free Clip 2
- LoudMax
- TDR Kotelnikov
- Peak Limiter (Bitwig)

Analysis:
- MAnalyzer
- YouLean Loudness Meter2


Keep on Looping... ;)

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~ Copyright : SiL3NC3 - 2025 : All Rights Reserved.

SiL3NC3_SWX - OSCiLLiUM [OSC200]

Don't wake me up! "Dreams" is where the magic happens. A place with no space, no time, no dimensions. Only fantasy, freedom...and peace!
 
part1: (00:00) - entering the magic
part2: (03:08) - the chaos
part3: (05:22) - freedom to fly
part4: (06:09) - awakening

made with U-He Zebralette3 for KVR "One Synth Challenge #200

Dreams

Here's my entry for the OSC #200 challenge. A few people in our OSC Discord responded enthusiastically when I said I was planning to make a contemporary hippie piece. A promise is a promise. Dr Bob immediately sent me live recordings of his band from the good old days. But with my background, with Zebralette and the OSC rules, I can't quite match that. But don't worry, I've tried to capture the spirit of the Flower Power generation which was great fun.

DAW: Reaper 7.48
U-he Zebralette 3: 30 instances
EQ: Graphic EQ by Viator
Reverb: Body & Soul Intro by The Sound of Merlin
Delay: TARON Stereo Delay by Taron
Compressor: Frank CS by Analog Obsession
Mastering: TDR Nova, Airwindows Pear EQ and Limiter No6

The Power of Love - (OSC#200-Zebralette3)

Entry for the KVR One Synth Challenge #200
All sounds were created with u-he Zebralette 3 Beta

Submitted for your approval, something spooky and fun, in the form of a haunted dark ride soundtrack.
(Use headphones for binaural effects)

DAW - Reaper

50x Zebralette 3 Beta (u-he) (CLAPi)

19x ReaEQ (Cockos)
10x DearVR Pro 2 (Dear Reality)
3x ReaComp (Cockos)
2x Raum (Native Instruments)
1x Valhalla Supermassive (Valhalla DSP, LLC)
1x Ultra Simple Eq (TAL - Togu Audio Line)
1x TDR Kotelnikov (Tokyo Dawn Labs)
1x bx_masterdesk Classic (Plugin Alliance)

Dark Ride [OSC #200 Zebralette 3 Beta]

Entry to KVR's One Synth Challenge #200

Using u-he's Zebralette 3 Beta

22 instances of Zebralette, no other instruments.

Ulaanbaatar

Entry for OSC-200

My concept this month was to use both of my keyboards (I now have 2!) - to their respective strengths.
I used the fully weighted piano controller (Roland FP-10) for very velocity sensitive sounds - like percussion. And I also did fast wild lead breaks with lots of pitch/mod bend (lighter keys and pitch bend on Roland A-70).

DAW: Reaper
21 Instances of Zebralette3

Dead Duck: Filter, Limiter, Delay, TiltEQ
JS Saturation
ReaEQ, ReaXComp
OrilRiver Reverb
SPAN, YouLean Loudness Meter

Button Moon Rave

OSC200 - Zebralette 3 Beta in Logic Pro X

OnTrack P Zebralette3 Equus Quagga

Composed for KVR One Synth Challenge 200 using only sounds from Zebralette 3 by u-he.

DAW: Reaper 7.49

21x Zebralette 3 (u-he)

8x ReaEQ (Cockos)
5x GrapHack (AnalogObsession)
2x ReaComp (Cockos)
2x TAL-Filter-2 (TAL-Togu Audio Line)
2x TDR Kotelnikov (Tokyo Dawn Labs)
1x HZ Multiplier (HigherHz)
1x TheMasker (Cinemystics)
1x epicVerb (Variety Of Sound)
1x Ambient Reverb 7 (Stone Voices)
1x BootEQmkIV (Variety Of Sound)
1x SPAN (Voxengo)
1x MLoudnessAnalyzer (MeldaProduction)
1x Unlimited (Sonic Anomaly)


Cover by Frances Yeung
https://unsplash.com/de/@yikkiyeung

eraze the borders - Night Of The Fists [OSC 200]

07  That Darkness Knows My Name

Story
Zegama's Witch. The Sorceress of the Threshold
On the misty slopes of Aizkorri, where the winds sing in Basque and the stones hold ancient secrets, lived Zegamako Sorgina, the Sorceress of Zegama. She was no witch of brooms or common potions: she wove melodies with moon threads and conjured visions in the forest pools.
They say she was born on the night of the eclipse, when the sun and moon silently crossed. Her mother, a mute shepherdess, wrapped her in a cloak embroidered with symbols no one could read. From a young age, Zegamako Sorgina spoke to the trees, translated the murmurs of caves, and composed songs that made wolves cry.
But her most feared power was to open the Threshold of Echoes: a rift between worlds that only she could summon with her stone drum and her three-tone chant. Forgotten memories, unlived dreams, and sometimes… the spirits of the ancient jentilak crossed that threshold.
One day, the villagers of Zegama, fearful of her magic, asked her to close the Threshold forever. She agreed, but on one condition: that each generation would send a singer, a dreamer, or a madman, to keep the memory of the unseen alive.
Since then, every seven years, when the mist covers the valley and the crows dance in circles, a song that does not belong to this world is heard. It is Zegamako Sorgina, playing her drum from the other side, reminding us that there are doors that should not be completely closed.

🎶 Listen 💫 Share 💬 Comment ➕📃🎧 Add to your playlists... Because this journey is meaningless without you... Thank you for being here... J. Bilbao

Sonic Universe II

Zegamako Sorgina V

For over 25 years, composer of music for short films, commercial videos and feature film. Most recently, winner of multiple awards for the score for the Sci-Fi movie "The Jump".

Developer of CARL, a retro-style sequencer / tracker hybrid software.
https://toggleaudio.com/

I also go by Demoscene alias "Phaser":
https://scenestream.net/demovibes/artist/925/

Ulaanbaatar

Simo Virokannas

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