2014

After a super long hiatus, Discobelle Records is back with a brand new string of releases to keep you up in 2014. Arriving this month, the High Steppin' EP from Austrian house-maestro, Dizzy Womack, is a slick little 4-tracker featuring three original cuts from Womack and remix duties from Look Like.

As the follow up release to his 2013 EP, Black Ice, on Top Billin', we find Dizzy in fine form with opening cut, "French Sin." A hypnotic groover with dancing, French-spoken-word vox peppered thru-out. Contrary to its name, "High Steppin'" gets deep, down and dirty with a booty-chakra rumbling bass and pitched down vocals. "She Goes Back" is the deepest of the bunch with stuttering vox and filtered pads, the accompanying remix from Look Like version amps up the more "garage-y" elements which lends the tune a more menacing vibe.

Releasedate is January 31st. Thanks for starting you new year out right with Dizzy Womack and Discobelle Records!

@dizzywomack
www.facebook.com/dizzy.womack.musicpage
www.discobelle.net

Dizzy Womack - High Steppin (Original Mix)

Release date (vinyl & digital): 17th of February 

Token started 2014 with the great Eschaton project, a new 

collaborative project between Orphx & Ancient Methods.
Now, only a few weeks later, Danish Token representative Ctrls 

returns.
Movements EP contains 3 fierce new tracks. Mechanical rhythms, 

whip-crack electronic riffs, insistent robot vocals: Ctrls proved to 

master these sounds very well on his past EP’s and he only seems to 

perfect his skills on this 4th instalment.

Conventional? Never. Powerful? Always.

TRACKLISTING
A Shift 		
B1 Sweep 
B2 Stop

www.tokenrecords.com
www.facebook.com/controeller
www.facebook.com/tokenrecords


Movements

Ctrls - Stop

Diablo (prod. Larry Fisherman)

{DISCLAIMER}
I Don't Own This Song
No Copy Right Intended
This Song Belongs To It Respective Owners

 

Beyonce party reggae remix

Four Tet + Terror Danjah - Killer/Nasty 12" (TEXT028)

Four Tet + Terror Danjah - Killer (TEXT028 A)

Our latest Belucast features Enkō, a Lisbon-based artist whose sets are all about depth, groove, and precision. With a background in sound design and years of experience behind the decks, Enkō draws from a wide palette—bridging hypnotic repetition with finely crafted textures.

As the mind behind SUMMA and a resident at Basilar Festival, he plays a key role in shaping the pulse of Portugal’s techno underground. His work extends beyond the booth, with releases on labels like HAYES, AWRY, BCCO, and SUBOSC, as well as an active role in event curation and editorial work for some of the country’s leading festivals.

His mix for Belucast is a patient burner—layered, detailed, and deeply physical. Now streaming on SoundCloud.

__

En esta nueva entrega de Belucast contamos con Enkō, artista afincado en Lisboa que lleva años explorando la repetición hipnótica y el groove preciso desde una sensibilidad profundamente sonora.

Con una trayectoria que combina el diseño sonoro, la producción musical y una fuerte presencia en cabina, Enkō es fundador de SUMMA y residente en Basilar Festival, donde impulsa el techno más envolvente del circuito portugués. Ha publicado en sellos como HAYES, AWRY, BCCO o SUBOSC, y colabora activamente en la producción y redacción de contenidos para festivales de referencia como Neopop.

Su mix para Belucast es una construcción paciente, física y cargada de detalle. Ya disponible en SoundCloud.

Artwork by Casilda Pérez del Molino
Mucho amor y mucha música 🩵🐳

Belucast005: Enkō

Divide & Oisel - Sezione Aurea EP  (Tremsix)

Divide & Oisel declassifying their auric sonic archives, in collaboration with Jonas Kopp, who has channeled his own complementary visions. 

Tracklist: 

1.SA1 
2.SA2 
3.SA2 (Jonas Kopp Remix) 
4.SA3 
5.SA3 (Jonas Kopp Remix) 
6.SA4 

Release Date: August 6th

Bandcamp´s Full Release: https://tremsix.bandcamp.com/album/sezione-aurea 

Written & Arranged by Divide & Oisel 

Remixes by Jonas Kopp 

Sound Engineering by South Berlin 

Art by Jonas Kopp 

Tremsix 2025

PREMIERE: Divide & Oisel - SA3 (Tremsix)

016 - MICHAEL IUS

(interview below)
For our 16th podcast episode we introduce you to the romanian DJ and producer Michael Ius who blends classical roots with a deep passion for techno.

INTERVIEW
You took classical guitar lessons for 14 years and studied music at university – what was the decisive moment or thought that led you to dedicate yourself entirely to techno production?

All my life I performed other people’s music, whether it was classical or pop. Later I was a guitarist in multiple cover bands. In 2012, I attended a music festival in Bucharest where Luciano was playing. It was melodic techno and it was also the first time I connected with myself on a deeper level. My musical synapses suddenly opened and I instantly fell in love with synthetic sounds. Loved the lowend and the punch! I started producing electronic music in 2016, step by step, and in 2023 I found my current sound and stayed consistent with it.

You're part of the Techno Diatom collective in Bucharest – how would you describe the collective's musical vision and vibe, and what makes your approach different compared to the international scene?

Me, together with Techno Diatom, wanted to bring something different to the local techno scene on a bigger scale. We wanted to actively promote it (via social media ads) to reach more people who like techno and let them know that a “new” subgenre is now present in Bucharest through Techno Diatom. Here in Bucharest and Romania in general, most techno events are focused on Rominimal (which is really good) with slow BPM, Tech House (very commercial), and Hardcore Techno (very fast). Nothing in between.
Compared to the international scene, there’s no real comparison – we’re basically inspired by the international Deep Raw Hypnotic Techno scene, and we’re grateful for that. Western Europe’s electronic music has been going on for generations, and here in Romania we’re just starting to scratch the surface.

In classical music, you work a lot with sheet notes, but these days you probably work more with software and sounds – how has your creative process changed since switching from sheet notes to electronic music production?

Having strong music theory behind me, plus jazz harmony and colorful chords, helped me understand a lot of things faster. I used that knowledge a lot when producing melodic techno in the beginning. But when I went deeper into the real underground minimal techno sound, the theory became useless. Techno has a lot of tension, and if you stay in key, it often sounds too static or melodic. Now the only thing I really use is the octaves. If you “play” the “lead” or “stabs” in the right octave, it works. Everyone can do this by analyzing techno tracks with a frequency analyzer, hovering the mouse on the frequencies when you hear something, and you’ll see in which octave it was played.

@michael-ius-techno
Artwork by Janu Krohm

6D. Podcast 016 - Michael Ius

Track: Keep Them Close
Artist: E2NMN
Release Date: 1st August 2025 
Label: Art Bei Ton
Mastering: Tomás González
Artwork: Apo.G 

E2NMN - Keep Them Close  [𝙰𝙱𝚃-𝙾𝙿⁰¹]

BIN007 by www.soundcloud.com/ddoldd
-
Mastered by www.soundcloud.com/esposito-2834
-
Release artwork by Carla Warneboldt
-
Release date 24.10.2025
-
www.binaer.berlin


[B2] Dold - Borderline (Original Mix)

BIN007 by www.soundcloud.com/ddoldd // www.soundcloud.com/dhaeur
-
Mastered by www.soundcloud.com/esposito-2834
-
Release artwork by Carla Warneboldt
-
Release date 24.10.2025
-
www.binaer.berlin

[A2] Dold - Second Reset (DHÆÜR Remix)

Asymmetric boss Inigo Kennedy returns to his label with an eloquent five track EP 'Utopian Fields'.

'Isolated States' grinds the EP into gear in an upbeat way with yearnful drones and sprinkles of sonic dust and percussive punctuation before 'Reaching' introduces washes of evolving spacious sound over a steady heartbeat kick. 'Bygones' is up third and pulses with electricity and conjures something of a futuristic landscape of its own ahead of title track 'Utopian Fields' which stirs together its sounds of hope and unease. Closing the EP is 'Absence', spacious but melancholy with a persistent undercurrent lurking beneath.

Label: Asymmetric
Catalogue Number: ASYD-24
Artist: Inigo Kennedy
Title: Utopian Fields
Release Date: 22 August 2025

Tracks:

01 'Isolated States'
02 'Reaching'
03 'Bygones'
04 'Utopian Fields'
05 'Absence'

- Links
https://inigokennedy.bandcamp.com/
https://www.instagram.com/inigokennedy/
https://www.soundcloud.com/inigokennedy
https://www.facebook.com/inigo.kennedy.music


Utopian Fields

Inigo Kennedy ASYD-24 Utopian Fields (Preview Clips)

Init1 emerges from the digital haze with Codes, a raw, hypnotic EP that blends cybernetic textures with deep rhythmic urgency. The release is a precise transmission from the underground: coded messages encrypted in rolling percussion, modular pulses, and saturated atmospheres.
Each track on Codes unfolds like a signal intercepted from a forgotten network, minimal yet heavy, detailed yet stark. Init1’s sound is surgical and gritty, operating in a space between dub techno, warehouse techno, and industrial ambient. It’s music that feels both ancient and futuristic, like a bootleg of tomorrow’s past.

Init1- Codes - [AM010] Previews

Fergus Sweetland returns with a tightly wound collection that pulses with precision and invites focused immersion.

releases August 29, 2025

Written, mixed and produced by Fergus Sweetland
Mastered by João Rodrigues at Tema Mastering
Artwork by João Frederico
Release description by Artur Moreira
Released by Hayes Collective, Portugal
Release Date Digital: 29th of August, 2025
Release Date Vinyl: 29th of August, 2025
Catalog Reference: HYSEP62
Format: Digital & Vinyl

Fergus Sweetland - Secret Formula EP | Preview

Voorman:
In an ever-evolving techno landscape, Voorman stands as a distinctive figure, pushing boundaries and reshaping perceptions.

With his dedication to exploring the depths of sound, his music seeks the beauty of imperfection and embraces the untamed edges.

Voorman made his mark with the release of his debut EP, Surface Scatter, on Float Records, showcasing his ability to blend intricate soundscapes with raw, unpolished energy.

In search for an outlet with full creative freedom Voorman has established Subtract Imprint, a sound label which serves as a platform to catalogue his exploration of sound that embody his identity both artistically and personally.

With over a decade of experience, Voorman continues to pave his own path, striving to leave his mark on the underground scene as it stands today.

SC: @voorman
Instagram: https://www.instagram.com/________voorman/

Tracklist:
   1.⁠ ⁠Voorman – Unreleased
   2.  Voorman – Unreleased
   3.  Colum Urton – Egocentric (Voorman Remix)
   4.  Voorman – Unreleased
   5.  Mathys Lenne – Untidy Echo
   6.  Talinho – Lost My Mind In The Lane (Cut 1)
   7.  Gannein – Channeling (Franz Jäger Remix)
   8.  Diepzeebeest – Daydream
   9.  Local Analyst – Opening The Portal
   10. Voorman – Unreleased
   11. Obscur – Unreleased
   12. Gannein – Papencha (Alessio Landini Remix)
   13. Dog on Acid – I Never Thought You Would Do This To Me
   14. Franz Jäger – Kotic
   15. Bateko – Lumber Groove
   16. Mathys Lenne – Enfer Ou Ciel (ft. D.E.S)
   17. Justyn Nell – Oscillating in Place

Master: Voorman
Artwork: Mees van Boheemen www.instagram.com/m.vanboheemen

Ctrls - Stop

Token Records

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