@kuromiya-hideyuki: Thanks I'm glad you like my remix of your original piece!

Disquiet Junto Project 0216: Thin Layers
The Assignment: Add a thin foundational bed to beats of pin-prick audio.

Step 1: For this project you’ll be adding sounds to a pre-existing track of your choosing. Select one track from the previous Junto project, in which beats were made with five tiny, pin-prick sounds:

http://disquiet.com/0215

Step 2: Confirm the track you selected in Step 1 is available for creative reuse. If you’re not sure, correspond with the musician. If you’re short on time, select a different track.

Step 3: Create a new track by adding a thin layer, or several thin layers, of an ambient foundational bed to the pre-existing track. Don’t alter the pre-existing track significantly. Maintain its original length.

Step 4: Annotate your track with a brief explanation of your approach and process — identify the source track and include a link to its SoundCloud page.

Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This project was posted at noon, California time, on Thursday, February 18, 2016, with a deadline of 11:59pm wherever you are on Monday, February 22, 2016.

Length: The length of your track should be the same as that of the source track.

Upload: Please when posting your track on SoundCloud, only upload one track for this project, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please in the title to your track include the term “disquiet0216-thinlayers.” Also use “disquiet0216-thinlayers” as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 216th weekly Disquiet Junto project (“The Assignment: Add a thin foundational bed to beats of pin-prick audio”) at:

http://disquiet.com/0216

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/

The image associated with this project is by Evelyn Flint, used thanks to a Creative Commons license:

https://flic.kr/p/rKoG1i

Disquiet Junto Project 0216: Thin Layers

HERE ON WHO

Lyrics to this song can be found on pg. 49-56 of the Seussical Jr. Student Book.

Here On Who pg. 49-56

HOW TO RAISE A CHILD

Lyrics to this song can be found on pg. 58-59 of the Seussical Jr. Student Book.

How To Raise A Child pg. 58-59

Sirens

Set recorded at sounds of quartzo festival 
(Chapada dos Veadeiros - GO)

Tato @ Quartzo 2023 (Chapada dos Veadeiros - GO)

Hot Money

Hot Money (feat. Carmen & Duckplates)

Cannonball (feat. Don Toliver)

Sympathy Magic

**Production Notes**

I went for emi minami’s lovely „tinyrhythms“, a mixture of pins and insects, recorded with a contact mike. You find it here: [https://soundcloud.com/emiminami/tinyrhythms]

Picked some tonal parts of a newer drone piece, arranged them. I cheated a bit in the length, it’s not quite the same, but otherwise the loops would have sounded somewhat strange. 

Some EQ’s and sidechain compression… and that’s all.

* * * 

**Disquiet Junto Project 0216: Thin Layers**

The Assignment: Add a thin foundational bed to beats of pin-prick audio.

Step 1: For this project you’ll be adding sounds to a pre-existing track of your choosing. Select one track from the previous Junto project, in which beats were made with five tiny, pin-prick sounds:

http://disquiet.com/0215
Step 2: Confirm the track you selected in Step 1 is available for creative reuse. If you’re not sure, correspond with the musician. If you’re short on time, select a different track.

Step 3: Create a new track by adding a thin layer, or several thin layers, of an ambient foundational bed to the pre-existing track. Don’t alter the pre-existing track significantly. Maintain its original length.

Step 4: Annotate your track with a brief explanation of your approach and process — identify the source track and include a link to its SoundCloud page.

Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This project was posted at noon, California time, on Thursday, February 18, 2016, with a deadline of 11:59pm wherever you are on Monday, February 22, 2016

(…)

More on this 216th weekly Disquiet Junto project (“The Assignment: Add a thin foundational bed to beats of pin-prick audio”) at:

http://disquiet.com/0216
More on the Disquiet Junto at:

http://disquiet.com/junto/
Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/
Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/
Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/
The image associated with this project is by Evelyn Flint, used thanks to a Creative Commons license:

https://flic.kr/p/rKoG1i

Bed & Crackers [disquiet0216-thinlayers]

Disquiet Junto Project 0216: Thin Layers (Introduction)

i used my own track (Disquiet0215) as the source material 

in ableton live   
track 1 Helm played live
track 2 Disquiet0215
track 3 Disquiet0215 with delay 
track 4   armed  to record 

done in one take :) 

track 4 was exported  to audacity  where the .wav was trimmed 
a general compressor was applied 



ambient  synth 
Helm synth by Matt Tytel
http://tytel.org/helm/



Eps Sample Disk94SIDE B Disquiet0216- Thin Layers

I really like the collaborative aspect of this weeks assignment and strongly feel this could be the main strength of the whole junto idea. The main track I choose to work with was Emi Minami's gentle and understated piece "disquiet0215-tinyrhythms"https://soundcloud.com/emiminami/tinyrhythms?in=disquiet/sets/disquiet-junto-project-0215  I liked the outdoors vibe and thought it offered a lot of room to roam around in. I went to free sound looking for some nature sounds. I downloaded and used the following sound files.
1)62487__sagetyrtle__1103campfire1
2)13576__acclivity__batwalk
3)269570__vonora__cuckoo-the-nightingale-duet
4)190112__tran5ient__flail6
I added the files onto the Minami track. I then proceeded to do a lot of fx and proceesing and crossfading which got out of hand and I decided to stick to the simplicity of the original and left the files as is except for looping the very short flail sample to give it more of a rhythm. I still decided it needed more of a tempo so I added the beginning of Audio Obscura's excellent track https://soundcloud.com/audio-obscura-music/super-tiny-sound-disquiet-junto-project-0215-tiny-rhythms?in=disquiet/sets/disquiet-junto-project-0215 looping that in. The title "Night of the Cuckoo Batwalk" came from the free sound files.    More on this 216th weekly Disquiet Junto project (“The Assignment: Add a thin foundational bed to beats of pin-prick audio”) at:

http://disquiet.com/0216

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/

The image associated with this project is by Evelyn Flint, used thanks to a Creative Commons license:

https://flic.kr/p/rKoG1i

Night Of The Cuckoo Batwalk (disquiet0216-thinlayers)

Acquired a superb loop track through https://soundcloud.com/kuromiya-hideyuki/fugadisquiet0215-tinyrhythms?in=disquiet/sets/disquiet-junto-project-0215 and denoised it a little.

In FL Studio, set the bpm to 70 and converted the loop track to piano score. Made three tracks from the single piano score and added a high hat. Added various ducking and echoing and volume swells and some other (dis)similar effects to these. Mixed all tracks except for the original to a "thin" state. 

More on this 216th weekly Disquiet Junto project (“The Assignment: Add a thin foundational bed to beats of pin-prick audio”) at:

http://disquiet.com/0216

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/

The image associated with this project is by Evelyn Flint, used thanks to a Creative Commons license:

https://flic.kr/p/rKoG1i

Fuga Luda [disquiet0216-thinlayers]

CHANGE™

Sue Me

Sue Me (KC Lights Remix)

My 33 1/3 series book about the Aphex Twin album <i>Selected Ambient Works Volume II</i> was published in 2014. The book was one of the top 5 bestselling titles for the calendar year, and in 2015 was ranked by Pitchfork as one of the "33 best" of the 100-plus books in the 33 1/3 series. It has subsequently been translated into Japanese (2019) and Spanish (2018)

Since 2012 I have moderated the Disquiet Junto group, which began on SoundCloud. More at disquiet.com/junto. 

I've written for Nature, Pitchfork, The Wire, Down Beat, Boing Boing, NewMusicBox, Red Bull Music Academy, Art Practical, the website of The Atlantic, and many other publications. 

I've exhibited sound art at galleries in Los Angeles (Crewest), Manhattan (apex art), and Dubai (DUTAC), and I had a audio-visual installation at the San Jose Museum of Art as part of its 45th anniversary.

And since 1996 I've run the website Disquiet.com about the intersection of sound, art, and technology.

Fuga Luda [disquiet0216-thinlayers]

Tom Anderson

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Tom Anderson

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