Name: Off The Rails (no Training Required) by P.A.K.50
Duration: 5 min 6 s
Description: Sometimes you have to lose it to find yourself

A gold nugget in a river of noise. Early rave like Shamen and  Inner City.

A pounding dish with sparkling tones and a weapons grade payoff.

Scintillant

Music for Content Creators – DIRECT DOWNLOAD from SoundCloud!

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Track name: Between
Music by Michael Herter
Free Download:  
Video:  https://www.youtube.com/watch?v=jsenuh2RRrc

Between – baroque orchestral classical musical composition.

Music speaks of Paradise and Hell, remembering Dante's "The Divine Comedy", where the inscription on the door to Hell says: "Abandon all hope, ye who enter here".

Inspired by "Confutatis Maledictis" from Mozart's Requiem Mass.

d-moll; 4/4; 120 bpm

The top prize for #bachtobasics of "Bandlab"!

Here’s what judges had to say:
"Stupendous! We are immediately taken into the medieval times of war and conflict, preparing our hero’s tale before entering into battle. Great tones from Michael Herter‘s instrumentation; that violin performance is what we’ll remember for ages! You can already imagine how many historical TV shows this track could fit. Aw-inspiring!"

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Stay tuned as more tracks will be released in the coming weeks and months.

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Thanks For Listening!

Between

Made this a while back. Refreshed it.

Edit: I made it in HQ now. I guess that's a thing :-) Cheers.

Update: 31-09-22 changed some plugins :-)

Masquerade - Adventures

Miles Away

A dance-oriented music, with piano, vocoder and, I hope, a melody that will stay in your head! ;)

Maybe!

I am the Abyssal Dregs
Bottom feeder, beneath the waves
My body thrown to and fro
Sucked down into the Benthic Zone
She told me
Put your hands up to the floor, what's up?
(Put your hands... to the floor. Uh huh, what’s up?)
But what? What is up…. Up from the floor?
The only thing I know is the floor….
The ocean floor and nothing more

Put your hands up to the floor, what's up?
Put your hands up to the floor, what's up?
But what? What is up.... Up from the floor?

Put your hands up to the floor, what's up?
Put your hands up to the floor, what's up?
But what? What is up.... Up from the floor?

Put your hands up to the floor, what's up?
Put your hands up to the floor, what's up?
(But what? What is up.... Up from the floor?)
The only thing I know is the floor

Put your hands up to the floor, what's up?
Put your hands up to the floor, what's up?
(But what? What is up.... Up from the floor?)
The only thing I know is the floor

Put your hands up to the floor, what's up?
Put your hands up to the floor, what's up?
(But what? What is up.... Up from the floor?)
The only thing I know is the floor

Put your hands up to the floor, what's up?
Put your hands up to the floor, what's up?
The only thing I know is the floor

But what? What is up... Up from the floor?

Back To Benthic

DANCE HOUSE AFRODANCE EDM ELECTRONIC DANCETRAP TRIPHOP 

BLACK ROSE

11- Vioflesh Wake Up

March into the night

Sometimes you have to lose it to find yourself

Off The Rails (no Training Required)

Written: 2019-20
Duration: ca. 21'
Instrumentation: string quartet
Commissioned by The Indianapolis String Quartet
Premiere: The Indianapolis String Quartet, Carnegie Hall, Weill Recital Hall, New York, NY, March 5, 2020.
Publisher: Bill Holab Music: http://www.billholabmusic.com/composers/robert-paterson/
For More Information: https://robertpaterson.com/string-quartet-no-3

PROGRAM NOTES
String Quartet No. 3 consists of five movements that explore “other voices,” either literally or figuratively. In a literal sense, this could mean speaking or singing in a way that is not considered normal or even out of one’s control. It could also mean speaking differently for a desired effect. Figuratively, “other voices” could mean a voice that is not one’s own. All five movements touch on these definitions in one way or another.

The first movement, Twist and Shout, uses musical patterns that sound like stuttering or someone who has a severe form of Tourette’s Syndrome. I use these sounds as a technical point of departure, incorporating jagged rhythms, erratic melodic patterns, and sudden volume shifts throughout the movement.

The second movement is entitled Poet Voice, and uses this style of reciting poems as a point of departure. In particular, this movement is based on a video of Louise Glück reading her poem “The Wild Iris,” which is included in a book of poems of the same name for which Glück won the Pulitzer Prize. Glück’s poem compares human suffering and finding a voice to the growth of a wild iris that makes a “passage from the other world” underground, despite the difficulty of breaking through. In the image of the wild iris, the explosion of color symbolizes new life. In this movement, I mimic Glück’s speech patterns and structure the movement around the sound of her voice and the content of her poem, essentially giving new life to her poetic reading. 

The third movement, Auction Chant, is inspired by North American auctioneering, which is a rapid-fire, rhythmic repetition of numbers and “filler words” spoken by auctioneers in the process of conducting an auction. This movement is also inspired by country fiddle music, which is a type of music often played in areas where auctioneering takes place.

In the fourth movement, Effects Pedal, I mimic sounds made by electronic effects pedals—and in particular, a vocal effects pedal, but without the use of actual electronic effects on the stringed instruments. I also use musical effects that sound somewhat like swallowing helium, which raises your voice when you inhale it, or sulfur hexafluoride, which lowers it.

The final movement is entitled Anthem. In this patriotic-sounding, yet slightly humorous movement, I weave together various sports themes and state songs from around the United States that are used to rile up fans at sports games.

String Quartet No. 3 was commissioned by The Indianapolis Quartet.

The Indianapolis Quartet: Robert Paterson - String Quartets 1-3

String Quartet No. 3 - III. Auction Chant

A child of the 1980's enjoying the comeback of culture that played a big influence in my life and defined who I am. I enjoy creating music based on the sounds and memories from my youth.
My inspirations are Kraftwerk, Jean Michel Jarre, Giorgio Moroder, Mike Oldfield, Vangelis, Gary Numan, Tangerine Dream.

I enjoy all forms of electronic music especially Synthwave,  Sovietwave, Retrowave, Outrun and IDM

Off The Rails (no Training Required)

P.A.K.50

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