NWO TRIO Free improv exploring the twists and shapes in Nature.

Thomas Lumley - Saxophone
Andrew Lisle - Drums
Tom Wheatly - Bass

Natural Forms

A track from the old days when Omnivore was known as Deathqunt! 

Omnivore - Shit in Your Bed

Earthy, Dubby, deep groove to dig the London clay to. From a recent Aith band rehearsal featuring Thomas Lumley Saxophone and Electronics, Craig Scott Guitar and Electronics, Pete Gavin Bass, Andrew Lisle drums

London Clay & Cycles

Recorded Live on the 30th May 2015 at The Doelen Phillip zaal in Rotterdam. 

Featuring: 
Thomas Lumley - Tenor Saxophone
Efe Erdem - Trombone
Alex Van Popta - Piano
Bernado D'Addario - Bass
Luis Mora Matus - Drums

Dyma Daliesin

Based on the poem by the most renown Welsh poet Dylan Thomas  this piece uses elements from the Dutch composer Peter Schatt's "Tone Clock" and encompasses the duality of Dylan Thomass work. 

Featuring:-
Thomas Lumley - Tenor Saxophone, Composition
Benjamin Herman - Alto Saxophone
Efe Erdem - Trombone
Alex van Popta - Piano, Keyboards
Bernado D'Addario - Electric Bass
Luis Mora Matus - Drums

Recorded Live at The Phillips Zaal De Doelen, Rotterdam on the 30th May 2014




The Hand That Signed The Paper

Inspired by the poem "This Bread I break" by Dylan Thomas the piece encompasses transition in its highest form from oat to loaf and from grape to wine from wine to blood and bread to body.

Featuring- 
Thomas Lumley - Tenor Saxophone & Composition
Efe Erdem - Trombone
Benjamin Herman - Alto Saxophone
Alex Van Popta - Keys
Bernardo D'Addario - Bass
Luis Mora Matus - Drums

Recorded Live in De Doelen Rotterdam NL on May 30th 2014


This Bread I Break

4 Enemies

New track from the up coming album "Womb Dreams" 

Made using Circuit bent Casios and various kids toys. 

Orni-mental

Journey

Blemishes from Cologne

Nicola Hein - Guitar
Tom Lumley - Saxophone
Niklas - Wandt - Drums
Constantin Herzog - Bass

Blemishes - The Microphysics of Power

Thomas Lumley from Aberdyfi on the west coast of Mid-Wales. Graduating with a first class BA honors degree from Leeds College of Music winning the coveted David Holt Saxophone Prize. Thomas' skills lie in his uncanny improvisational ability and unique creative compositional approach to the jazz and free improv idiom. With influences from the modern jazz world (Coltrane, Steve Coleman, Zorn etc.) along with keen interests in Contemporary Improvised music (Bailey, Evan Parker, ICP, AECM), Balkan folk music, Hindustani Classical music, Afro Cuban music and DIY Avant Guard Electronica Thomas' style has very broad yet totally original influences. 
 
 
Thomas' main musical focus is involved with the acute and detailed processes of improvisation and how it can be squeezed, manipulated and synthesised with elements from separate genres and academic processes from the contemporary classical world to produce wonderfully elaborate music that inspires both the the mind and the spirit. One such example of this in Thomas’ music is his use of Dutch composer Peter Schatt’s Tone Clock; a twelve tone system that uses varying combinations of intervals to produce 12 unique modes or “hours” . 
 
 
After Graduation in 2012 from CODARTS Conservatory in Rotterdam as a Master of Music (funded by the Arts Council of Wales’ Advanced study award program) Thomas has toured the UK and Europe extensively with many different projects the most notable being Leeds based critically acclaimed group Omnivore, Rotterdam (NL) Based Hip-Hop group The Refreshed Orchestra and the Cologne (DE) based free improv groups Blemishes and Damsels in Distress.
 
 
Having performed with many artists, names including Claude Deppa, Tony Allen (Fela Kuti), Brian Jackson (Gil Scott-Heron), Mathew Bourne, Frank Vigroux, Chris Sharkey (Acoustic Lady Land, Trio Vd), Dave Kane, Huw Warren, along with being a previously active Member of LIMA (Leeds improvised Music Association. )Thomas is now based in London, UK and is currently writing for London based new music/improvising trio New World Order and Solo Project THL Solo.

Thomas Lumley

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