Bells bleed & bloom remixed by Swedish indie/electronica/ambient artist Lights & Motion: soundcloud.com/lightsandmotion

Bells Bleed & Bloom (Lights & Motion Remix)

🌌 Spirit of the Crane – a Drum & Bass album between tradition and future.
Mystical sounds of Asian instruments blend with rolling drums, deep basslines, and euphoric synths.
From glowing lanterns and ancient temples to futuristic cityscapes – each track is a chapter in a journey through sound and emotion.
An album full of energy, atmosphere, and wanderlust. 🏮🐉✨

Whispering Bamboo

Distant

Jane with Giant Peach

▲▼ Credits ©

/ˈkrɛdɪt/

'Publicly acknowledge a contributor's role in the production of (something published or broadcast)'

Available on iTunes: http://apple.co/1YcecTv

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Credits

Tracey Chattaway - Holding On

Without Words

Tom Day - Trapped

Tom Day & Laura Lethlean

Tom Day & Laura Lethlean - Question Mark

Dusk (EP)

Tom Day - After Hours

2013 

Support | Lossless

Tom Day - Crystal Beach

My last release of 2018, 'Score for an Unmade Film'. Quite literally this was all music I had composed for a short film that, unfortunately, never made it past the post-production phase. I decided to continue smoothing out and mixing the music and this is the result. I hope you like it. Also available on Spotify and all major streaming platforms.

A Familiar Street

Tom Day is a solo artist residing in Millgrove, Australia and has been creating ambient and electronic music since 2005. Characterised as “effortless and raw”, Tom’s tracks couple elegant beats and piano melodies to an array of personally-collected field recordings, his style alternating between promising swells and restful plateaus.

Having grown up on a farm on the Mornington Peninsula, Tom is strongly influenced by the ocean beaches and natural openness of his hometown. Other influences include cinematic scores by Alan Silvestri, Jóhann Jóhannsson, Thomas Newman, Hildur Guðnadóttir, John Barry, Clint Mansell, Austin Wintory & John Williams, as well as modern classical and electronic artists such as Ólafur Arnalds, Jon Hopkins, Tourist, DjRUM, The Cinematic Orchestra, Segal, Nils Frahm & Bonobo.

The music of Tom Day has been used in independent film and documentaries from around the world, with clients including National Geographic, Volvo, New York Times, Momondo, Holden, Juice Media, GetUp and Tourism Victoria.  Having worked on an array of joint projects with other musicians and visual artists, Tom is deeply drawn to the synthesis of sound and image.

In 2018, Tom launched an ambient and drone side project under the alias sɹoɹɹᴉɯ.

Tom Day - After Hours

tomday

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Макс Симоняка

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Tom Day - After Hours

tomday

Recent comments

Макс Симоняка

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