This is the sophomore EP by Tom Day & Laura Lethlean. It was recorded across the 2018-2019 period. We hope you enjoy :) 

A small run of 50 LTD records are available for pre-order here: www.diggersfactory.com/vinyl/226782 

This will not be pressed again.

Production & Recording by Tom Day 
Vocals & Songwriting by Laura Lethlean 
Illustration by Erika Horvath Gaborovna 
Mastering by Joe Carra

Lyrics:

Last week it was hot
Like the island of Paros
Salt in the ocean began to bake 
Forming little crystals
Like snow flakes
In the liquid glass water
In the liquid glass
Two weeks back I’m already soaked through 
My skins bad again
I’m getting fat again
Pass me the can again
I’ll just have another one or two
Two weeks back I’m already soaked through 
My skins bad again
I’m feeling fat again
Pass me the can again
I’ll just have another one or two
Same day of a new week
Pressure is low
Front is cold
And the roads are rainbow
Reach out the window
Trees have gotten lush
Furry trunks, green leaves
Like they couldn’t wait for a branch
Two weeks back I’m already soaked through 
My skins bad again
I’m feeling fat again
Pass me the can again
I’ll just have another one or two
Two weeks back I’m already soaked through 
My skins bad again
I’m feeling fat again
Pass me the can again
I’ll just have another one or two

Patterns

Support | Lossless

Tom Day & Laura Lethlean - Routine

Tom Day is a solo artist residing in Millgrove, Australia and has been creating ambient and electronic music since 2005. Characterised as “effortless and raw”, Tom’s tracks couple elegant beats and piano melodies to an array of personally-collected field recordings, his style alternating between promising swells and restful plateaus.

Having grown up on a farm on the Mornington Peninsula, Tom is strongly influenced by the ocean beaches and natural openness of his hometown. Other influences include cinematic scores by Alan Silvestri, Jóhann Jóhannsson, Thomas Newman, Hildur Guðnadóttir, John Barry, Clint Mansell, Austin Wintory & John Williams, as well as modern classical and electronic artists such as Ólafur Arnalds, Jon Hopkins, Tourist, DjRUM, The Cinematic Orchestra, Segal, Nils Frahm & Bonobo.

The music of Tom Day has been used in independent film and documentaries from around the world, with clients including National Geographic, Volvo, New York Times, Momondo, Holden, Juice Media, GetUp and Tourism Victoria.  Having worked on an array of joint projects with other musicians and visual artists, Tom is deeply drawn to the synthesis of sound and image.

In 2018, Tom launched an ambient and drone side project under the alias sɹoɹɹᴉɯ.

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