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PUT EM HIGH (GOVNAH DUB)

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ROCKIN' TO THE RHYTHM

Made with love by 22 Interns & Entasia <3

Feelin' Love

22 Interns & Entasia - Feelin' Love (Euphoria Mix)

The Forest of Dean: Lore of Stone
Part one of the two part series, The Forest of Dean: Lore of Water and Stone
Lore of Stone is an immersive audio journey through the ancient stone sites of the Forest of Dean. We wander through Poor’s Allotment to hear the tale of Jack O’Kent and the Devil, follow the Devil’s quoit hurled toward the banks of the Severn, and visit the places where he broods over his defeat — the Devil’s Pulpit at Tintern and the Devil’s Chapel at Bream. From Staunton, the “stony settlement,” we trace the landscape’s mythology: the Longstone that bleeds, the Buckstone where druids once initiated, and the underground mines where many a Forester met their fate.
Written, recorded, and produced by: Xena White
Original music composed by: Gabriel Cowan
Additional music: “The Long Dark” by Scott Buckley — released under Creative Commons (CC–BY 4.0)
Poetry and Songs
A Land Between Two Rivers — written by Dick Brice, performed by Janice Lightly
Jack O’ Kent — written by Claire Smart, performed by The Rum Collective, our tipple of choice
The Devil’s Chapel — by F. W. Harvey, read by Jason Griffiths (courtesy of Elaine Jackson and the Estate of F. W. Harvey)
The Mon in White — by Harry Beddington, read by Jason Griffiths (courtesy of the Harry Beddington Estate)
Poets and Readings
Aimee Bee — The Longstone
Celia Harper — Rock
Jane Spray — The Devil’s Chapel
Voice Performances
Margaret Cowan — reading Mary Jenkins’ The Longstone and The Legend of the Buckstone by W. H. Greene
Malk Williams — as the Devil and Jack O’Kent
Fawn Fae — as a historic villager
With thanks to: Melanie Benn, Steve Nott, and Tony Furmage for their stories
Additional sound effects: from the BBC Sound Effects Archive

The Forest of Dean: Lore Stone

The recording of my set at Sustain Release Year 11 ~ playing 1.30-3.30AM Friday night at The Grove before Donato Dozzy 🌲🌲🌲

This set is a potent brew of pulsating deep techno, alienoid dubstep, freaky psy-prog, dubwise steppers, cosmic 90s techno, acid stompers & beyond ~ The energy in the woods was wild that night, with spaceship lighting taking us off into the galaxy 🧚🌲👽🔮📡🍄🦎🛸

Thank you so much to Aurora Halal and Amelia Holt for the invitation to be a part of Sustain Release this year, it meant so much to me to play at this special gathering  ❤︎ ⟡⋆˙

Feat. music from Polygonia, Emily Jeanne, Phil Berg, Mike Parker, Feral, Kincaid, Yogg, Shoal, Andy Martin, RM Estali, Blazej Malinowski, Mantra, Uun, Space Drum Meditation, Ness, Ruman, Psyk, Anomali, Trois-Quarts Taxi System, Cari Lekebusch +++

Sybil @ Sustain Release Year 11

The recording of my ambient set at Sustain Release Year 11, opening the Bossa Lounge on Saturday evening from 9PM-midnight. 

This set is 3 hours from the heart journeying through time&space across ambient, downtempo, trip hop, acoustic instrumentals, synthesiser pieces and all inbetween 💞 

This is one of my favourite ambient DJing experiences I've had, I felt so at home in the Bossa Lounge and such a deep sense of attentiveness from the audience, thank you to all those who travelled with me on this trip.

Feat. music from tarotplane, Wilson Tanner, Re:Axis, Artekaft, Biosphere, Vangelis, Martin Stürtzer, VC-118A, LF58, Pablo’s Eye, Kaspiann, Daniel[I], Miriam Makeba, Robbie Basho, Rene Lorenzo, Neotropic, Mad Professor, Jefferson Airplane +++

Thank you so much to Aurora Halal and Amelia Holt for the invitation to be a part of thie year's Sustain Release, it meant so much to play at this special gathering. 

I hope you enjoy this memory ❤︎ ⟡⋆˙

Sybil @ Sustain Release Year 11 {ambient set}

One of the defining producers of the 21st century steps up for a rare, era-spanning mix.

We've been in a reflective mood lately: mulling emergent icons, modern classic and the cyclical nature of trends. All things bend around eventually, but if you lived through the mid-'00s the first time, it felt tricky to envision some specifics of those interim years making a second splash. More fool us. Amongst many other things, dubstep is well and truly back.

This resurged appetite for low-end has been a central storyline in 2025. Clear tells were there in the form of Introspekt's Moving The Center and Tracey's "Sex Life," two major highlights of the past 12 months. Alternately, cup your ear to the tremors rumbling across the world and you'd find Mala packing up crowds with gusto. Which makes closing out the year with a mix from the man himself serendipitous.

The South Norwood-born sub sensei has held an anchor role in the movement since its earliest days. A little like what Upsetter was to Black Ark, the principles Mala, Coki and Loefah's DMZ laid down have been expanded on by Deep Medi, a label that has cultivated a loyal fandom who watch over the catalogue like a hawk. (Six years of frothy debate and knowing in-jokes between MEDi 99 and MEDi 100 paints a picture of both steep expectations and an affinity for gently ribbing their leader.)

But Mala's banner 2025 hasn't relied on the heads alone. The adrenaline of his fissuring basslines and barrel-chested vocals have drawn people into his orbit, and there are rarer qualities at play, too—like pacifism, winked at by the demilitarized name and reinforced on their all-time greatest tune; or contemplation, inked on flyers beseeching the crowd to meditate on bass weight.

In that spirit arrives a mix we've asked after for years. Subtitled The Listening Session, it's rare on two counts. Despite his enduring popularity, Mala is a conspicuous absence on most DJ series. (It's not that he doesn't enjoy recording, just gets spooked by the reaction.)

A nearly-three hour studio set—spaciously paced and laced with a combination of 2025 highlights, freshly-cut dubplates and some of the biggest anthems in the genre's history—is unheard of. No tracklist for now, on Mala's request. Soon come.

RA.1016 is the kind of document that jogs the memory back to when dubstep was a discrete enterprise, something you could only fleetingly access by, say, dialling into Youngsta on Sub FM, ripping 320s of "Circling" off long-forgotten blogs or hugging the back wall of Mass. Which, in service of thinking the evolution of 21st century electronic music, is pretty perfect really.  – Gabriel Szatan

Find the interview at ra.co/podcast/1035

@maladmz
@deep-medi-musik

RA.1016 Mala

Juicyjards - 30/11/2025

Essi taking you on a journey through spiritual jazz and other healing sounds blending past, present and future.


Essi @ Kiosk Radio 10.12.2025

We’re so thrilled to publish this incredible recording of one of the most beautiful and healing memories on the subglow dancefloor — NM DJ’s set artfully descended from 160bpm into a soulful mid tempo deepness that feels increasingly rare on Berlin dancefloors — inciting warmth, heavenly groove, and many tears along the way. 

"The DJs Ceci has booked often leave me awestruck, especially when I hear a paradigm of mixing that feels more like sculpting: sound is made almost visibly malleable, without clear borders of where one track ends and another begins, and reality in that nightclub is warped, refolded, churned. I’m more basic I guess – I’m just a girl who loves her deep cuts and her vocals. And what defines “deep”? To me it’s a track’s capacity to hold both abstraction (spatial, textural, tonal) and soul, regardless of genre. If a door to the divine could be hinged in it, then it’s deep. At the end of a party, if the floor was hot, my mind is already so bent and the body so broken, that’s all I want. Or, as D’Bora Rivers sings in the canonical “Ncameu” that ends the set, “something strong and sweet, like honey in my drink…”

-- NM DJ @tabloidpress

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