The track “Gen‑Z Anthem” blends driving deep‑house grooves with a dark, blues‑infused vibe and clean electronic production. Pulsing kick drums, warm 808 bass lines, and a minimal, mantra‑like vocal hook (“Heat”) create a hypnotic club atmosphere, while subtle guitar and blues elements add an organic, slightly melancholic touch. Overall, the song feels like a nocturnal city ride: modern, stripped‑back yet emotionally charged – ideal for late‑night sets, rooftop sessions, or focused work with a steady underlying tension.

Gen-Z Anthem

The track blends driving deep house beats with a cool electro blues vibe that instantly evokes stylish city nights and a movie soundtrack feel reminiscent of Beverly Hills Cop. The bassline runs steadily and powerfully. On top, warm, slightly melancholic harmonies and atmospheric synth layers create a sound that feels both laid-back and energetic, making it ideal for workouts, car rides, or as a backdrop for sleek lifestyle and gym videos. Overall, it delivers a modern, elegant club sound that smoothly fuses blues feeling, 80s police-action associations, and contemporary house aesthetics.

Beverly Hills Sheriff

A fully instrumental track driven by a deep house beat and a smoky electro-blues feel, with slide guitar clearly taking the lead. The mood resembles a night ride home: warm, slightly melancholic, yet hypnotically pushing forward on a round sub-bass foundation and subtle synth pads. With no vocals, tension and momentum come from the guitar riffs, crisp percussion details, and understated atmospheric FX, keeping the groove steady without feeling crowded. The result is an urban, cinematic flow that fits late-night sets, long drives, or focused listening.

Taxi to Home

A deep, fuzzy bass pulses beneath the surface while heavy toms and tribal‑driven grooves anchor the track, giving it a ritualistic, trance‑like energy. The four‑on‑the‑floor beat gradually emerges, transforming the initial ambience into a hypnotic, driving flow.

Throughout the layers, eerie and slightly unsettling tones appear, adding a shamanic, dark aura — as if witnessing a nocturnal ceremony deep within an ancient forest. “Cauldron Ritual” blends club energy with mystical tension, creating a sound that is deep, tribal, and electrifying all at once.

Cauldron Ritual

A piano‑centered House track built around expressive chords and a steady rhythmic pulse. The warm, resonant piano line shapes the entire groove, giving the track a distinctive melodic character while the beat keeps everything moving with subtle drive and clarity.

Cactus & Claps

“Shadow Bloom” opens in a slow, atmospheric rise, building tension without a kickdrum before gradually unfolding into a hypnotic Minimal House groove. Warm pads create a soft, immersive backdrop while a deep, resonant bass anchors the track with subtle weight.

As the energy grows, a steady four‑on‑the‑floor beat emerges, supported by rich drum transitions that add movement and texture. Distorted guitar layers weave through the mix, adding an emotional, slightly mysterious edge that elevates the track’s character.

The result is a deep, evolving journey—introspective yet dance‑ready, perfect for late‑night sets, warm club floors, or focused headphone sessions.

Shadow Bloom

“Ignition Core” feels like a driving instrumental track that merges the raw force of hard rock with the pulsing framework of house: distorted guitar riffs, punchy drums, and strong forward momentum meet the classic four-on-the-floor groove, repetitive rhythm, and club-focused flow.

Ignition Core

Something Bad Is Coming is a dark, slow-burning house track driven by a steady pulse and a haunting soundscape built on sparse atonal piano and swelling synth pads. Tension grows with every bar as shadowy textures, hypnotic movement, and creeping unease pull the listener deeper into a cold, cinematic descent. Balancing club energy with psychological dread, the track feels like a warning from the dark — elegant, unsettling, and impossible to ignore.

Something bad is coming

This track is a deep house remix of Greensleeves, the traditional English folk song and love ballad first documented in the late 16th century. Known for its melancholic melody and its theme of longing and rejection, the original is reimagined here through deep low-end pressure, driving house grooves, and a modern club atmosphere. The result is a fusion of timeless emotion and powerful dancefloor energy, where classical piano meets heavy bass and hypnotic rhythm.

Greensleeves Remix

A positive instrumental track driven by catchy guitar riffs, a pulsing groove, and an energy that instantly makes you want to move. The title “Cache Overflow” works as a metaphor for those moments when the mind feels overloaded with thoughts, pressure, and noise, and the only real release is to dance it all out.

Cache Overflow

Urban Panther is a deep rolling house track with a dark, stylish presence and a clearly blues-infused character. Warm grooves, solid low-end, and distinctive guitar tones with smooth slide accents come together in a nocturnal atmosphere that feels cool, emotional, and urban at the same time. The sound creates an elegant tension between club energy and raw soul texture, pulling the listener through the night with a hypnotic and fluid motion.

Urban Panther

“Hypermotion” is a driving electro house track with fuzzy bass, pumping groove, and wide synths that grows from a sparse intro into a euphoric drop. Slapback delay, gated snare, and subtle saturation add extra bite, warmth, and club energy to the instrumental

Hypermotion

"Broken Soul" is an emotional vocal house track carried by a melancholic sound. Delicate piano melodies lay the emotional foundation while driving beats push forward a story of trust, deception, and liberation. Powerful vocals guide the listener through a journey from vulnerable warmth in the verse to an explosive, cathartic chorus. The music mirrors an inner conflict – recognizing lies behind a sweet smile – and ultimately gives way to an empowering sense of strength. A track that cuts deep to the soul while simultaneously bringing the dancefloor to life.

Broken Soul (Vocal House)

The track "The Last Orient Express" takes the listener on an elegant journey between two worlds. Classical strings carry the melody with a timeless, almost nostalgic grace, while a subtle house groove pulls the composition into the present. Oriental tones weave through like distant memories, telling the story of a long, mysterious journey through the East.

The Last Orient Express

Crystal Mind is a light, atmospheric house track that gently pulls you into another world. Warm pad layers settle over the groove like a soft light – not intrusive, but inviting. The beat is present yet restrained, carrying the track without overpowering it. It's the kind of music that makes you breathe a little deeper, drop your shoulders, and simply arrive in the moment.

Crystal Mind

“Voices of the Savanna” is a warm, atmospheric Afro-house track that speaks less through big melodies and more through feeling, depth, and movement. Soft synth layers carry the track almost all the way through, giving it a floating, hypnotic mood, while the African chants add an earthy and spiritual character. The piano appears only from time to time, landing in just the right moments to add small emotional highlights. Together with the organic percussion, it creates a groove that feels calm, deep, and absorbing.

Voices of the Savanna

"Me Time" is a calm, introspective house track that creates an atmosphere of letting go with gentle, hypnotic synth pads. The steady four-on-the-floor groove carries the listener through a relaxed, meditative soundscape – perfect for moments of stillness and self-reflection. Delicate synth melodies weave through the mix like quiet thoughts, inviting you to simply exist in the moment.

Me Time

Immerse yourself in the pulsating energy of "Caught in the Stroboscopic Light." This house track seamlessly blends deep, driving basslines with a layer of warm, inviting synthesizer sounds. It creates a captivating balance between a late-night club atmosphere and a soulful, melodic core that pulls you straight onto the dance floor.

Caught in the Stroboscopic Light

„Push & Pull“ is a sensual house track that captures the tension between closeness and distance in a relationship – performed as a duet by a female and a male vocalist. Driven by a warm, pulsing beat and gentle, blues-tinged guitar lines, the song creates an intimate, almost physically palpable atmosphere. The female and male voices intertwine, whispering alternately and together: “I push you”, “I pull you close” – supported by erotic ad-libs like “uuuhhh”, “mmmhhh” and “Yeahhh”. This interplay of vocals emphasizes the emotional tug-of-war between attraction and space without becoming explicit. The instrumental solo section lets the guitar bloom emotionally before the track returns to its hypnotic groove. Produced by Tomecy, who wrote both lyrics and music; performed by Ivory Lane and Leon Wolf.

Push & Pull

Serving as the grand finale and title track of the eponymous album, "Rough Enough" delivers an explosive surge of energy straight to the dancefloor. Born from the gritty roots of hard rock, this driving house track seamlessly fuses screaming electric guitars with scratchy, distorted synths to create a unique and powerful sound. It is the perfect, untamed conclusion to an album that makes absolutely no compromises, leaving the listener with a lasting sonic impact.

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Rough Enough? [Free Download]

Blending nostalgic 80s synthwave with a driving house beat, "Turned You Down" captures the harsh reality of a friendship that has suddenly reached a dead end. It’s a track about that painful moment when you have to put up your walls, shut the door, and walk away from someone you once completely trusted. What really brings the heavy emotion to life is the gritty, unmistakable voice of Craig Kane —the same singer who gave "Something Bad is coming" its signature edge. He delivers the lyrics with a perfect mix of heartbreak and absolute defiance, turning the cinematic synths and deep bass into a danceable yet deeply bittersweet anthem that's perfect for a solitary late-night drive.

Turned You Down

This track is the perfect invitation to the dance floor, blending the nostalgic charm of 80s synthwave with the driving rhythms of house music. With its carefree atmosphere, the song captures the feeling of an endless, energetic night out where everything feels effortless and light. It's an instantly memorable tune that irresistibly makes you want to move to the beat.

Dancing All Night

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Between Two Entrances is a laid-back, atmospheric deep house track driven by smooth and soulful piano chords. The combination of an unobtrusive yet driving groove and warm basslines creates a hypnotic and calming mood. The track invites you to leave everyday life behind and simply drift away with the music—making it the perfect sonic backdrop for relaxing evenings, stylish lounges, or deep concentration.

Between Two Entrances

"Winter Within Us" is an emotionally moving house track driven by the harmonious interplay of melancholic piano chords and a delicate guitar. Its unique melody perfectly captures the cool, reflective atmosphere of an inner winter, seamlessly blending deep sadness with the captivating rhythm of modern house music. A piece that invites both quiet contemplation and gentle movement.

Winter Within Us

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"The clock is running backward" is an energetic house track that lays down a massive foundation with its punchy, driving bass drum. Providing an exciting contrast to this heavy club beat is a beautiful, classic piano melody that infuses the piece with a profound and timeless emotional touch. It is the perfect symbiosis of raw rhythmic energy and elegant harmony, inevitably drawing listeners straight to the dance floor and making them forget time—or making it run backward—for a moment.

The clock is running backward

"A pineapple in the elevator" is a captivating House track that takes the listener on a unique musical journey. The foundation is built on a smooth, driving House beat, supported by beautifully soft piano chords that create a warm and inviting atmosphere. A very subtle, psychedelic touch weaves through the sound arrangement, giving the song a slightly surreal, dreamy vibe – just as the quirky title suggests. It is the perfect track for deep, relaxed club nights or atmospheric listening at home.

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A Pineapple In The Elevator

"Pending Arrival" is a light and elegant house track that creates a wonderfully relaxed atmosphere with its gentle, pleasant beat. At the heart of the composition is a soft, melodic piano that conveys a comforting sense of joyful anticipation and floating lightness. This track is perfectly suited for relaxing hours in a lounge, a sunny afternoon, or as an atmospheric, smooth start to the evening.

Pending Arrival

"Perpetual Motion" is a heavily synth-driven, modern, and melodic track that strikes a perfect balance between relaxation and steady, flowing movement. The warm electronic soundscapes invite you to chill out completely, while simultaneously providing the ideal groove for weightless dream-dancing.

Perpetual Motion

"We will remember (9/11 Special)" is a deeply moving Electro R&B production. In this 9/11 special, Craig Kane lends his soulful voice, singing about the tragic attacks of September 11th. Accompanied musically by Tomecy, the melancholic song blends soft R&B rhythms with atmospheric electronic sounds, beautifully underscored by an emotional piano and poignant strings. It serves as a dignified musical tribute, capturing the profound sorrow of that day while conveying a powerful message of remembrance.

We will remember (9/11 Special)

"Almost There", is dedicated to my brother-in-law, who set his mind on quite an ambitious project in 2025: walking the Via Regia. The journey kicked off in Krakow, Poland, and from there, he just kept heading west on foot. He was on the road for over six months, steadily making his way, until his body waved the white flag in Nevers, France, unmistakably demanding a timeout. For health reasons, he had to make the tough call to pause the trip and head home to recover. But anyone who thinks that was the end of the story doesn't know him very well. After exactly a one-week grace period, the guy was right back on his exact spot in Nevers, laced up his hiking boots, and relentlessly pushed forward – all the way to the end of the world in Fisterra. When you consider that he covered over 4,000 kilometers (2485,485 Miles) purely on foot along the way, the sheer scale of this crazy achievement really sinks in. Exactly this epic rollercoaster – the months of motivation, the tough setback, and the triumphant arrival – is reflected in every beat of this track.

Almost There

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Hey, I’m Tomecy. I live in Berlin now, but I was born in Poland. Music has been with me since childhood. I write lyrics, play various instruments, and produce House tracks shaped by all the influences that have inspired me over the years.

I love blending House with Blues, Rock, Metal, World Music, Jazz, and other styles. I also create remixes on the side. Experimenting with rhythms, harmonies, and sounds feels like home to me. My goal is to craft energetic, genre‑crossing tracks that bring something fresh to the dancefloor and sometimes even make you think.
If you’re into innovative House fusions and musical journeys that go beyond the usual, you’re in the right place.

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