From R&D of SAP written by Rafaella Marcus, directed by Jessica Lazar and devised by theatre company Atticist

II. Pulse

Score to short dance film ROOM by Company Nil

Television

Avalanche

THE BOWER
Written and Directed by Marco Alessi

Music by Tom Foskett-Barnes

Recorded at Knight Time Studios
Engineer - James Knight

Soprano Saxophone - Graeme Blevins
Alto Flute - David Ruff
Cor Anglais - Izy Cheesman
Bass Clarinet - Emma Burgess
Cello - Molly McWhirter

Terri, Jude, Seb, Derek (The Bower)

The Sunne Rising (The Bower)

Hail Saint Derek (The Bower)

Dungeness Road (The Bower)

Senecio Jacobaea (The Bower)

FILM: http://www.youtube.com/watch?v=ASn2Zse6g8k

Many Moons

Moon On A Stone Balustrade (from ON FALLING)

Suite of the music to Grey Area. Short Film by Bertie Gilbert

http://vimeo.com/106917299

GREY AREA Suite

The opening of a ballet adaptation of Jean Paul-Sartre's 1944 play, No Exit. For Point(e) Taken Dance Theatre.

NO EXIT Prologue

The opening sequence to short film BLUE SUSHI by Bertie Gilbert and Sammy Paul.

BLUE SUSHI Opening Sequence

Main titles to documentary Artist/Activist, written and directed by Tyler Pelzek.

Artist/Activist

The closing sequence to a new queer documentary called LOOK AT ME, by Marco Alessi and Patrick Lee.

Look At Me - Closing Sequence

Re-score to Paolo Sorrentino's sumptuous THE GREAT BEAUTY (LA GRANDE BELLEZZA)

Flamingos

‘The thing he’s just got to face, and it’s a very real, and in his view a very serious problem, is that Henry is paranoid.’

'Kissinger is Paranoid' is a retrospective electroacoustic study of Henry Kissinger's private communications and fixation on political manoeuvring. 

The piece uses sampled audio from a White House telephone call on November 29th 1972 between President Richard Nixon and White House Chief of Staff H.R. “Bob” Haldeman concerning upcoming second-term appointments as well as Kissinger’s mental health.

Kissinger Is Paranoid

Score to documentary BLACK SHEEP, directed by Ed Perkins.

TFB

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